Olympus E-3 vs E-M1 II

The Olympus E-3 and the Olympus OM-D E-M1 Mark II are two digital cameras that were revealed to the public, respectively, in October 2007 and September 2016. The E-3 is a DSLR, while the E-M1 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-3 has a resolution of 10 megapixels, whereas the E-M1 II provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-3		Olympus E-M1 II
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Micro Four Thirds lenses
10 MP – Four Thirds sensor		20.2 MP – Four Thirds sensor
no Video		4K/30p Video
ISO 100-3,200		ISO 200-25,600
Optical viewfinder		Electronic viewfinder (2360k dots)
2.5" LCD – 230k dots		3.0" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
5 shutter flaps per second		18 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
750 shots per battery charge		440 shots per battery charge
142 x 116 x 75 mm, 876 g		134 x 91 x 67 mm, 574 g

Check E-3 offers at
ebay.com
Check E-M1 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-3 and the Olympus E-M1 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is notably smaller (26 percent) than the Olympus E-3. Moreover, the E-M1 II is markedly lighter (34 percent) than the E-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-3) and the Micro Four Thirds Lens Catalog (E-M1 II). Mirrorless cameras, such as the E-M1 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-3 gets 750 shots out of its Olympus BLM-1 battery, while the E-M1 II can take 440 images on a single charge of its Olympus BLH-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
2.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
3.		Nikon D300	147 mm	114 mm	74 mm	925 g	1000	Y	Aug 2007	1,799	ebay.com
4.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	1,799	ebay.com
5.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
6.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
7.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
8.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
9.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
10.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
11.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
12.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
13.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
14.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
15.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	1,699	ebay.com
16.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
17.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-3 was launched at a somewhat lower price (by 15 percent) than the E-M1 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Technology-wise, the E-M1 II uses a more advanced image processing engine (TruePic VIII) than the E-3 (TruePic III), with benefits for noise reduction, color accuracy, and processing speed.

While the two cameras under review share the same sensor size, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 10 MP of the E-3. This megapixels advantage translates into a 42 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.74μm for the E-3). However, it should be noted that the E-M1 II is much more recent (by 8 years and 11 months) than the E-3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the E-3, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M1 II offers substantially better image quality than the E-3 (overall score 24 points higher). The advantage is based on 2.1 bits higher color depth, 2.3 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
2.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
3.		Nikon D300	APS-C	12.2	4288	2848	none	22.1	12.0	679	67
4.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
5.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
6.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
7.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
8.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
9.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
10.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
11.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
12.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
13.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
14.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
15.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
16.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
17.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The E-M1 II indeed provides for movie recording, while the E-3 does not. The highest resolution format that the E-M1 II can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1 II has a higher magnification than the one of the E-3 (0.74x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-3 and Olympus E-M1 II along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
2.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
3.		Nikon D300	optical	Y	3.0 / 922	fixed	n	1/8000s	6.0/s	Y	n
4.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
5.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
7.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
8.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
9.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
10.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
11.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
12.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
13.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
14.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
15.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
16.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
17.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-3 has one, while the E-M1 II does not. While the built-in flash of the E-3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-3 writes its imaging data to Compact Flash or xD Picture cards, while the E-M1 II uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
2.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Nikon D300	Y	- / -	-	-	mini	2.0	-	-	-
4.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
5.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
15.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
16.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
17.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-

It is notable that the E-M1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-3 does not provide wifi capability.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the E-3 and the E-M1 II have been discontinued, but can regularly be found used on ebay. The E-3 was replaced by the Olympus E-5, while the E-M1 II was followed by the Olympus E-M1 III. Further information on the features and operation of the E-3 and E-M1 II can be found, respectively, in the Olympus E-3 Manual (free pdf) or the online Olympus E-M1 II Manual.

Review summary

So how do things add up? Is there a clear favorite between the Olympus E-3 and the Olympus E-M1 II? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Olympus E-3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Longer lasting: Can take more shots (750 versus 440) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in October 2007).

Arguments in favor of the Olympus OM-D E-M1 Mark II:

• More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 42%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
• Better jpgs: Has a more modern image processing engine (TruePic VIII vs TruePic III).
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.58x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (18 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (134x91mm vs 142x116mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 302g or 34 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More modern: Reflects 8 years and 11 months of technical progress since the E-3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 II is the clear winner of the contest (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-3 and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-3 or the E-M1 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
2.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
3.		Nikon D300	..	+ +	..	+ +	5/5	4.5/5	Aug 2007	1,799	ebay.com
4.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	1,799	ebay.com
5.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
6.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
7.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
8.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
9.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
10.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
11.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
12.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
13.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
14.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
15.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	1,699	ebay.com
16.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
17.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check E-3 offers at
ebay.com
Check E-M1 II offers at
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Other camera comparisons

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