Nikon D3000 vs Sony A7 II
The Nikon D3000 and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in July 2009 and November 2014. The D3000 is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (D3000) and a full frame (A7 II) sensor. The Nikon has a resolution of 10 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon D3000||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|10 MP, APS-C Sensor||24 MP, Full Frame Sensor|
|no Video||1080/60p Video|
|ISO 100-1600 (100-3200)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||350 shots per battery charge|
|126 x 97 x 64 mm, 536 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon D3000 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon D3000 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3000 and the Sony A7 II are of equal size. However, the A7 II is markedly heavier (12 percent) than the D3000. It is noteworthy in this context that the A7 II is splash and dust-proof, while the D3000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D3000) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D3000 gets 500 shots out of its EN-EL9a battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D3000»||5.0 in||3.8 in||2.5 in||18.9 oz||500||n||Jul 2009||599||Nikon D3000|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||Fujifilm X100|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||Nikon D3200|
|Nikon D3100« »||4.9 in||3.8 in||3.0 in||17.8 oz||550||n||Aug 2010||599||Nikon D3100|
|Nikon D5000« »||5.0 in||4.1 in||3.1 in||20.8 oz||510||n||Apr 2009||749||Nikon D5000|
|Nikon D60« »||5.0 in||3.7 in||2.5 in||18.4 oz||500||n||Jan 2008||629||Nikon D60|
|Nikon D90« »||5.2 in||4.1 in||3.0 in||24.8 oz||850||n||Aug 2008||1,299||Nikon D90|
|Nikon D40X« »||4.9 in||3.7 in||2.5 in||18.4 oz||520||n||Mar 2007||729||Nikon D40X|
|Nikon D40« »||4.9 in||3.7 in||2.5 in||18.4 oz||470||n||Nov 2006||499||Nikon D40|
|Olympus E-450« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||Olympus E-450|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||Olympus E-420|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D3000 was launched at a markedly lower price (by 70 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon D3000 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 129 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the D3000 (10MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 6.11μm for the D3000). Yet, the A7 II is a much more recent model (by 5 years and 3 months) than the D3000, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon D3000 are 19.4 x 13 inch or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inch or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inch or 32.8 x 21.9 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon D3000 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the D3000 (overall score 28 points higher). The advantage is based on 2.6 bits higher color depth, 2.5 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Nikon D3000||APS-C||10.0||3872||2592||none||22.3||11.1||563||62||Nikon D3000|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Fujifilm X100||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Nikon D3200||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D3100||APS-C||14.2||4608||3072||1080/24p||22.5||11.3||919||67||Nikon D3100|
|Nikon D5000||APS-C||12.2||4288||2848||720/24p||22.7||12.5||868||72||Nikon D5000|
|Nikon D60||APS-C||10.0||3872||2592||none||22.5||11.4||562||65||Nikon D60|
|Nikon D90||APS-C||12.2||4288||2848||720/24p||22.7||12.5||977||73||Nikon D90|
|Nikon D40X||APS-C||10.0||3872||2592||none||22.4||11.4||516||63||Nikon D40X|
|Nikon D40||APS-C||6.0||3008||2000||none||21.0||11.0||561||56||Nikon D40|
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56||Olympus E-450|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56||Olympus E-420|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7 II indeed provides for movie recording, while the D3000 does not. The highest resolution format that the A7 II can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the D3000 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the D3000 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D3000 and Sony A7 II in connection with corresponding information for a sample of similar cameras.
|Nikon D3000||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3000|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Fujifilm X100||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Nikon D3200||optical||n||3.0||921||fixed||n||1/4000s||4.0||Y||n||Nikon D3200|
|Nikon D3100||optical||n||3.0||230||fixed||n||1/4000s||3.0||Y||n||Nikon D3100|
|Nikon D5000||optical||n||2.7||230||full-flex||n||1/4000s||4.0||Y||n||Nikon D5000|
|Nikon D60||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D90||optical||Y||3.0||920||fixed||n||1/4000s||4.5||Y||n||Nikon D90|
|Nikon D40X||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D40X|
|Nikon D40||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Olympus E-450||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-420||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One difference between the cameras concerns the presence of an on-board flash. The D3000 has one, while the A7 II does not. While the built-in flash of the D3000 is not very powerful, it can at times be useful as a fill-in light.
The D3000 writes its imaging data to SDHC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D3000 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D3000 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D3000||Y||none||none||-||-||none||2.0||-||-||-||Nikon D3000|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Fujifilm X100||Y||stereo||none||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Nikon D3200||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D3100||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D3100|
|Nikon D5000||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D5000|
|Nikon D60||Y||none||none||-||-||none||2.0||-||-||-||Nikon D60|
|Nikon D90||Y||mono||mono||-||-||mini||2.0||-||-||-||Nikon D90|
|Nikon D40X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40X|
|Nikon D40||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40|
|Olympus E-450||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-450|
|Olympus E-420||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-420|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D3000 does not offer wifi capability.
Both the D3000 and the A7 II have been discontinued, but can regularly be found used on eBay. The D3000 was replaced by the Nikon D3100, while the A7 II was followed by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So how do things add up? Is the Nikon D3000 better than the Sony A7 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D3000:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 63g or 11 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in July 2009).
Reasons to prefer the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 55%.
- Better image quality: Scores substantially higher (28 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.53x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 3 months of technical progress since the D3000 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7 II is the clear winner of the contest (21 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon D3000 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the D3000 or the A7 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 760D vs Sony A7 II
- Canon SL1 vs Nikon D3000
- Epson R-D1 vs Nikon D3000
- Leica Digilux 3 vs Sony A7 II
- Nikon D3000 vs Nikon D5300
- Nikon D3000 vs Panasonic G80
- Nikon D7000 vs Sony A7 II
- Nikon D850 vs Sony A7 II
- Olympus E-1 vs Sony A7 II
- Olympus E-M5 III vs Sony A7 II
- Panasonic GH5 vs Sony A7 II
- Sony A7 II vs Sony A7R
Specifications: Nikon D3000 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon D3000||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||July 2009||November 2014|
|Launch Price||USD 599||USD 1999|
|Sensor Specs||Nikon D3000||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.8 mm||35.8 x 23.9 mm|
|Sensor Area||372.88 mm2||855.62 mm2|
|Sensor Diagonal||28.4 mm||43 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3872 x 2592 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.11 μm||5.97 μm|
|Pixel Density||2.69 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-1600 ISO||100-25600 ISO|
|ISO Boost||100-3200 ISO||50-51200 ISO|
|Image Processor||EXPEED||BIONZ X|
|DXO Sensor Quality (score)||62||90|
|DXO Color Depth (bits)||22.3||24.9|
|DXO Dynamic Range (EV)||11.1||13.6|
|DXO Low Light (ISO)||563||2449|
|Screen Specs||Nikon D3000||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D3000||Sony A7 II|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Nikon D3000||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D3000||Sony A7 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
126 x 97 x 64 mm
(5.0 x 3.8 x 2.5 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||536 g (18.9 oz)||599 g (21.1 oz)|
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