Nikon D7000 vs Olympus E-M5 II
The Nikon D7000 and the Olympus OM-D E-M5 Mark II are two enthusiast cameras that were announced, respectively, in September 2010 and February 2015. The D7000 is a DSLR, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D7000) and a Four Thirds (E-M5 II) sensor. The Nikon has a resolution of 16.1 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D7000 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D7000 and the Olympus E-M5 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the D7000 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (24 percent) than the Nikon D7000. Moreover, the E-M5 II is substantially lighter (40 percent) than the D7000. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D7000) and the Micro Four Thirds Lens Catalog (E-M5 II). Mirrorless cameras, such as the E-M5 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D7000||132 mm||105 mm||77 mm||780 g||1050||Y||Sep 2010||1,499|
|2.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|3.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|4.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|5.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|6.||Nikon D7100||136 mm||107 mm||76 mm||765 g||950||Y||Feb 2013||1,199|
|7.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|8.||Nikon D3100||124 mm||96 mm||75 mm||505 g||550||n||Aug 2010||599|
|9.||Nikon D300S||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799|
|10.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299|
|11.||Nikon D300||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799|
|12.||Nikon D200||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699|
|13.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|14.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|15.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|16.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|17.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M5 II was launched at a markedly lower price (by 27 percent) than the D7000, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D7000 features an APS-C sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the D7000 has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
With 16.1MP, the D7000 offers a slightly higher resolution than the E-M5 II (15.9MP), but the D7000 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 3.76μm for the E-M5 II) due to its larger sensor. However, the E-M5 II is a much more recent model (by 4 years and 4 months) than the D7000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
Unlike the D7000, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon D7000 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D7000 has a notably higher overall DXO score than the E-M5 II (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, 1.4 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|13.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|14.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|15.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|16.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|17.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M5 II provides a faster frame rate than the D7000. It can shoot movie footage at 1080/60p, while the Nikon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the D7000 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M5 II has a higher magnification than the one of the D7000 (0.74x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D7000 and Olympus E-M5 II along with similar information for a selection of comparators.
|1.||Nikon D7000||optical||Y||3.0 / 921||fixed||n||1/8000s||6.0||Y||n|
|2.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|3.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|4.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|5.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|6.||Nikon D7100||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|7.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0||Y||n|
|8.||Nikon D3100||optical||n||3.0 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Nikon D300S||optical||Y||3.0 / 920||fixed||n||1/8000s||7.0||Y||n|
|10.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5||Y||n|
|11.||Nikon D300||optical||Y||3.0 / 922||fixed||n||1/8000s||6.0||Y||n|
|12.||Nikon D200||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|13.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|14.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|15.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|16.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|17.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The D7000 has one, while the E-M5 II does not. While the built-in flash of the D7000 is not very powerful, it can at times be useful as a fill-in light.The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D7000 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D7000 and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the D7000 and the E-M5 II write their files to SDXC cards. The D7000 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 II only has one slot. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the D7000 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D7000 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D7000||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|4.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|5.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|6.||Nikon D7100||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|7.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Nikon D3100||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Nikon D300S||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D300||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D200||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|17.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the E-M5 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D7000 does not provide wifi capability.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the D7000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D7000 and the E-M5 II have been discontinued, but can regularly be found used on eBay. The D7000 was replaced by the Nikon D7100, while the E-M5 II was followed by the Olympus E-M5 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what conclusions can be drawn? Is the Nikon D7000 better than the Olympus E-M5 II or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D7000:
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1050 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Arguments in favor of the Olympus OM-D E-M5 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.63x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (124x85mm vs 132x105mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 311g or 40 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More modern: Reflects 4 years and 4 months of technical progress since the D7000 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (19 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D7000 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D7000 or the E-M5 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D7000||4/5||..||..||80/100||4.5/5||4.5/5||Sep 2010||1,499|
|2.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|3.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|4.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|5.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|6.||Nikon D7100||5/5||+ +||..||85/100||4.5/5||4.5/5||Feb 2013||1,199|
|7.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|8.||Nikon D3100||5/5||+ +||..||72/100||4.5/5||4.5/5||Aug 2010||599|
|9.||Nikon D300S||5/5||+ +||..||82/100||4/5||4.5/5||Jul 2009||1,799|
|10.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299|
|11.||Nikon D300||..||+ +||..||+ +||5/5||4.5/5||Aug 2007||1,799|
|12.||Nikon D200||..||+ +||..||+ +||o||..||Nov 2005||1,699|
|13.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|14.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|15.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|16.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|17.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 550D vs Nikon D7000
- Canon 5DS R vs Olympus E-M5 II
- Canon 7D vs Olympus E-M5 II
- Fujifilm XP140 vs Nikon D7000
- Nikon D200 vs Nikon D7000
- Nikon D40X vs Olympus E-M5 II
- Nikon D60 vs Olympus E-M5 II
- Nikon D7000 vs Nikon D80
- Nikon D7000 vs Sony A9
- Nikon D7000 vs Sony HX90V
- Olympus E-M5 II vs Panasonic S1R
- Olympus E-M5 II vs Panasonic TZ100
Specifications: Nikon D7000 vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D7000||Olympus E-M5 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2010||February 2015|
|Launch Price||USD 1,499||USD 1,099|
|Sensor Specs||Nikon D7000||Olympus E-M5 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||370.52 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||15.9 Megapixels|
|Image Resolution||4928 x 3264 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.80 μm||3.76 μm|
|Pixel Density||4.34 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||EXPEED 2||TruePic VII|
|DXO Sensor Quality (score)||80||73|
|DXO Color Depth (bits)||23.5||23.0|
|DXO Dynamic Range (EV)||13.9||12.5|
|DXO Low Light (ISO)||1167||842|
|Screen Specs||Nikon D7000||Olympus E-M5 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||921k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Nikon D7000||Olympus E-M5 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Nikon D7000||Olympus E-M5 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Nikon D7000||Olympus E-M5 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1050 shots per charge||310 shots per charge|
132 x 105 x 77 mm
(5.2 x 4.1 x 3.0 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||780 g (27.5 oz)||469 g (16.5 oz)|
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