Nikon 1 V2 vs Pentax K-3 II
The Nikon 1 V2 and the Pentax K-3 II are two digital cameras that were revealed to the public, respectively, in October 2012 and April 2015. The V2 is a mirrorless interchangeable lens camera, while the K-3 II is a DSLR. The cameras are based on an one-inch (V2) and an APS-C (K-3 II) sensor. The Nikon has a resolution of 14.2 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon 1 V2 and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon 1 V2 and the Pentax K-3 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The V2 can be obtained in two different colors (black, white), while the K-3 II is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is considerably larger (47 percent) than the Nikon 1 V2. Moreover, the K-3 II is substantially heavier (188 percent) than the V2. It is noteworthy in this context that the K-3 II is splash and dust-proof, while the V2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon 1 V2||109 mm||82 mm||46 mm||278 g||310||n||Oct 2012||799|
|2.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|3.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|4.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|5.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799|
|6.||Nikon 1 V1||113 mm||76 mm||44 mm||383 g||350||n||Sep 2011||799|
|7.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|8.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|9.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|10.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|11.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|12.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999|
|13.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|14.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|15.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|16.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|17.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V2 was launched at a markedly lower price (by 27 percent) than the K-3 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon 1 V2 features an one-inch sensor and the Pentax K-3 II an APS-C sensor. The sensor area in the K-3 II is 216 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24.1MP, the K-3 II offers a higher resolution than the V2 (14.2MP), but the K-3 II nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 2.86μm for the V2) due to its larger sensor. Moreover, the K-3 II is a much more recent model (by 2 years and 5 months) than the V2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 II for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Nikon 1 V2 are 23 x 15.4 inches or 58.5 x 39 cm for good quality, 18.4 x 12.3 inches or 46.8 x 31.2 cm for very good quality, and 15.4 x 10.2 inches or 39 x 26 cm for excellent quality prints.
The V2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the V2, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon 1 V2 has a native sensitivity range from ISO 160 to ISO 12800. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the K-3 II offers substantially better image quality than the V2 (overall score 30 points higher). The advantage is based on 3.4 bits higher color depth, 2.8 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Nikon 1 V2||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50|
|2.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|3.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|5.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|6.||Nikon 1 V1||1-inch||10.0||3872||2592||1080/60i||21.3||11.0||346||54|
|7.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|8.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|9.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|10.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
|11.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|12.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||24.2||13.7||2083||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the V2 provides a higher frame rate than the K-3 II. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the V2 has an electronic viewfinder (1440k dots), while the K-3 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Nikon 1 V2, the Pentax K-3 II, and comparable cameras.
|1.||Nikon 1 V2||1440||n||3.0 / 921||fixed||n||1/4000s||15.0||Y||n|
|2.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|3.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|4.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|5.||Nikon 1 V3||optional||n||3.0 / 1037||tilting||Y||1/4000s||60.0||Y||n|
|6.||Nikon 1 V1||1440||n||3.0 / 921||fixed||n||1/4000s||10.0||n||n|
|7.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|8.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|9.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|10.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2||Y||n|
|11.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|12.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0||n||Y|
|13.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0||Y||Y|
|14.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0||Y||Y|
|15.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|16.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|17.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The V2 has one, while the K-3 II does not. While the built-in flash of the V2 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V2 and the Pentax K-3 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the V2 and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the V2 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon 1 V2 and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon 1 V2||-||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|3.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Nikon 1 V3||-||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Nikon 1 V1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|8.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|14.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|15.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|16.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
It is notable that the K-3 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The V2 lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-3 II (unlike the V2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the V2 and the K-3 II have been discontinued, but can regularly be found used on eBay. The V2 was replaced by the Nikon 1 V3, while the K-3 II was followed by the Pentax K-3 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Pentax websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon 1 V2 and the Pentax K-3 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon 1 V2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (15 vs 8.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (109x82mm vs 131x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 522g or 65 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2012).
Reasons to prefer the Pentax K-3 II:
- More detail: Has more megapixels (24.1 vs 14.2MP), which boosts linear resolution by 30%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (30 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.5 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (720 versus 310) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 5 months of technical progress since the V2 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the K-3 II is the clear winner of the contest (23 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon 1 V2 and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V2 or the K-3 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon 1 V2||3/5||..||..||..||4.5/5||4/5||Oct 2012||799|
|2.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|3.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|4.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|5.||Nikon 1 V3||3/5||..||..||76/100||4.5/5||4/5||Mar 2014||799|
|6.||Nikon 1 V1||..||+||..||69/100||4.5/5||4/5||Sep 2011||799|
|7.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|8.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|9.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|10.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|11.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|12.||Pentax K-3 III||4/5||..||3/5||..||4.5/5||..||Mar 2021||1,999|
|13.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|14.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|15.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|16.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|17.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1000D vs Pentax K-3 II
- Canon 400D vs Nikon 1 V2
- Fujifilm GFX 100 vs Nikon 1 V2
- Fujifilm X100 vs Pentax K-3 II
- Fujifilm XP130 vs Pentax K-3 II
- Leica M10-P vs Nikon 1 V2
- Nikon 1 V2 vs Olympus XZ-2
- Nikon 1 V2 vs Panasonic G90
- Nikon 1 V2 vs Sony A58
- Nikon D5500 vs Pentax K-3 II
- Panasonic G3 vs Pentax K-3 II
- Panasonic TZ100 vs Pentax K-3 II
Specifications: Nikon 1 V2 vs Pentax K-3 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon 1 V2||Pentax K-3 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Nikon 1 mount lenses||Pentax K mount lenses|
|Launch Date||October 2012||April 2015|
|Launch Price||USD 799||USD 1,099|
|Sensor Specs||Nikon 1 V2||Pentax K-3 II|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.5 x 15.6 mm|
|Sensor Area||116.16 mm2||366.6 mm2|
|Sensor Diagonal||15.9 mm||28.2 mm|
|Sensor Resolution||14.2 Megapixels||24.1 Megapixels|
|Image Resolution||4608 x 3072 pixels||6016 x 4000 pixels|
|Pixel Pitch||2.86 μm||3.90 μm|
|Pixel Density||12.19 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||160 - 12,800 ISO||100 - 51,200 ISO|
|Image Processor||EXPEED 3||PRIME III|
|DXO Sensor Quality (score)||50||80|
|DXO Color Depth (bits)||20.2||23.6|
|DXO Dynamic Range (EV)||10.8||13.6|
|DXO Low Light (ISO)||403||1106|
|Screen Specs||Nikon 1 V2||Pentax K-3 II|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||921k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Nikon 1 V2||Pentax K-3 II|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||15 shutter flaps/s||8.3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Nikon 1 V2||Pentax K-3 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Nikon 1 V2||Pentax K-3 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||310 shots per charge||720 shots per charge|
109 x 82 x 46 mm
(4.3 x 3.2 x 1.8 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||278 g (9.8 oz)||800 g (28.2 oz)|
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