Nikon D6 vs Sony A6400
The Nikon D6 and the Sony Alpha A6400 are two digital cameras that were revealed to the public, respectively, in February 2020 and January 2019. The D6 is a DSLR, while the A6400 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (D6) and an APS-C (A6400) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D6 and the Sony Alpha A6400? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D6 and the Sony A6400 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6400 is considerably smaller (69 percent) than the Nikon D6. Moreover, the A6400 is substantially lighter (68 percent) than the D6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D6) and the Sony E-Mount Lens Catalog (A6400). Mirrorless cameras, such as the A6400, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D6 gets 3580 shots out of its EN-EL18c battery, while the A6400 can take 410 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the D6 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the A6400 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|2.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|3.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|6.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|7.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|8.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|9.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|10.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|11.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|12.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|13.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|14.||Sony A6100||120 mm||67 mm||59 mm||396 g||420||n||Aug 2019||749|
|15.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|16.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|17.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6400 was launched at a markedly lower price (by 86 percent) than the D6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D6 features a full frame sensor and the Sony A6400 an APS-C sensor. The sensor area in the A6400 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the A6400 offers a higher resolution of 24 megapixels, compared with 20.7 MP of the D6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.44μm for the D6). Moreover, it should be noted that the D6 is a somewhat more recent model (by 1 year) than the A6400, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony A6400 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6400 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D6 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The A6400 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Sony Alpha A6400 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|3.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||2877||95|
|6.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|7.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|8.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|9.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|11.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|12.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|13.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6400 has an electronic viewfinder (2359k dots), while the D6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D6 has a higher magnification than the one of the A6400 (0.72x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D6 and Sony A6400 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|2.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|3.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|5.||Nikon D780||optical||Y||3.2 / 2359||tilting||Y||1/8000s||12.0/s||n||n|
|6.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|7.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|8.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|9.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|10.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|11.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|12.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5/s||Y||n|
|13.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|14.||Sony A6100||1440||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|15.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|17.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D6, but is missing on the A6400 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A6400 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6400 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D6 writes its imaging data to CFexpress or XQD cards, while the A6400 uses SDXC or Memory Stick PRO Duo cards. The D6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6400 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D6 and Sony Alpha A6400 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|2.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|3.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Nikon D780||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|6.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|7.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|8.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|9.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|12.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|13.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Sony A6100||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the D6 has a headphone jack, which is not present on the A6400 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Nikon D6 (unlike the A6400) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D6 and the A6400 are recent models that are part of the current product line-up. The A6400 replaced the earlier Sony A6300, while the D6 followed on from the Nikon D5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Which of the two cameras – the Nikon D6 or the Sony A6400 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon D6:
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 11 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3580 versus 410) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year after the A6400).
Reasons to prefer the Sony Alpha A6400:
- More detail: Has more megapixels (24 vs 20.7MP), which boosts linear resolution by 8%.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 160x163mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 867g or 68 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2019).
If the number of relative strengths (bullet points above) is taken as a guide, the D6 is the clear winner of the match-up (19 : 14 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D6 and the Sony A6400 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D6 and the A6400 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|2.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|3.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Nikon D780||5/5||..||5/5||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|6.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|7.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|8.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|9.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|10.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|11.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|12.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|13.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|14.||Sony A6100||..||..||4/5||82/100||4/5||5/5||Aug 2019||749|
|15.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|16.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|17.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Nikon D6
- Canon G5 X Mark II vs Nikon D6
- Canon M5 vs Nikon D6
- Canon T7 vs Sony A6400
- Fujifilm X-E1 vs Sony A6400
- Fujifilm X-T2 vs Sony A6400
- Nikon D6 vs Nikon D7100
- Nikon D6 vs Panasonic G95
- Nikon D6 vs Pentax K-3 III
- Nikon Z fc vs Sony A6400
- Olympus E-PL5 vs Sony A6400
- Sony A6400 vs Sony RX100 V
Specifications: Nikon D6 vs Sony A6400
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D6||Sony A6400|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||February 2020||January 2019|
|Launch Price||USD 6,499||USD 899|
|Sensor Specs||Nikon D6||Sony A6400|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 23.9 mm||23.5 x 15.6 mm|
|Sensor Area||858.01 mm2||366.6 mm2|
|Sensor Diagonal||43.1 mm||28.2 mm|
|Sensor Resolution||20.7 Megapixels||24 Megapixels|
|Image Resolution||5568 x 3712 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.44 μm||3.91 μm|
|Pixel Density||2.41 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||100 - 32,000 ISO|
|ISO Boost||50 - 3,280,000 ISO||100 - 102,400 ISO|
|Image Processor||EXPEED 6||BIONZ X|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||1431|
|Screen Specs||Nikon D6||Sony A6400|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2359k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D6||Sony A6400|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||14 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CFexpress or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Nikon D6||Sony A6400|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon D6||Sony A6400|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||3580 shots per charge||410 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
160 x 163 x 92 mm
(6.3 x 6.4 x 3.6 in)
120 x 67 x 50 mm
(4.7 x 2.6 x 2.0 in)
|Camera Weight||1270 g (44.8 oz)||403 g (14.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.