Nikon D5500 vs Olympus E-5
The Nikon D5500 and the Olympus E-5 are two digital cameras that were officially introduced, respectively, in January 2015 and September 2010. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (D5500) and a Four Thirds (E-5) sensor. The Nikon has a resolution of 24 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D5500||Olympus E-5|
|Digital single lens reflex||Digital single lens reflex|
|Nikon F mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||12.2 MP, Four Thirds Sensor|
|1080/60p Video||720/30p Video|
|ISO 100-25,600||ISO 100-6,400|
|Optical viewfinder||Optical viewfinder|
|3.2 LCD, 1037k dots||3.0 LCD, 920k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|not weather sealed||Weathersealed body|
|820 shots per battery charge||750 shots per battery charge|
|124 x 97 x 70 mm, 420 g||142 x 117 x 75 mm, 873 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5500 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D5500 and the Olympus E-5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The D5500 can be obtained in two different colors (black, red), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is notably larger (38 percent) than the Nikon D5500. Moreover, the E-5 is substantially heavier (108 percent) than the D5500. It is noteworthy in this context that the E-5 is splash and dust-proof, while the D5500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5500) and the Four Thirds Lens Catalog (E-5).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D5500||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899|
|Olympus E-5||5.6 in||4.6 in||3.0 in||30.8 oz||750||Y||Sep 2010||1,699|
|Canon M5||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Nikon D5600||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699|
|Nikon D500||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Nikon D3400||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Nikon D3300||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499|
|Nikon D5300||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799|
|Nikon D3200||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599|
|Nikon D5200||5.1 in||3.9 in||3.1 in||19.6 oz||500||n||Nov 2012||749|
|Olympus E-30||5.6 in||4.3 in||3.0 in||24.7 oz||750||n||Nov 2008||1,299|
|Olympus E-520||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699|
|Olympus E-3||5.6 in||4.6 in||3.0 in||30.9 oz||750||Y||Oct 2007||1,699|
|Olympus E-510||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799|
|Olympus E-1||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699|
|Samsung NX30||5.0 in||3.8 in||2.3 in||13.2 oz||360||n||Jan 2014||999|
|Sony A6300||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D5500 was launched at a markedly lower price (by 47 percent) than the E-5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D5500 features an APS-C sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D5500 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the D5500 offers a higher resolution than the E-5 (12.2MP), but the D5500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.29μm for the E-5). However, the D5500 is a much more recent model (by 4 years and 3 months) than the E-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon D5500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Nikon D5500 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the D5500 provides substantially higher image quality than the E-5, with an overall score that is 28 points higher. This advantage is based on 2.5 bits higher color depth, 3.5 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D5500 provides a higher video resolution than the E-5. It can shoot video footage at 1080/60p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The D5500 and the E-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the E-5 offers a wider field of view (100%) than the one in the D5500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-5 has a higher magnification (0.58x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D5500 and Olympus E-5 in connection with corresponding information for a sample of similar cameras.
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5500 has a touchscreen, while the E-5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Nikon D5500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5500 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5500 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5500 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
It is notable that the D5500 has a microphone port, which is missing on the E-5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Olympus E-5 (unlike the D5500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5500 and the E-5 have been discontinued, but can regularly be found used on eBay. The D5500 was replaced by the Nikon D5600, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what conclusions can be drawn? Is the Nikon D5500 better than the Olympus E-5 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D5500:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 43% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (28 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (3.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (124x97mm vs 142x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 453g or 52 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More modern: Reflects 4 years and 3 months of technical progress since the E-5 launch.
Reasons to prefer the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.57x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the number of relative strengths (bullet points above) is taken as a guide, the D5500 is the clear winner of the match-up (17 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5500 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D5500 or the E-5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon D5500||+||79/100||4.5/5||5/5||4.5/5||Jan 2015||899|
|Olympus E-5||..||75/100||4/5||..||4.5/5||Sep 2010||1,699|
|Canon M5||+||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Nikon D5600||..||79/100||4.5/5||4.5/5||4/5||Nov 2016||699|
|Nikon D500||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Nikon D3400||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Nikon D3300||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499|
|Nikon D5300||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799|
|Nikon D3200||+ +||73/100||4.5/5||4.5/5||4.5/5||Apr 2012||599|
|Nikon D5200||+ +||79/100||4.5/5||4.5/5||4.5/5||Nov 2012||749|
|Olympus E-30||..||71/100||4.5/5||..||4/5||Nov 2008||1,299|
|Olympus E-520||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699|
|Olympus E-3||88/100||+ +||o||o||4/5||Oct 2007||1,699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Olympus E-1||..||+||o||o||..||Jun 2003||1,699|
|Samsung NX30||..||77/100||4.5/5||4/5||4.5/5||Jan 2014||999|
|Sony A6300||+||85/100||5/5||5/5||5/5||Feb 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1100D vs Nikon D5500
- Canon R vs Nikon D5500
- Fujifilm X-T100 vs Olympus E-5
- Nikon D4S vs Nikon D5500
- Nikon D500 vs Olympus E-5
- Nikon D5500 vs Olympus E-PM1
- Nikon D5500 vs Olympus TG-5
- Nikon D5500 vs Sony A850
- Nikon D800E vs Olympus E-5
- Olympus E-5 vs Panasonic GX85
- Olympus E-5 vs Sony A77 II
- Olympus E-5 vs Sony A7R III
Specifications: Nikon D5500 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5500||Olympus E-5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Four Thirds lenses|
|Launch Date||January 2015||September 2010|
|Launch Price||USD 899||USD 1,699|
|Sensor Specs||Nikon D5500||Olympus E-5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||366.6 mm2||224.9 mm2|
|Sensor Diagonal||28.2 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||12.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||4032 x 3024 pixels|
|Pixel Pitch||3.91 μm||4.29 μm|
|Pixel Density||6.55 MP/cm2||5.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 6,400 ISO|
|Image Processor||EXPEED 4||TruePic V+|
|DXO Sensor Quality (score)||84||56|
|DXO Color Depth (bits)||24.1||21.6|
|DXO Dynamic Range (EV)||14.0||10.5|
|DXO Low Light (ISO)||1438||519|
|Screen Specs||Nikon D5500||Olympus E-5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1037k dots||920k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D5500||Olympus E-5|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon D5500||Olympus E-5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Nikon D5500||Olympus E-5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||820 shots per charge||750 shots per charge|
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||420 g (14.8 oz)||873 g (30.8 oz)|
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