Nikon P7800 vs Olympus E-M5 II

The Nikon Coolpix P7800 and the Olympus OM-D E-M5 Mark II are two digital cameras that were revealed to the public, respectively, in September 2013 and February 2015. The P7800 is a fixed lens compact, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/1.7-inch (P7800) and a Four Thirds (E-M5 II) sensor. The Nikon has a resolution of 12 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Nikon P7800		Olympus E-M5 II
Fixed lens compact camera		Mirrorless system camera
28-200mm f/2.0-4.0		Micro Four Thirds lenses
12 MP – 1/1.7" sensor		15.9 MP – Four Thirds sensor
1080/30p Video		1080/60p Video
ISO 80-3,200 (80 - 6,400)		ISO 200-25,600
Electronic viewfinder (921k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 921k dots		3.0" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
8 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
350 shots per battery charge		310 shots per battery charge
119 x 78 x 50 mm, 399 g		124 x 85 x 45 mm, 469 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Coolpix P7800 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon P7800 and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the P7800 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably larger (14 percent) than the Nikon P7800. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the P7800 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the P7800 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the P7800 gets 350 shots out of its Nikon EN-EL14 battery, while the E-M5 II can take 310 images on a single charge of its Olympus BLN-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Nikon P7800	119 mm	78 mm	50 mm	399 g	350	n	Sep 2013	US$ 549	ebay.com
2.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
3.		Canon G12	112 mm	76 mm	48 mm	401 g	370	n	Sep 2010	US$ 499	ebay.com
4.		Canon G15	107 mm	76 mm	40 mm	352 g	350	n	Sep 2012	US$ 499	ebay.com
5.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	US$ 549	ebay.com
6.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	US$ 599	ebay.com
7.		Fujifilm X20	117 mm	70 mm	57 mm	353 g	270	n	Jan 2013	US$ 599	ebay.com
8.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	US$ 599	ebay.com
9.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
10.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	US$ 1 299	ebay.com
11.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
12.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	US$ 699	ebay.com
13.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
14.		Olympus Stylus 1	116 mm	87 mm	57 mm	402 g	410	n	Oct 2013	US$ 699	ebay.com
15.		Panasonic LF1	103 mm	62 mm	28 mm	192 g	250	n	Apr 2013	US$ 499	ebay.com
16.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	US$ 499	ebay.com
17.		Pentax MX-1	122 mm	61 mm	51 mm	391 g	290	n	Jan 2013	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The P7800 was launched at a lower price than the E-M5 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Nikon P7800 features a 1/1.7-inch sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 423 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 4.5 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 15.9MP, the E-M5 II offers a higher resolution than the P7800 (12MP), but the E-M5 II nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.89μm for the P7800) due to its larger sensor. Moreover, the E-M5 II is a somewhat more recent model (by 1 year and 5 months) than the P7800, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Olympus E-M5 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 II for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Nikon P7800 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

Unlike the P7800, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon Coolpix P7800 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the P7800 is build around a BSI-CMOS sensor, while the E-M5 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the E-M5 II offers substantially better image quality than the P7800 (overall score 19 points higher). The advantage is based on 1.8 bits higher color depth, 0.8 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Nikon P7800	1/1.7	12.0	4000	3000	1080/30p	21.2	11.7	200	54
2.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
3.		Canon G12	1/1.7	10.0	3648	2736	720/24p	20.4	11.2	161	47
4.		Canon G15	1/1.7	12.0	4000	3000	1080/24p	19.9	11.5	165	46
5.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
6.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
7.		Fujifilm X20	2/3	12.0	4000	3000	1080/60p	20.1	10.9	-462	46
8.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
9.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
10.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
11.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
12.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
13.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
14.		Olympus Stylus 1	1/1.7	11.8	3968	2976	1080/30p	20.7	11.6	179	51
15.		Panasonic LF1	1/1.7	12.0	4000	3000	1080/60i	20.8	11.6	211	52
16.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
17.		Pentax MX-1	1/1.7	12.0	4000	3000	1080/30p	20.4	11.3	208	49
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a faster frame rate than the P7800. It can shoot movie footage at 1080/60p, while the Nikon is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a substantially higher resolution than the one in the P7800 (2360k vs 921k dots). The following table reports on some other key feature differences and similarities of the Nikon P7800, the Olympus E-M5 II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Nikon P7800	921	n	3.0 / 921	swivel	n	1/4000s	8.0/s	Y	Y
2.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon G12	optical	n	2.8 / 461	swivel	n	1/4000s	1.1/s	Y	Y
4.		Canon G15	optical	n	3.0 / 922	fixed	n	1/4000s	2.1/s	Y	Y
5.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
6.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
7.		Fujifilm X20	optical	n	2.8 / 460	fixed	n	1/4000s	12.0/s	Y	Y
8.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
9.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
10.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
11.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
12.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
13.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
14.		Olympus Stylus 1	1440	n	3.0 / 1040	tilting	Y	1/2000s	7.0/s	Y	Y
15.		Panasonic LF1	200	n	3.0 / 920	fixed	n	1/4000s	10.0/s	Y	Y
16.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
17.		Pentax MX-1	none	n	3.0 / 920	tilting	n	1/8000s	1.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The P7800 has one, while the E-M5 II does not. While the built-in flash of the P7800 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon P7800 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the P7800 and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the P7800 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Coolpix P7800 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Nikon P7800	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon G12	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon G15	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
6.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Fujifilm X20	Y	stereo / mono	-	-	micro	2.0	-	-	-
8.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus Stylus 1	Y	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Panasonic LF1	-	stereo / mono	-	-	mini	2.0	Y	Y	-
16.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Pentax MX-1	-	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the E-M5 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the P7800 does not provide wifi capability.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the P7800) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the P7800 and the E-M5 II have been discontinued, but can regularly be found used on ebay. The E-M5 II was replaced by the Olympus E-M5 III, while the P7800 does not have a direct successor. Further information on the features and operation of the P7800 and E-M5 II can be found, respectively, in the Nikon P7800 Manual (free pdf) or the online Olympus E-M5 II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Nikon P7800 or the Olympus E-M5 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Nikon Coolpix P7800:

• Ready to shoot: Has a lens built-in, whereas the E-M5 II requires a separate lens.
• More compact: Is smaller (119x78mm vs 124x85mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M5 II).
• Longer lasting: Can take more shots (350 versus 310) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in September 2013).

Arguments in favor of the Olympus OM-D E-M5 Mark II:

• More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 921k dots).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More modern: Was introduced somewhat (1 year and 5 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (19 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Nikon P7800 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the P7800 and the E-M5 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Nikon P7800	3/5	..	..	..	4/5	4.5/5	Sep 2013	US$ 549	ebay.com
2.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
3.		Canon G12	4/5	+	..	73/100	4.5/5	4.5/5	Sep 2010	US$ 499	ebay.com
4.		Canon G15	4/5	+	..	76/100	4.5/5	4.5/5	Sep 2012	US$ 499	ebay.com
5.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	US$ 549	ebay.com
6.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	US$ 599	ebay.com
7.		Fujifilm X20	4/5	+ +	..	77/100	4.5/5	5/5	Jan 2013	US$ 599	ebay.com
8.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	US$ 599	ebay.com
9.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
10.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
11.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
12.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
13.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
14.		Olympus Stylus 1	..	+ +	..	..	4.5/5	4.5/5	Oct 2013	US$ 699	ebay.com
15.		Panasonic LF1	3/5	+	..	..	4/5	4.5/5	Apr 2013	US$ 499	ebay.com
16.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	US$ 499	ebay.com
17.		Pentax MX-1	3/5	..	..	74/100	4/5	4/5	Jan 2013	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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