Olympus E-3 vs E-M1X
The Olympus E-3 and the Olympus OM-D E-M1X are two digital cameras that were officially introduced, respectively, in October 2007 and January 2019. The E-3 is a DSLR, while the E-M1X is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-3 has a resolution of 10 megapixels, whereas the E-M1X provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Olympus OM-D E-M1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-3 and the Olympus E-M1X. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M1X can be obtained in two different colors (black, silver), while the E-3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1X is notably larger (29 percent) than the Olympus E-3. Moreover, the E-M1X is markedly heavier (14 percent) than the E-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-3) and the Micro Four Thirds Lens Catalog (E-M1X). Mirrorless cameras, such as the E-M1X, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-3 gets 750 shots out of its BLM-1 battery, while the E-M1X can take 870 images on a single charge of its BLH-1 power pack. As can be seen in the images above, the E-M1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the E-3, Olympus provides the HLD-4 vertical grip as an optional accessory (see here on eBay). The power pack in the E-M1X can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|2.||Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999|
|3.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|4.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|5.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|6.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|7.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|8.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|9.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|10.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|11.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|12.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|13.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|14.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|15.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|16.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|17.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-3 was launched at a markedly lower price (by 43 percent) than the E-M1X, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-M1X uses a more advanced image processing engine (Dual TruePic VIII) than the E-3 (TruePic III), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-M1X offers a higher resolution of 20.2 megapixels, compared with 10 MP of the E-3. This megapixels advantage translates into a 42 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1X has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.74μm for the E-3). However, it should be noted that the E-M1X is much more recent (by 11 years and 3 months) than the E-3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1X has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1X for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The E-M1X has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the E-3, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M1X are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|2.||Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|4.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|5.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|6.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|7.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|8.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|9.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|10.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|11.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|12.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|13.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|14.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|15.||Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
|16.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|17.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. The E-M1X indeed provides for movie recording, while the E-3 does not. The highest resolution format that the E-M1X can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1X has an electronic viewfinder (2360k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1X has a higher magnification than the one of the E-3 (0.83x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-3, the Olympus E-M1X, and comparable cameras.
|1.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0||Y||Y|
|2.||Olympus E-M1X||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|3.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|4.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|5.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|6.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|7.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0||Y||Y|
|8.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|9.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|10.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0||Y||Y|
|11.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|12.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|13.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|14.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|15.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0||n||n|
|16.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|17.||Panasonic G90||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The E-3 has one, while the E-M1X does not. While the built-in flash of the E-3 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1X is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1X has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-3 writes its imaging data to Compact Flash or xD Picture cards, while the E-M1X uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Olympus OM-D E-M1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-M1X||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|3.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|5.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|7.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Panasonic G90||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
It is notable that the E-M1X offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-3 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the E-M1X has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The E-M1X is a recent model that features in the current product line-up of Olympus. In contrast, the E-3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-3 was succeeded by the Olympus E-5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So how do things add up? Which of the two cameras – the Olympus E-3 or the Olympus E-M1X – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus E-3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More compact: Is smaller (142x116mm vs 144x147mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 121g or 12 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2007).
Arguments in favor of the Olympus OM-D E-M1X:
- More detail: Has more megapixels (20.2 vs 10MP), which boosts linear resolution by 42%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better jpgs: Has a more modern image processing engine (Dual TruePic VIII vs TruePic III).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (18 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (870 versus 750) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 11 years and 3 months of technical progress since the E-3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1X is the clear winner of the contest (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-3 and the Olympus E-M1X place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-3 and the E-M1X in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|2.||Olympus E-M1X||4.5/5||o||5/5||85/100||4.5/5||..||Jan 2019||2,999|
|3.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|4.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|5.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|6.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|7.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|8.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|9.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|10.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|11.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|12.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|13.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|14.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|15.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|16.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|17.||Panasonic G90||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Olympus E-M1X
- Canon SX60 vs Olympus E-3
- Canon SX740 vs Olympus E-M1X
- Canon T6 vs Olympus E-M1X
- Fujifilm GFX 100S vs Olympus E-M1X
- Fujifilm X-E2 vs Olympus E-M1X
- Nikon D50 vs Olympus E-3
- Nikon D70 vs Olympus E-3
- Olympus E-3 vs Olympus E-600
- Olympus E-3 vs Panasonic GM5
- Olympus E-3 vs Sony A77 II
- Olympus E-M1X vs Pentax K-1
Specifications: Olympus E-3 vs Olympus E-M1X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-3||Olympus E-M1X|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||October 2007||January 2019|
|Launch Price||USD 1,699||USD 2,999|
|Sensor Specs||Olympus E-3||Olympus E-M1X|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||10 Megapixels||20.2 Megapixels|
|Image Resolution||3648 x 2736 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.74 μm||3.34 μm|
|Pixel Density||4.44 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||64 - 25,600 ISO|
|Image Processor||TruePic III||Dual TruePic VIII|
|DXO Sensor Quality (score)||56||..|
|DXO Color Depth (bits)||21.6||..|
|DXO Dynamic Range (EV)||10.5||..|
|DXO Low Light (ISO)||571||..|
|Screen Specs||Olympus E-3||Olympus E-M1X|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||1037k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-3||Olympus E-M1X|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||18 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-3||Olympus E-M1X|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Olympus E-3||Olympus E-M1X|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||870 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
142 x 116 x 75 mm
(5.6 x 4.6 x 3.0 in)
144 x 147 x 75 mm
(5.7 x 5.8 x 3.0 in)
|Camera Weight||876 g (30.9 oz)||997 g (35.2 oz)|
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