Nikon D5 vs Olympus E-510
The Nikon D5 and the Olympus E-510 are two digital cameras that were officially introduced, respectively, in January 2016 and March 2007. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (D5) and a Four Thirds (E-510) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D5 and the Olympus E-510? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon D5 and the Olympus E-510 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-510 is considerably smaller (51 percent) than the Nikon D5. Moreover, the E-510 is substantially lighter (62 percent) than the D5. It is worth mentioning in this context that the D5 is splash and dust resistant, while the E-510 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D5) and the Four Thirds Lens Catalog (E-510).
Concerning battery life, the D5 gets 3780 shots out of its EN-EL18a battery, while the E-510 can take 750 images on a single charge of its BLM-1 power pack. As can be seen in the images above, the D5 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|2.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|5.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|6.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|7.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|8.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|9.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|10.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|11.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|12.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|13.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|14.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|15.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|16.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|17.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-510 was launched at a markedly lower price (by 88 percent) than the D5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon D5 features a full frame sensor and the Olympus E-510 a Four Thirds sensor. The sensor area in the E-510 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the D5 has a native 3:2 aspect ratio, while the one in the E-510 offers a 4:3 aspect.
With 20.7MP, the D5 offers a higher resolution than the E-510 (10MP), but the D5 nevertheless has larger individual pixels (pixel pitch of 6.44μm versus 4.74μm for the E-510) due to its larger sensor. Moreover, the D5 is a much more recent model (by 8 years and 10 months) than the E-510, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Olympus E-510 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Nikon D5 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-3280000. The corresponding ISO settings for the Olympus E-510 are ISO 100 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the D5 provides substantially higher image quality than the E-510, with an overall score that is 36 points higher. This advantage is based on 3.9 bits higher color depth, 2.3 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|2.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|4.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|5.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|6.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|7.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|8.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|9.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|10.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|11.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|12.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|13.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|14.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|15.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|16.||Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|17.||Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D5 indeed provides movie recording capabilities, while the E-510 does not. The highest resolution format that the D5 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The D5 and the E-510 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the D5 offers a wider field of view (100%) than the one in the E-510 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D5 has a higher magnification (0.72x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Nikon D5 and Olympus E-510 along with similar information for a selection of comparators.
|1.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|2.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|4.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|5.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|6.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|7.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|8.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|9.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|10.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5||Y||n|
|11.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|12.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||n|
|13.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|14.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|15.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|16.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|17.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5||Y||n|
One feature that is present on the D5, but is missing on the E-510 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D5 writes its imaging data to Compact Flash or XQD cards, while the E-510 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D5 and Olympus E-510 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|5.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|6.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|8.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|10.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|11.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|12.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Nikon D5 (unlike the E-510) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D5 and the E-510 have been discontinued, but can regularly be found used on eBay. The E-510 was replaced by the Olympus E-520, while the D5 was followed by the Nikon D6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So how do things add up? Is there a clear favorite between the Nikon D5 and the Olympus E-510? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Nikon D5:
- More detail: Offers more megapixels (20.7 vs 10MP) with a 47% higher linear resolution.
- Better image quality: Scores substantially higher (36 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 215k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3780 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 8 years and 10 months of technical progress since the E-510 launch.
Arguments in favor of the Olympus E-510:
- More compact: Is smaller (136x92mm vs 160x159mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 877g or 62 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in March 2007).
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the match-up (21 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D5 and the Olympus E-510 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the D5 and the E-510 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|2.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|5.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|6.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|7.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|8.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|9.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|10.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|11.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|12.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|13.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|14.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|15.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|16.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699|
|17.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Nikon D5
- Canon 4000D vs Olympus E-510
- Canon G1 X Mark II vs Olympus E-510
- Canon RP vs Olympus E-510
- Fujifilm X-A2 vs Nikon D5
- Nikon D3400 vs Nikon D5
- Nikon D40X vs Olympus E-510
- Nikon D5 vs Nikon D600
- Nikon D5 vs Nikon D780
- Nikon D5 vs Pentax K-70
- Olympus E-510 vs Sony A7R
- Olympus E-510 vs Sony NEX-3N
Specifications: Nikon D5 vs Olympus E-510
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D5||Olympus E-510|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Nikon F mount lenses||Four Thirds lenses|
|Launch Date||January 2016||March 2007|
|Launch Price||USD 6,499||USD 799|
|Sensor Specs||Nikon D5||Olympus E-510|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||858.01 mm2||224.9 mm2|
|Sensor Diagonal||43.1 mm||21.6 mm|
|Sensor Resolution||20.7 Megapixels||10 Megapixels|
|Image Resolution||5588 x 3712 pixels||3648 x 2736 pixels|
|Pixel Pitch||6.44 μm||4.74 μm|
|Pixel Density||2.42 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||100 - 102,400 ISO||100 - 1,600 ISO|
|ISO Boost||50 - 3,280,000 ISO||no Enhancement|
|Image Processor||EXPEED 5||TruePic III|
|DXO Sensor Quality (score)||88||52|
|DXO Color Depth (bits)||25.1||21.2|
|DXO Dynamic Range (EV)||12.3||10.0|
|DXO Low Light (ISO)||2343||442|
|Screen Specs||Nikon D5||Olympus E-510|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||2.5inch|
|LCD Resolution||2359k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon D5||Olympus E-510|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||14 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or XQD cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Nikon D5||Olympus E-510|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Nikon D5||Olympus E-510|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||3780 shots per charge||750 shots per charge|
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
|Camera Weight||1415 g (49.9 oz)||538 g (19.0 oz)|
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