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Olympus E-M1 II versus Sony A6000

The Olympus OM-D E-M1 Mark II and the Sony Alpha A6000 are two enthusiast cameras that were announced, respectively, in September 2016 and February 2014. Both the E-M1 II and the A6000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M1 II) and an APS-C (A6000) sensor. The Olympus has a resolution of 20.2 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Olympus E-M1 II vs Sony A6000

The side-by-side display below illustrates the physical size and weight of the Olympus E-M1 II and the Sony A6000. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the E-M1 II – represents the basis or 100 percent across all the size and weight measures).

Compare Olympus E-M1 II vs Sony A6000
E-M1 II versus A6000 top view
E-M1 II and A6000 rear side
Body view (E-M1 II on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is considerably smaller (34 percent) than the Olympus E-M1 II. Moreover, the A6000 is substantially lighter (40 percent) than the E-M1 II. It is worth mentioning in this context that the E-M1 II is splash and dust resistant, while the A6000 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (E-M1 II) and the Sony E-Mount Lens Catalog (A6000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M1 II gets 440 shots out of its BLH-1 battery, while the A6000 can take 360 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Olympus E-M1 II (⇒ rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Sony A6000 (⇒ lft) 120 mm 67 mm 45 mm 344 g 360 no 2014 599discont. check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Olympus E-M1 (⇒ lft | rgt) 130 mm 94 mm 63 mm 497 g 350 YES 2013 1,399discont. check
Panasonic G9 (⇒ lft | rgt) 137 mm 97 mm 92 mm 658 g 400 YES 2017 1,699 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic G80 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199discont. check
Sony A7 III (⇒ lft | rgt) 127 mm 96 mm 74 mm 650 g 610 YES 2018 1,999 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999discont. check
Sony A5100 (⇒ lft | rgt) 110 mm 63 mm 36 mm 283 g 400 no 2014 549 latest check
Sony A5000 (⇒ lft | rgt) 110 mm 63 mm 36 mm 269 g 420 no 2014 449discont. check
Sony A3000 (⇒ lft | rgt) 128 mm 91 mm 85 mm 411 g 470 no 2013 329discont. check
Sony NEX-6 (⇒ lft | rgt) 120 mm 67 mm 43 mm 345 g 360 no 2012 999discont. check

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a markedly lower price (by 70 percent) than the E-M1 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.


Sensor comparison: Olympus E-M1 II vs Sony A6000

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-M1 II features a Four Thirds sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M1 II has a native 4:3 aspect ratio, while the one in the A6000 offers a 3:2 aspect.

Olympus E-M1 II and Sony A6000 sensor measures
Sensor size

With 24MP, the A6000 offers a higher resolution than the E-M1 II (20.2MP), but the A6000 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the E-M1 II) due to its larger sensor. However, the E-M1 II is a much more recent model (by 2 years and 7 months) than the A6000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the A6000, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

E-M1 II versus A6000 MP
Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Olympus E-M1 II (⇒ rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Sony A6000 (⇒ lft) APS-C 24.0 6000 4000 1080/60p 24.1 13.1 1347 82
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Olympus E-M1 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 23.0 12.7 757 73
Panasonic G9 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p - - - -
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic G80 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A7 III (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 25.0 14.7 3730 96
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A5100 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 23.8 12.7 1347 80
Sony A5000 (⇒ lft | rgt) APS-C 19.8 5456 3632 1080/60i 23.8 13.0 1089 79
Sony A3000 (⇒ lft | rgt) APS-C 19.8 5456 3632 1080/60i 23.7 12.8 1068 78
Sony NEX-6 (⇒ lft | rgt) APS-C 16.0 4912 3264 1080/60i 23.7 13.1 1018 78

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M1 II provides a higher video resolution than the A6000. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison: Olympus E-M1 II vs Sony A6000

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M1 II offers a substantially higher resolution than the one in the A6000 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Olympus E-M1 II and Sony A6000 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Olympus E-M1 II (⇒ rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Sony A6000 (⇒ lft) 1440 no 3.0 922 tilting no 4000 11.0 6 no
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M1 (⇒ lft | rgt) 2360 no 3.0 1037 tilting YES 8000 10.0 no YES
Panasonic G9 (⇒ lft | rgt) 3680 YES 3.0 1040 swivel YES 8000 20.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic G80 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A7 III (⇒ lft | rgt) 2359 no 3.0 922 tilting YES 8000 10 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A5100 (⇒ lft | rgt) no no 3.0 922 tilting YES 4000 6.0 4 no
Sony A5000 (⇒ lft | rgt) no no 3.0 461 tilting no 4000 3.5 4 no
Sony A3000 (⇒ lft | rgt) 202 no 3.0 230 fixed no 4000 2.5 6 no
Sony NEX-6 (⇒ lft | rgt) 2359 no 3.0 921 tilting no 4000 10.0 6 no

The E-M1 II is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300.

Review summary: Olympus E-M1 II vs Sony A6000

So what is the bottom line? Which of the two cameras – the Olympus E-M1 II or the Sony A6000 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.


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Advantages of the Olympus OM-D E-M1 Mark II:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
  • More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (18 vs 11 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (440 versus 360) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More modern: Reflects 2 years and 7 months of technical progress since the A6000 launch.

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Arguments in favor of the Sony Alpha A6000:

  • More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More compact: Is smaller (120x67mm vs 134x91mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 230g or 40 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in February 2014).

If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II is the clear winner of the match-up (13 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

E-M1 II 13:07 A6000

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-M1 II or the A6000 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
.com
dp
review
.com
ephoto
zine
.com
imaging
resource
.com
photography
blog
.com
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Olympus E-M1 II (⇒ rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Sony A6000 (⇒ lft) Rec 80/100 Gold 4.5/5 5/5 5/5 2014 599discont. check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Olympus E-M1 (⇒ lft | rgt) HiRec 84/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,399discont. check
Panasonic G9 (⇒ lft | rgt) HiRec 85/100 Silver 5/5 .. 5/5 2017 1,699 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic G80 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199discont. check
Sony A7 III (⇒ lft | rgt) HiRec 89/100 Gold 5/5 .. 5/5 2018 1,999 latest check
Sony A9 (⇒ lft | rgt) HiRec 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999discont. check
Sony A5100 (⇒ lft | rgt) Rec - 4.5/5 4.5/5 5/5 2014 549 latest check
Sony A5000 (⇒ lft | rgt) Rec - 4.5/5 reviewed 4.5/5 2014 449discont. check
Sony A3000 (⇒ lft | rgt) Rec - 4/5 4.5/5 4/5 2013 329discont. check
Sony NEX-6 (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 5/5 4.5/5 2012 999discont. check

Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.


Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.

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