Olympus E-1 vs Panasonic GF7
The Olympus E-1 and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in June 2003 and January 2015. The E-1 is a DSLR, while the GF7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-1 and the Panasonic GF7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the E-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (53 percent) than the Olympus E-1. Moreover, the GF7 is substantially lighter (64 percent) than the E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the GF7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-1) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the GF7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|2.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|5.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|6.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499|
|7.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|8.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|9.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|10.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|11.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|12.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|13.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|14.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|15.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|16.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|17.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 71 percent) than the E-1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GF7 offers a higher resolution of 15.8 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage translates into a 79 percent gain in linear resolution. On the other hand, these sensor specs imply that the GF7 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 6.78μm for the E-1). However, it should be noted that the GF7 is much more recent (by 11 years and 7 months) than the E-1, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-1||Four Thirds||4.9||2560||1920||none||20.0||9.7||-145||44|
|2.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|8.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|10.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|11.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|12.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|13.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|14.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|15.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|16.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|17.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The GF7 indeed provides for movie recording, while the E-1 does not. The highest resolution format that the GF7 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Olympus E-1 and Panasonic GF7 along with similar information for a selection of comparators.
|1.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0/s||n||n|
|2.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8/s||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|5.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|6.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|8.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|9.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0/s||Y||n|
|10.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0/s||Y||Y|
|11.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|12.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|14.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|15.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|16.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|17.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the E-1, but is missing on the GF7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GF7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the GF7 uses SDXC cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF7 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|6.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|7.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|8.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|11.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
It is notable that the E-1 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-1 (unlike the GF7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-1 and the GF7 have been discontinued, but can regularly be found used on eBay. The E-1 was replaced by the Olympus E-3, while the GF7 was followed by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So how do things add up? Is there a clear favorite between the Olympus E-1 and the Panasonic GF7? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Olympus E-1:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (750 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Advantages of the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 4.9MP), which boosts linear resolution by 79%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 134k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 472g or 64 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
- More modern: Reflects 11 years and 7 months of technical progress since the E-1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GF7 is the clear winner of the contest (17 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-1 or the GF7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699|
|2.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|5.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|6.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499|
|7.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|8.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|9.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|10.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|11.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699|
|12.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|13.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|14.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|15.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|16.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|17.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon SX50 vs Olympus E-1
- Canon SX720 vs Panasonic GF7
- Fujifilm X-A3 vs Olympus E-1
- Fujifilm XF10 vs Panasonic GF7
- Nikon D300 vs Panasonic GF7
- Nikon D50 vs Olympus E-1
- Nikon D800E vs Panasonic GF7
- Olympus E-1 vs Olympus E-PL2
- Olympus E-1 vs Panasonic ZS100
- Olympus E-1 vs Samsung NX1
- Panasonic FZ80 vs Panasonic GF7
- Panasonic GF7 vs Sony RX100 IV
Specifications: Olympus E-1 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-1||Panasonic GF7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||June 2003||January 2015|
|Launch Price||USD 1,699||USD 499|
|Sensor Specs||Olympus E-1||Panasonic GF7|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||4.9 Megapixels||15.8 Megapixels|
|Image Resolution||2560 x 1920 pixels||4592 x 3448 pixels|
|Pixel Pitch||6.78 μm||3.77 μm|
|Pixel Density||2.19 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||100 - 25,600 ISO|
|Screen Specs||Olympus E-1||Panasonic GF7|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||134k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-1||Panasonic GF7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||3 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-1||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-1||Panasonic GF7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||230 shots per charge|
141 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||738 g (26.0 oz)||266 g (9.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.