Olympus E-M1 II versus Fujifilm X-T2
The Olympus OM-D E-M1 Mark II and the Fujifilm X-T2 are two enthusiast cameras that were announced, respectively, in September 2016 and July 2016. Both the E-M1 II and the X-T2 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M1 II) and an APS-C (X-T2) sensor. The Olympus has a resolution of 20.2 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Olympus E-M1 II vs Fujifilm X-T2
The side-by-side display below illustrates the physical size and weight of the Olympus E-M1 II and the Fujifilm X-T2. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the E-M1 II – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II and the Fujifilm X-T2are of equal size. However, the X-T2 is markedly lighter (12 percent) than the E-M1 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (E-M1 II) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Olympus E-M1 II»||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Fujifilm X-T2«||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,699||-|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T2 was launched at a somewhat lower price (by 20 percent) than the E-M1 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Olympus E-M1 II vs Fujifilm X-T2
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-M1 II features a Four Thirds sensor and the Fujifilm X-T2 an APS-C sensor. The sensor area in the X-T2 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M1 II has a native 4:3 aspect ratio, while the one in the X-T2 offers a 3:2 aspect.
With 24MP, the X-T2 offers a higher resolution than the E-M1 II (20.2MP), but the X-T2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the E-M1 II) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the X-T2, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
For most cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M1 II»||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison: Olympus E-M1 II vs Fujifilm X-T2
Apart from body and sensor, cameras can and do differ across a variety of features. The E-M1 II and the X-T2 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Olympus E-M1 II, the Fujifilm X-T2, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Olympus E-M1 II»||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||4000||8.0||n||n|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y|
Both the E-M1 II and the X-T2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T2 replaced the earlier Fujifilm X-T1, while the E-M1 II followed on from the Olympus E-M1.
Review summary: Olympus E-M1 II vs Fujifilm X-T2
So what is the bottom line? Is the Olympus E-M1 II better than the Fujifilm X-T2 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus OM-D E-M1 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (18 vs 14 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (440 versus 340) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization build-in.
Arguments in favor of the Fujifilm X-T2:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Less heavy: Has a lower weight (by 67g or 12 percent) and is thus easier to take along.
- More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II emerges as the winner of the contest (6 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the E-M1 II or the X-T2. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Olympus E-M1 II»||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Fujifilm X-T2«||HiRec||86/100||4.5/5||5/5||5/5||Jul 2016||1,599|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Fujifilm X-T1« »||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-|
|Panasonic G9« »||HiRec||85/100||5/5||-||5/5||Nov 2017||1,699|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-|
|Sony A7 III« »||HiRec||89/100||5/5||-||5/5||Feb 2018||1,999|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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