Olympus E-3 versus Olympus E-M1 II
The Olympus E-3 and the Olympus OM-D E-M1 Mark II are two digital cameras that were officially introduced, respectively, in October 2007 and September 2016. The E-3 is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-3 has a resolution of 10 megapixel, whereas the E-M1 II provides 20.2 MP.
An illustration of the physical size and weight of the Olympus E-3 and the Olympus E-M1 II is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the E-3 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is notably smaller (26 percent) than the Olympus E-3. Moreover, the E-M1 II is markedly lighter (34 percent) than the E-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Four Thirds Lens Catalog (E-3) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Olympus E-3 (⇒ rgt)||142 mm||116 mm||75 mm||876 g||750||YES||2007||1,699||discont.||check|
|Olympus E-M1 II (⇒ lft)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Nikon D300 (⇒ lft | rgt)||147 mm||114 mm||74 mm||925 g||1000||YES||2007||1,799||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M1 (⇒ lft | rgt)||130 mm||94 mm||63 mm||497 g||350||YES||2013||1,399||discont.||check|
|Olympus E-5 (⇒ lft | rgt)||142 mm||117 mm||75 mm||873 g||750||YES||2010||1,699||discont.||check|
|Olympus E-620 (⇒ lft | rgt)||130 mm||94 mm||60 mm||521 g||500||no||2009||699||discont.||check|
|Olympus E-600 (⇒ lft | rgt)||130 mm||94 mm||60 mm||535 g||500||no||2009||449||discont.||check|
|Olympus E-420 (⇒ lft | rgt)||130 mm||91 mm||53 mm||440 g||500||no||2008||599||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||136 mm||92 mm||68 mm||535 g||750||no||2008||699||discont.||check|
|Olympus E-30 (⇒ lft | rgt)||142 mm||108 mm||75 mm||701 g||750||no||2008||1,299||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||136 mm||92 mm||68 mm||538 g||750||no||2007||799||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||141 mm||104 mm||81 mm||738 g||750||YES||2003||1,699||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Panasonic GX8 (⇒ lft | rgt)||133 mm||78 mm||63 mm||487 g||330||YES||2015||1,199||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-3 was launched at a somewhat lower price (by 15 percent) than the E-M1 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the E-M1 II offers a higher resolution of 20.2 megapixel, compared with 10 MP of the E-3. This megapixel advantage translates into a 42 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.74μm for the E-3). However, it should be noted that the E-M1 II is much more recent (by 8 years and 11 months) than the E-3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the E-3, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M1 II offers substantially better image quality than the E-3 (overall score 24 points higher). The advantage is based on 2.1 bits higher color depth, 2.3 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-3 (⇒ rgt)||Four Thirds||10.0||3648||2736||no||21.6||10.5||571||56|
|Olympus E-M1 II (⇒ lft)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Nikon D300 (⇒ lft | rgt)||APS-C||12.2||4288||2848||no||22.1||12.0||679||67|
|Olympus PEN-F (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M1 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-5 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|Olympus E-620 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.3||10.3||536||55|
|Olympus E-600 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.5||10.3||541||55|
|Olympus E-420 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.5||10.4||527||56|
|Olympus E-520 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.4||10.4||548||55|
|Olympus E-30 (⇒ lft | rgt)||Four Thirds||12.2||4032||3024||no||21.3||10.4||530||55|
|Olympus E-410 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.1||10.0||494||51|
|Olympus E-510 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.2||10.0||442||52|
|Olympus E-1 (⇒ lft | rgt)||Four Thirds||4.9||2560||1920||no||-||-||-||-|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-M1 II indeed provides for movie recording, while the E-3 does not. The highest resolution format that the E-M1 II can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Olympus E-3 and Olympus E-M1 II along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Olympus E-3 (⇒ rgt)||optical||YES||2.5||230||swivel||no||8000||5.0||13||YES|
|Olympus E-M1 II (⇒ lft)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Nikon D300 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||6.0||12||no|
|Olympus PEN-F (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M1 (⇒ lft | rgt)||2360||no||3.0||1037||tilting||YES||8000||10.0||no||YES|
|Olympus E-5 (⇒ lft | rgt)||optical||YES||3.0||920||swivel||no||8000||5.0||13||YES|
|Olympus E-620 (⇒ lft | rgt)||optical||no||2.7||230||swivel||no||4000||4.0||12||YES|
|Olympus E-600 (⇒ lft | rgt)||optical||no||2.7||230||swivel||no||4000||4.0||12||YES|
|Olympus E-420 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||no|
|Olympus E-520 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||YES|
|Olympus E-30 (⇒ lft | rgt)||optical||YES||2.7||230||swivel||no||8000||5.0||13||YES|
|Olympus E-410 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Olympus E-510 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||12||YES|
|Olympus E-1 (⇒ lft | rgt)||optical||YES||1.8||134||fixed||no||4000||3.0||no||no|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
The E-M1 II is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-3 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-3 was succeeded by the Olympus E-5.
So what conclusions can be drawn? Is the Olympus E-3 better than the Olympus E-M1 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus E-3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (750 versus 440) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2007).
Arguments in favor of the Olympus OM-D E-M1 Mark II:
- More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 42%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (18 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (134x91mm vs 142x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 302g or 34 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 8 years and 11 months of technical progress since the E-3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the E-3 and the E-M1 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Olympus E-3 (⇒ rgt)||88/100||HiRec||reviewed||reviewed||4/5||2007||1,699||discont.||check|
|Olympus E-M1 II (⇒ lft)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Nikon D300 (⇒ lft | rgt)||90/100 HiRec||HiRec||5/5||reviewed||4.5/5||2007||1,799||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M1 (⇒ lft | rgt)||HiRec||84/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,399||discont.||check|
|Olympus E-5 (⇒ lft | rgt)||-||75/100||4/5||-||4.5/5||2010||1,699||discont.||check|
|Olympus E-620 (⇒ lft | rgt)||88/100||72/100 HiRec||4.5/5||reviewed||5/5||2009||699||discont.||check|
|Olympus E-600 (⇒ lft | rgt)||-||-||-||-||4.5/5||2009||449||discont.||check|
|Olympus E-420 (⇒ lft | rgt)||85/100||HiRec||4/5||reviewed||4.5/5||2008||599||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||87/100||HiRec||4.5/5||4/5||4.5/5||2008||699||discont.||check|
|Olympus E-30 (⇒ lft | rgt)||-||71/100 HiRec||4.5/5||-||4/5||2008||1,299||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||86/100||HiRec||4/5||reviewed||4.5/5||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||89/100||HiRec||3.5/5||reviewed||4.5/5||2007||799||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||-||Rec||reviewed||reviewed||-||2003||1,699||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||latest||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.
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