Nikon D4S vs Sony A7 II
The Nikon D4S and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in February 2014 and November 2014. The D4S is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Nikon has a resolution of 16.2 megapixels, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Nikon D4S||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Nikon F mount lenses||Sony E mount lenses|
|16.2 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-25600 (50-409600)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.2" LCD, 921k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|11 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|3020 shots per battery charge||350 shots per battery charge|
|160 x 157 x 91 mm, 1350 g||127 x 96 x 60 mm, 599 g|
Body comparison: Nikon D4S vs Sony A7 II
An illustration of the physical size and weight of the Nikon D4S and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably smaller (51 percent) than the Nikon D4S. Moreover, the A7 II is substantially lighter (56 percent) than the D4S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Nikon Lens Catalog (D4S) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the D4S gets 3020 shots out of its EN-EL18a battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the D4S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on eBay). The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon D4S»||6.3 in||6.2 in||3.6 in||47.6 oz||3020||Y||Feb 2014||6,499||-||Nikon D4S|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Nikon Df« »||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749||Nikon Df|
|Nikon D610« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Nikon D3S« »||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3X« »||6.3 in||6.2 in||3.5 in||44.4 oz||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Nikon D3« »||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7 II was launched at a markedly lower price (by 69 percent) than the D4S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Nikon D4S vs Sony A7 II
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7 II offers a higher resolution of 24 megapixels, compared with 16.2 MP of the D4S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.97μm versus 7.29μm for the D4S). However, it should be noted that the A7 II is a somewhat more recent model (by 8 months) than the D4S, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Nikon D4S has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-409600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon D4S»||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Nikon Df« »||Full Frame||16.2||4928||3280||-||24.6||13.1||3279||89||Nikon Df|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3S« »||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Nikon D3« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Nikon D4S vs Sony A7 II
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the D4S has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7 II has a higher magnification than the one of the D4S (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Nikon D4S and Sony A7 II in connection with corresponding information for a sample of similar cameras.
|Nikon D4S»||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4S|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Nikon Df« »||optical||Y||3.2||921||fixed||n||1/4000s||5.5||n||n||Nikon Df|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3S« »||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Nikon D3« »||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One feature that is present on the D4S, but is missing on the A7 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D4S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The D4S writes its imaging data to Compact Flash or XQD cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The D4S features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot.
Connectivity comparison: Nikon D4S vs Sony A7 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon D4S and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon D4S»||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Nikon D5« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Nikon Df« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon Df|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Nikon D3S« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Nikon D3S|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Nikon D3« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the D4S does not offer wifi capability.
Studio photographers will appreciate that the Nikon D4S (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the D4S and the A7 II have been discontinued, but can regularly be found used on eBay. The D4S was replaced by the Nikon D5, while the A7 II was followed by the Sony A7 III. Further information on the two cameras, as well as related accessories, can be found on the official Nikon and Sony websites.
Review summary: Nikon D4S vs Sony A7 II
So what conclusions can be drawn? Is the Nikon D4S better than the Sony A7 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Nikon D4S:
- Better low-light sensitivity: Requires less light for good images (0.3 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (3020 versus 350) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
Arguments in favor of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 16.2MP), which boosts linear resolution by 22%.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (127x96mm vs 160x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 751g or 56 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More modern: Was introduced somewhat (8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 II emerges as the winner of the match-up (14 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
Do the specifications of the Nikon D4S and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings.In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the D4S and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Nikon D4S vs Sony A7 II
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Nikon D4S»||-||-||4.5/5||5/5||4.5/5||Feb 2014||6,499||-||Nikon D4S|
|Sony A7 II«||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Nikon D750« »||++||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Nikon Df« »||-||81/100||4/5||4/5||4/5||Nov 2013||2,749||Nikon Df|
|Nikon D610« »||++||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Nikon D3S« »||-||89/100||4.5/5||5/5||5/5||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Nikon D3« »||-||++||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Sony A7 III« »||++||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||++||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||++||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||++||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Nikon D60
- Canon M50 vs Canon R
- Canon T6s vs Sony A7S II
- Nikon D7000 vs Canon SL2
- Nikon D850 vs Nikon Z6
- Nikon Z7 vs Nikon D3S
- Olympus E-P5 vs Panasonic LX100
- Panasonic FZ1000 II vs Canon G9 X Mark II
- Panasonic FZ1000 vs Canon SX730
- Panasonic GH5s vs Sony A6300
- Pentax K-1 vs Nikon D3500
- Sony A7 III vs Canon 77D
Specifications: Nikon D4S vs Sony A7 II
|Camera Model||Nikon D4S||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Nikon F mount lenses||Sony E mount lenses|
|Launch Date||February 2014||November 2014|
|Launch Price||USD 6499||USD 1999|
|Sensor Specs||Nikon D4S||Sony A7 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 23.9 mm||35.8 x 23.9 mm|
|Sensor Area||860.4 mm2||855.62 mm2|
|Sensor Diagonal||43.2 mm||43 mm|
|Sensor Resolution||16.2 Megapixels||24 Megapixels|
|Image Resolution||4928 x 3280 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.29 μm||5.97 μm|
|Pixel Density||1.88 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-25600 ISO|
|ISO Boost||50-409600 ISO||50-51200 ISO|
|Image Processor||EXPEED 4||BIONZ X|
|DXO Sensor Quality (score)||89||90|
|DXO Color Depth (bits)||24.4||24.9|
|DXO Dynamic Range (EV)||13.3||13.6|
|DXO Low Light (ISO)||3074||2449|
|Screen Specs||Nikon D4S||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||921k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Nikon D4S||Sony A7 II|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||400 000 actuations||200 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or XQD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Nikon D4S||Sony A7 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Nikon D4S||Sony A7 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||EN-EL18a power pack||NP-FW50 power pack|
|Battery Life (CIPA)||3020 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
160 x 157 x 91 mm
(6.3 x 6.2 x 3.6 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||1350 g (47.6 oz)||599 g (21.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.