Olympus E-3 vs E-M5 II
The Olympus E-3 and the Olympus OM-D E-M5 Mark II are two digital cameras that were revealed to the public, respectively, in October 2007 and February 2015. The E-3 is a DSLR, while the E-M5 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-3 has a resolution of 10 megapixels, whereas the E-M5 II provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-3||Olympus E-M5 II|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Micro Four Thirds lenses|
|10 MP, Four Thirds Sensor||15.9 MP, Four Thirds Sensor|
|no Video||1080/60p Video|
|ISO 100-3200||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 1037k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|5 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|750 shots per battery charge||310 shots per battery charge|
|142 x 116 x 75 mm, 876 g||124 x 85 x 45 mm, 469 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-3 and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the E-3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is considerably smaller (36 percent) than the Olympus E-3. Moreover, the E-M5 II is substantially lighter (46 percent) than the E-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-3) and the Micro Four Thirds Lens Catalog (E-M5 II). Mirrorless cameras, such as the E-M5 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-3»||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||Olympus E-3|
|Olympus E-M5 II«||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Nikon D300« »||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799||Nikon D300|
|Olympus E-M5 III« »||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199||Olympus E-M5 III|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||Olympus E-M10 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||Olympus E-M10|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-M5« »||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||Olympus E-M5|
|Olympus E-5« »||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||Olympus E-5|
|Olympus E-600« »||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||Olympus E-600|
|Olympus E-620« »||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||Olympus E-620|
|Olympus E-30« »||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||Olympus E-30|
|Olympus E-420« »||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||Olympus E-420|
|Olympus E-520« »||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||Olympus E-520|
|Olympus E-410« »||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||Olympus E-410|
|Olympus E-510« »||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||Olympus E-510|
|Olympus E-1« »||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699||Olympus E-1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 II was launched at a markedly lower price (by 35 percent) than the E-3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-M5 II uses a more advanced image processing engine (TruePic VII) than the E-3 (TruePic III), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-M5 II offers a higher resolution of 15.9 megapixels, compared with 10 MP of the E-3. This megapixels advantage translates into a 26 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.74μm for the E-3). However, it should be noted that the E-M5 II is much more recent (by 7 years and 3 months) than the E-3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Olympus E-M5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 II for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
Unlike the E-3, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M5 II offers substantially better image quality than the E-3 (overall score 17 points higher). The advantage is based on 1.4 bits higher color depth, 2 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56||Olympus E-3|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..||Olympus E-M5 III|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56||Olympus E-5|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55||Olympus E-600|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55||Olympus E-30|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52||Olympus E-510|
|Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..||Olympus E-1|
Many modern cameras are not only capable of taking still images, but can also record movies. The E-M5 II indeed provides for movie recording, while the E-3 does not. The highest resolution format that the E-M5 II can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M5 II has a higher magnification than the one of the E-3 (0.74x vs 0.575x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-3 and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras.
|Olympus E-3||optical||Y||2.5||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-3|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 III|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Olympus E-5||optical||Y||3.0||920||swivel||n||1/8000s||5.0||Y||Y||Olympus E-5|
|Olympus E-600||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-30||optical||Y||2.7||230||swivel||n||1/8000s||5.0||Y||Y||Olympus E-30|
|Olympus E-420||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-1||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
One difference between the cameras concerns the presence of an on-board flash. The E-3 has one, while the E-M5 II does not. While the built-in flash of the E-3 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-3 writes its imaging data to Compact Flash or xD Picture cards, while the E-M5 II uses SDXC cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-3||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-3|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Olympus E-M5 III|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Olympus E-5||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-5|
|Olympus E-600||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-600|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
|Olympus E-30||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-30|
|Olympus E-420||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-420|
|Olympus E-520||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-520|
|Olympus E-410||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-410|
|Olympus E-510||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-510|
|Olympus E-1||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-1|
It is notable that the E-M5 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-3 does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the E-3 and the E-M5 II have been discontinued, but can regularly be found used on eBay. The E-3 was replaced by the Olympus E-5, while the E-M5 II was followed by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So how do things add up? Is there a clear favorite between the Olympus E-3 and the Olympus E-M5 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-3:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (750 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2007).
Reasons to prefer the Olympus OM-D E-M5 Mark II:
- More detail: Has more megapixels (15.9 vs 10MP), which boosts linear resolution by 26%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (TruePic VII vs TruePic III).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.575x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (124x85mm vs 142x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 407g or 46 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
- More modern: Reflects 7 years and 3 months of technical progress since the E-3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 II is the clear winner of the contest (22 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-3 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-3 and the E-M5 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Olympus E-3
- Canon 650D vs Olympus E-M5 II
- Canon 6D vs Olympus E-3
- Canon T5 vs Olympus E-3
- Canon T5 vs Olympus E-M5 II
- Contax N Digital vs Olympus E-M5 II
- Fujifilm X-Pro1 vs Olympus E-M5 II
- Nikon 1 V1 vs Olympus E-M5 II
- Nikon 1 V3 vs Olympus E-M5 II
- Nikon P7800 vs Olympus E-M5 II
- Olympus E-M5 II vs Olympus E-PL1
- Olympus E-M5 II vs Panasonic TZ90
Specifications: Olympus E-3 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-3||Olympus E-M5 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||October 2007||February 2015|
|Launch Price||USD 1699||USD 1099|
|Sensor Specs||Olympus E-3||Olympus E-M5 II|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||15.9 Megapixels|
|Image Resolution||3648 x 2736 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.74 μm||3.76 μm|
|Pixel Density||4.44 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-3200 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||TruePic III||TruePic VII|
|DXO Sensor Quality (score)||56||73|
|DXO Color Depth (bits)||21.6||23.0|
|DXO Dynamic Range (EV)||10.5||12.5|
|DXO Low Light (ISO)||571||842|
|Screen Specs||Olympus E-3||Olympus E-M5 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||1037k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-3||Olympus E-M5 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-3||Olympus E-M5 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-3||Olympus E-M5 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||310 shots per charge|
142 x 116 x 75 mm
(5.6 x 4.6 x 3.0 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||876 g (30.9 oz)||469 g (16.5 oz)|
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