Olympus E-620 vs E-P5

The Olympus E-620 and the Olympus PEN E-P5 are two digital cameras that were announced, respectively, in February 2009 and May 2013. The E-620 is a DSLR, while the E-P5 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-620 has a resolution of 12.2 megapixels, whereas the E-P5 provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-620		Olympus E-P5
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Micro Four Thirds lenses
12.2 MP – Four Thirds sensor		15.9 MP – Four Thirds sensor
no Video		1080/30p Video
ISO 100-3,200		ISO 200-25,600
Optical viewfinder		Viewfinder optional
2.7" LCD – 230k dots		3.0" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Tilting touchscreen
4 shutter flaps per second		9 shutter flaps per second
In-body stabilization		In-body stabilization
500 shots per battery charge		330 shots per battery charge
130 x 94 x 60 mm, 521 g		122 x 69 x 37 mm, 420 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-620 and the Olympus PEN E-P5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-620 and the Olympus E-P5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The E-P5 can be obtained in three different colors (black, silver, white), while the E-620 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is considerably smaller (31 percent) than the Olympus E-620. Moreover, the E-P5 is markedly lighter (19 percent) than the E-620. In this context, it is worth noting that neither the E-620 nor the E-P5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-620) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the E-P5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-620 gets 500 shots out of its BLS-1 battery, while the E-P5 can take 330 images on a single charge of its BLN-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
2.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
3.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
4.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
5.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
6.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
7.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
8.		Olympus E-450	130 mm	91 mm	53 mm	440 g	500	n	Mar 2009	499	ebay.com
9.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
10.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
11.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
12.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
13.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
14.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
15.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
16.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
17.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-620 was launched at a markedly lower price (by 30 percent) than the E-P5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Technology-wise, the E-P5 uses a more advanced image processing engine (TruePic VI) than the E-620 (TruePic III+), with benefits for noise reduction, color accuracy, and processing speed.

While the two cameras under review share the same sensor size, the E-P5 offers a higher resolution of 15.9 megapixels, compared with 12.2 MP of the E-620. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-P5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.29μm for the E-620). However, it should be noted that the E-P5 is much more recent (by 4 years and 2 months) than the E-620, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Olympus E-P5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-P5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Olympus E-620 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus PEN E-P5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-P5 offers substantially better image quality than the E-620 (overall score 17 points higher). The advantage is based on 1.5 bits higher color depth, 2.1 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
2.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
3.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
4.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
5.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
6.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
7.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
8.		Olympus E-450	Four Thirds	10.0	3648	2736	none	21.5	10.5	512	56
9.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
10.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
11.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
12.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
13.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
14.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
15.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
16.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
17.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-P5 indeed provides for movie recording, while the E-620 does not. The highest resolution format that the E-P5 can use is 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-620 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The table below summarizes some of the other core capabilities of the Olympus E-620 and Olympus E-P5 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
2.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
3.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
4.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
5.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
6.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
7.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
8.		Olympus E-450	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
9.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
10.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
11.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
12.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
13.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
14.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
15.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
16.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
17.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-P5 has a touchscreen, while the E-620 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The Olympus E-P5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-620 writes its imaging data to Compact Flash or xD Picture cards, while the E-P5 uses SDXC cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P5 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-620 and Olympus PEN E-P5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
2.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Olympus E-450	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-

It is notable that the E-P5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-620 does not provide wifi capability.

Both the E-620 and the E-P5 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the E-P5 was followed by the Olympus E-P7. Further information on the features and operation of the E-620 and E-P5 can be found, respectively, in the Olympus E-620 Manual (free pdf) or the online Olympus E-P5 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Olympus E-620 and the Olympus E-P5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Olympus E-620:

• Easier framing: Has an optical viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Longer lasting: Can take more shots (500 versus 330) on a single battery charge.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2009).

Advantages of the Olympus PEN E-P5:

• More detail: Has more megapixels (15.9 vs 12.2MP), which boosts linear resolution by 14%.
• Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
• Better jpgs: Has a more modern image processing engine (TruePic VI vs TruePic III+).
• Broader imaging potential: Can capture not only stills but also 1080/30p video.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 4 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (122x69mm vs 130x94mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 101g or 19 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More modern: Reflects 4 years and 2 months of technical progress since the E-620 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the E-P5 is the clear winner of the contest (18 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-620 and the Olympus E-P5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-620 or the E-P5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
2.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
3.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
4.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
5.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
6.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
7.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
8.		Olympus E-450	..	..	..	..	4/5	4/5	Mar 2009	499	ebay.com
9.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
10.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
11.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
12.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
13.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
14.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
15.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
16.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
17.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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