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Nikon D5 versus Sony A7R III

The Nikon D5 and the Sony Alpha A7R III are two digital cameras that were officially introduced, respectively, in January 2016 and October 2017. The D5 is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Nikon has a resolution of 20.7 megapixel, whereas the Sony provides 42.2 MP.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Nikon D5 and the Sony A7R III. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the D5 – represents the basis or 100 percent across all the size and weight measures).

Nikon D5 vs Sony A7R III front
D5 versus A7R III top view
D5 and A7R III rear side
Body view (D5 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably smaller (52 percent) than the Nikon D5. Moreover, the A7R III is substantially lighter (54 percent) than the D5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Nikon Lens Catalog (D5) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Nikon D5 (⇒ rgt) 160 mm 159 mm 92 mm 1415 g 3780 YES 2016 6,499 latest check
Sony A7R III (⇒ lft) 127 mm 96 mm 74 mm 650 g 650 YES 2017 3,199 latest check
Canon 1D X Mark II (⇒ lft | rgt) 158 mm 168 mm 83 mm 1530 g 1210 YES 2016 5,999 latest check
Leica SL (⇒ lft | rgt) 147 mm 104 mm 39 mm 847 g 400 YES 2015 7,450 latest check
Nikon D850 (⇒ lft | rgt) 146 mm 124 mm 79 mm 1005 g 1840 YES 2017 3,299 latest check
Nikon D7500 (⇒ lft | rgt) 136 mm 104 mm 73 mm 720 g 950 YES 2017 1,299 latest check
Nikon D500 (⇒ lft | rgt) 147 mm 115 mm 81 mm 860 g 1240 YES 2016 1,999 latest check
Nikon D7200 (⇒ lft | rgt) 136 mm 107 mm 76 mm 765 g 1110 YES 2015 1,199discont. check
Nikon D750 (⇒ lft | rgt) 141 mm 113 mm 78 mm 750 g 1230 YES 2014 2,299 latest check
Nikon D4S (⇒ lft | rgt) 160 mm 157 mm 91 mm 1350 g 3020 YES 2014 6,499discont. check
Nikon D610 (⇒ lft | rgt) 141 mm 113 mm 82 mm 850 g 900 YES 2013 1,999 latest check
Nikon D4 (⇒ lft | rgt) 160 mm 157 mm 91 mm 1340 g .. YES 2012 5,999discont. check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) 143 mm 104 mm 76 mm 849 g 490 YES 2016 3,199 latest check
Sony A7R II (⇒ lft | rgt) 127 mm 96 mm 60 mm 625 g 290 YES 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) 127 mm 96 mm 60 mm 627 g 370 YES 2015 2,999 latest check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7R III was launched at a markedly lower price (by 51 percent) than the D5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Nikon D5 and Sony A7R III sensor measures
Sensor size
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Sensor size

With 42.2MP, the A7R III offers a higher resolution than the D5 (20.7MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 6.44μm for the D5). Yet, the A7R III is a somewhat more recent model (by 1 year and 9 months) than the D5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the D5, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

D5 versus A7R III MP
Sensor resolution
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Sensor resolution

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the D5 (overall score 12 points higher). The advantage is based on 0.9 bits higher color depth, 2.4 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Nikon D5 (⇒ rgt) Full Frame 20.7 5588 3712 4K/30p 25.1 12.3 2343 88
Sony A7R III (⇒ lft) Full Frame 42.2 7952 5304 4K/30p 26.0 14.7 3523 100
Canon 1D X Mark II (⇒ lft | rgt) Full Frame 20.0 5472 3648 4K/60p 24.1 13.5 3207 88
Leica SL (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 25.0 13.4 1821 88
Nikon D850 (⇒ lft | rgt) Full Frame 45.4 8256 5504 4K/30p 26.4 14.8 2660 100
Nikon D7500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.8 13.9 1192 86
Nikon D500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.0 14.0 1324 83
Nikon D7200 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 24.5 14.6 1333 87
Nikon D750 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/60p 24.8 14.5 2956 93
Nikon D4S (⇒ lft | rgt) Full Frame 16.2 4928 3280 1080/60p 24.4 13.3 3074 89
Nikon D610 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/30p 25.1 14.4 2925 94
Nikon D4 (⇒ lft | rgt) Full Frame 16.2 4928 3280 1080/30p 24.7 13.1 2965 89
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A99 II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 25.4 13.4 2317 92
Sony A7R II (⇒ lft | rgt) Full Frame 42.2 7952 5304 4K/30p 26.0 13.9 3434 98
Sony A7S II (⇒ lft | rgt) Full Frame 12.0 4240 2832 4K/30p 23.6 13.3 2993 85

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the D5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Nikon D5 and Sony A7R III in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Nikon D5 (⇒ rgt) optical YES 3.2 2359 fixed YES 8000 14.0 no no
Sony A7R III (⇒ lft) 3686 no 3.0 1440 tilting YES 8000 10.0 no YES
Canon 1D X Mark II (⇒ lft | rgt) optical YES 3.2 1620 fixed YES 8000 16.0 no no
Leica SL (⇒ lft | rgt) 4400 YES 3.0 1040 fixed YES 8000 11.0 no no
Nikon D850 (⇒ lft | rgt) optical YES 3.2 2359 tilting YES 8000 9.0 no no
Nikon D7500 (⇒ lft | rgt) optical YES 3.2 922 tilting YES 8000 8.0 12 no
Nikon D500 (⇒ lft | rgt) optical YES 3.2 2359 tilting YES 8000 10.0 no no
Nikon D7200 (⇒ lft | rgt) optical YES 3.2 1229 fixed no 8000 6.0 12 no
Nikon D750 (⇒ lft | rgt) optical YES 3.2 1229 tilting no 4000 6.0 12 no
Nikon D4S (⇒ lft | rgt) optical YES 3.2 921 fixed no 8000 11.0 no no
Nikon D610 (⇒ lft | rgt) optical YES 3.2 921 fixed no 4000 6.0 12 no
Nikon D4 (⇒ lft | rgt) optical YES 3.2 921 fixed no 8000 11.0 no no
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A99 II (⇒ lft | rgt) 2400 YES 3.0 1229 tilting no 8000 12.0 no YES
Sony A7R II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES
Sony A7S II (⇒ lft | rgt) 2400 no 3.0 1229 tilting no 8000 5.0 no YES

Both the D5 and the A7R III are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The D5 replaced the earlier Nikon D4S, while the A7R III followed on from the Sony A7R II.

Summary

So how do things add up? Is there a clear favorite between the Nikon D5 and the Nikon D5? Below is a summary of the relative strengths of each of the two contestants.


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Advantages of the Nikon D5:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2359k vs 1440k dots).
  • Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (3780 versus 650) on a single battery charge.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

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Reasons to prefer the Sony Alpha A7R III:

  • More detail: Has more megapixels (42.2 vs 20.7MP), which boosts linear resolution by 42%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Scores substantially higher (12 points) in the DXO overall evaluation.
  • More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • More compact: Is smaller (127x96mm vs 160x159mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 765g or 54 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
  • More modern: Was introduced somewhat (1 year and 9 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the A7R III is the clear winner of the contest (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.

D5 08:14 A7R III

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the D5 and the A7R III in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Nikon D5 (⇒ rgt) - 89/100 Gold 4.5/5 5/5 5/5 2016 6,499 latest check
Sony A7R III (⇒ lft) HiRec 90/100 Gold .. .. .. 2017 3,199 latest check
Canon 1D X Mark II (⇒ lft | rgt) - 89/100 Gold 4.5/5 5/5 4.5/5 2016 5,999 latest check
Leica SL (⇒ lft | rgt) - 84/100 4.5/5 4/5 4/5 2015 7,450 latest check
Nikon D850 (⇒ lft | rgt) HiRec 89/100 Gold 4.5/5 .. 5/5 2017 3,299 latest check
Nikon D7500 (⇒ lft | rgt) HiRec 86/100 Silver 5/5 4.5/5 4.5/5 2017 1,299 latest check
Nikon D500 (⇒ lft | rgt) HiRec 91/100 Gold 4.5/5 5/5 5/5 2016 1,999 latest check
Nikon D7200 (⇒ lft | rgt) HiRec 84/100 Silver 4.5/5 4/5 4.5/5 2015 1,199discont. check
Nikon D750 (⇒ lft | rgt) HiRec 90/100 Gold 4.5/5 5/5 4.5/5 2014 2,299 latest check
Nikon D4S (⇒ lft | rgt) - - 4.5/5 5/5 4.5/5 2014 6,499discont. check
Nikon D610 (⇒ lft | rgt) HiRec 87/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,999 latest check
Nikon D4 (⇒ lft | rgt) - - 4.5/5 - 4.5/5 2012 5,999discont. check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A99 II (⇒ lft | rgt) - 85/100 Silver 4.5/5 4.5/5 4.5/5 2016 3,199 latest check
Sony A7R II (⇒ lft | rgt) HiRec 90/100 Gold 5/5 4.5/5 5/5 2015 3,199discont. check
Sony A7S II (⇒ lft | rgt) Rec - 4.5/5 5/5 5/5 2015 2,999 latest check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to locate and add the respective data to the application.

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