Olympus E-5 vs E-M1
The Olympus E-5 and the Olympus OM-D E-M1 are two digital cameras that were officially introduced, respectively, in September 2010 and September 2013. The E-5 is a DSLR, while the E-M1 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-5 has a resolution of 12.2 megapixels, whereas the E-M1 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Olympus OM-D E-M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-5 and the Olympus E-M1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-M1 can be obtained in two different colors (black, silver), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 is notably smaller (26 percent) than the Olympus E-5. Moreover, the E-M1 is substantially lighter (43 percent) than the E-5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-5) and the Micro Four Thirds Lens Catalog (E-M1). Mirrorless cameras, such as the E-M1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|2.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|3.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|4.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|5.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|6.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|7.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|8.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|9.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|10.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|11.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|12.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|13.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|14.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|15.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|16.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|17.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M1 was launched at a somewhat lower price (by 18 percent) than the E-5, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-M1 uses a more advanced image processing engine (TruePIC VII) than the E-5 (TruePic V+), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-M1 offers a higher resolution of 15.9 megapixels, compared with 12.2 MP of the E-5. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.29μm for the E-5). However, it should be noted that the E-M1 is much more recent (by 2 years and 11 months) than the E-5, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The E-M1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Olympus OM-D E-M1 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M1 offers substantially better image quality than the E-5 (overall score 17 points higher). The advantage is based on 1.4 bits higher color depth, 2.2 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|2.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|3.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|4.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|5.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|6.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|7.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|8.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|9.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|10.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|11.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|12.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|13.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|14.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|15.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|16.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|17.||Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1 provides a better video resolution than the E-5. It can shoot movie footage at 1080/30p, while the E-5 is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1 has an electronic viewfinder (2360k dots), while the E-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1 has a higher magnification than the one of the E-5 (0.74x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-5 and Olympus E-M1 along with similar information for a selection of comparators.
|1.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0||Y||Y|
|2.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|3.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|4.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|5.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|6.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|7.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0||n||Y|
|8.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0||Y||Y|
|9.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|10.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|11.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|12.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|13.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0||Y||Y|
|14.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|15.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0||Y||Y|
|16.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|17.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The E-5 has one, while the E-M1 does not. While the built-in flash of the E-5 is not very powerful, it can at times be useful as a fill-in light.The E-5 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-M1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the E-M1 uses SDXC cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Olympus OM-D E-M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|4.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|13.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the E-M1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-5 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the E-5 and the E-M1 have been discontinued, but can regularly be found used on eBay. The E-M1 was replaced by the Olympus E-M1 II, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-5 and the Olympus E-M1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (750 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Arguments in favor of the Olympus OM-D E-M1:
- More detail: Has more megapixels (15.9 vs 12.2MP), which boosts linear resolution by 14%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (TruePIC VII vs TruePic V+).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.58x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (130x94mm vs 142x117mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 376g or 43 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
- More modern: Reflects 2 years and 11 months of technical progress since the E-5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 is the clear winner of the contest (23 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-5 and the Olympus E-M1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-5 or the E-M1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|2.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|3.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|4.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|5.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|6.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|7.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|8.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599|
|9.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|10.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|11.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799|
|12.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799|
|13.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|14.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|15.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|16.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|17.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark III vs Olympus E-M1
- Contax N Digital vs Olympus E-5
- Fujifilm X100 vs Olympus E-M1
- Nikon D1X vs Olympus E-5
- Nikon W150 vs Olympus E-5
- Olympus E-5 vs Sony A6000
- Olympus E-5 vs Sony H300
- Olympus E-5 vs Sony NEX-3N
- Olympus E-M1 vs Olympus E-M10
- Olympus E-M1 vs Panasonic GX85
- Olympus E-M1 vs Sony HX400V
- Olympus E-M1 vs Sony RX0 II
Specifications: Olympus E-5 vs Olympus E-M1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-5||Olympus E-M1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2010||September 2013|
|Launch Price||USD 1,699||USD 1,399|
|Sensor Specs||Olympus E-5||Olympus E-M1|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.9 Megapixels|
|Image Resolution||4032 x 3024 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.29 μm||3.76 μm|
|Pixel Density||5.42 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/30p Video||1080/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||TruePic V+||TruePIC VII|
|DXO Sensor Quality (score)||56||73|
|DXO Color Depth (bits)||21.6||23.0|
|DXO Dynamic Range (EV)||10.5||12.7|
|DXO Low Light (ISO)||519||757|
|Screen Specs||Olympus E-5||Olympus E-M1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-5||Olympus E-M1|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||150 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-5||Olympus E-M1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-5||Olympus E-M1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||350 shots per charge|
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
130 x 94 x 63 mm
(5.1 x 3.7 x 2.5 in)
|Camera Weight||873 g (30.8 oz)||497 g (17.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.