Nikon D5 vs Sony A7C
The Nikon D5 and the Sony Alpha A7C are two digital cameras that were officially introduced, respectively, in January 2016 and September 2020. The D5 is a DSLR, while the A7C is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon D5 and the Sony A7C is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A7C can be obtained in two different colors (black, silver), while the D5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is considerably smaller (65 percent) than the Nikon D5. Moreover, the A7C is substantially lighter (64 percent) than the D5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5) and the Sony FE Lens Catalog (A7C). Mirrorless cameras, such as the A7C, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D5 gets 3780 shots out of its EN-EL18a battery, while the A7C can take 740 images on a single charge of its NP-FZ100 power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|2.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|5.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|6.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|7.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|8.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|9.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|10.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|11.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|12.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|13.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|14.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A850||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7C was launched at a markedly lower price (by 72 percent) than the D5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7C is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7C offers a higher resolution of 24 megapixels, compared with 20.7 MP of the D5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 6.44μm for the D5). However, it should be noted that the A7C is much more recent (by 4 years and 8 months) than the D5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Nikon D5 are 27.9 x 18.6 inches or 71 x 47.1 cm for good quality, 22.4 x 14.8 inches or 56.8 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.3 x 31.4 cm for excellent quality prints.
The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7C has a markedly higher DXO score than the D5 (overall score 7 points higher), which will translate into better image quality. The advantage is based on 0.1 bits lower color depth, 2.4 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|2.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|4.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|5.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|6.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|7.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|8.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|9.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|10.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|11.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|12.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|13.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|14.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7C has an electronic viewfinder (2360k dots), while the D5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D5 has a higher magnification than the one of the A7C (0.72x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon D5, the Sony A7C, and comparable cameras.
|3.||Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|13.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the D5, but is missing on the A7C is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A7C has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the D5 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7C is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon D5 and the Sony A7C both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5 writes its imaging data to Compact Flash or XQD cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7C only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|3.||Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|13.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7C offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D5 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D5 (unlike the A7C) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7C is a recent model that features in the current product line-up of Sony. In contrast, the D5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D5 was succeeded by the Nikon D6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon D5 or the Sony A7C – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon D5:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.59x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3780 versus 740) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in January 2016).
Reasons to prefer the Sony Alpha A7C:
- More detail: Has more megapixels (24 vs 20.7MP), which boosts linear resolution by 7%.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (124x71mm vs 160x159mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 906g or 64 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
- More modern: Reflects 4 years and 8 months of technical progress since the D5 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (19 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5 and the Sony A7C place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D5 or the A7C perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5||..||..||89/100||4.5/5||5/5||Jan 2016||6,499|
|2.||Sony A7C||3.5/5||..||86/100||4/5||4/5||Sep 2020||1,799|
|3.||Canon 1D X Mark II||..||..||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Nikon D6||..||..||..||4.5/5||4.5/5||Feb 2020||6,499|
|5.||Nikon D850||4.5/5||+ +||89/100||4.5/5||5/5||Jul 2017||3,299|
|6.||Nikon D4S||5/5||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|7.||Nikon D750||5/5||+ +||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|8.||Nikon D610||4/5||+ +||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|9.||Nikon D4||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|10.||Nikon D600||4/5||+ +||87/100||5/5||4.5/5||Sep 2012||2,099|
|11.||Nikon D3S||5/5||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|12.||Nikon D3X||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|13.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|14.||Sony A7 III||..||+ +||89/100||5/5||5/5||Feb 2018||1,999|
|15.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7||5/5||+ +||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A850||3/5||..||75/100||..||4.5/5||Aug 2009||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Nikon D5 vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5||Sony A7C|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||January 2016||September 2020|
|Launch Price||USD 6,499||USD 1,799|
|Sensor Specs||Nikon D5||Sony A7C|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 23.9 mm||35.6 x 23.8 mm|
|Sensor Area||858.01 mm2||847.28 mm2|
|Sensor Diagonal||43.1 mm||42.8 mm|
|Sensor Resolution||20.7 Megapixels||24 Megapixels|
|Image Resolution||5588 x 3712 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.44 μm||5.94 μm|
|Pixel Density||2.42 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 3,280,000 ISO||50 - 204,800 ISO|
|Image Processor||EXPEED 5||BIONZ X|
|DXO Sensor Quality (score)||88||95|
|DXO Color Depth (bits)||25.1||25.0|
|DXO Dynamic Range (EV)||12.3||14.7|
|DXO Low Light (ISO)||2343||3407|
|Screen Specs||Nikon D5||Sony A7C|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2359k dots||922k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Nikon D5||Sony A7C|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||14 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Nikon D5||Sony A7C|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Nikon D5||Sony A7C|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||3780 shots per charge||740 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
124 x 71 x 60 mm
(4.9 x 2.8 x 2.4 in)
|Camera Weight||1415 g (49.9 oz)||509 g (18.0 oz)|
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