Leica V-LUX 5 vs Sony A7C II
The Leica V-LUX 5 and the Sony Alpha A7C II are two digital cameras that were announced, respectively, in July 2019 and August 2023. The V-LUX 5 is a fixed lens compact, while the A7C II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (V-LUX 5) and a full frame (A7C II) sensor. The Leica has a resolution of 20 megapixels, whereas the Sony provides 32.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Sony Alpha A7C II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Leica V-LUX 5 and the Sony A7C II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The A7C II can be obtained in two different colors (black, silver), while the V-LUX 5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C II is considerably smaller (33 percent) than the Leica V-LUX 5. It is noteworthy in this context that the A7C II is splash and dust-proof, while the V-LUX 5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the A7C II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7C II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the V-LUX 5 gets 350 shots out of its Leica BP-DC12 battery, while the A7C II can take 540 images on a single charge of its Sony NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 136 mm | 97 mm | 131 mm | 812 g | 350 | n | Jul 2019 | EUR 1 199 | amazon.com | |
2. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | EUR 2 399 | amazon.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | EUR 399 | amazon.com | |
4. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | EUR 970 | ebay.com | |
5. | Leica D-LUX 7 | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Nov 2018 | EUR 1 149 | ebay.com | |
6. | Leica V-LUX Typ 114 | 137 mm | 99 mm | 131 mm | 830 g | 360 | n | Sep 2014 | EUR 1 099 | ebay.com | |
7. | Panasonic FZ1000 II | 136 mm | 97 mm | 131 mm | 810 g | 350 | n | Feb 2019 | EUR 849 | amazon.com | |
8. | Panasonic FZ2000 | 138 mm | 102 mm | 135 mm | 915 g | 350 | n | Sep 2016 | EUR 1 249 | amazon.com | |
9. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | EUR 949 | ebay.com | |
10. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | EUR 449 | ebay.com | |
11. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | EUR 2 099 | ebay.com | |
12. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | EUR 2 799 | amazon.com | |
13. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | EUR 2 099 | amazon.com | |
14. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | EUR 2 099 | ebay.com | |
15. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | EUR 1 299 | ebay.com | |
16. | Sony RX100 VII | 102 mm | 58 mm | 43 mm | 302 g | 260 | n | Jul 2019 | EUR 1 299 | amazon.com | |
17. | Sony ZV-E1 | 121 mm | 72 mm | 54 mm | 483 g | 570 | Y | Mar 2023 | EUR 2 699 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 5 was launched at a lower price than the A7C II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica V-LUX 5 features an one-inch sensor and the Sony A7C II a full frame sensor. The sensor area in the A7C II is 640 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 32.7MP, the A7C II offers a higher resolution than the V-LUX 5 (20MP), but the A7C II nevertheless has larger individual pixels (pixel pitch of 5.12μm versus 2.41μm for the V-LUX 5) due to its larger sensor. Moreover, the A7C II is a much more recent model (by 4 years and 1 month) than the V-LUX 5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7C II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7C II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C II for good quality output (200 dots per inch) amounts to 35 x 23.4 inches or 89 x 59.3 cm, for very good quality (250 dpi) 28 x 18.7 inches or 71.2 x 47.5 cm, and for excellent quality (300 dpi) 23.4 x 15.6 inches or 59.3 x 39.6 cm. The corresponding values for the Leica V-LUX 5 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The A7C II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7C II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 584 | 65 | |
2. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
5. | Leica D-LUX 7 | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.9 | 12.8 | 1002 | 72 | |
6. | Leica V-LUX Typ 114 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.6 | 11.7 | 127 | 60 | |
7. | Panasonic FZ1000 II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.4 | 546 | 65 | |
8. | Panasonic FZ2000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 23.0 | 12.6 | 538 | 70 | |
9. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
10. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
11. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
12. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
13. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
14. | Sony A7R | Full Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.6 | 14.1 | 2746 | 95 | |
15. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
16. | Sony RX100 VII | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 21.8 | 12.4 | 418 | 63 | |
17. | Sony ZV-E1 | Full Frame | 12.0 | 4240 | 2832 | 4K/60p | 25.4 | 14.6 | 3181 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7C II provides a faster frame rate than the V-LUX 5. It can shoot movie footage at 4K/60p, while the Leica is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The V-LUX 5 and the A7C II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Leica V-LUX 5 and Sony A7C II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
2. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
5. | Leica D-LUX 7 | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
6. | Leica V-LUX Typ 114 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
7. | Panasonic FZ1000 II | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
8. | Panasonic FZ2000 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 12.0/s | Y | Y | |
9. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
10. | Panasonic TZ95 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
11. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
12. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
14. | Sony A7R | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 4.0/s | n | n | |
15. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
16. | Sony RX100 VII | 2359 | n | 3.0 / 921 | tilting | Y | 1/2000s | 90.0/s | Y | Y | |
17. | Sony ZV-E1 | none | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The V-LUX 5 has one, while the A7C II does not. While the built-in flash of the V-LUX 5 is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica V-LUX 5 and the Sony A7C II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The V-LUX 5 writes its imaging data to SDXC cards, while the A7C II uses SDXC or Memory Stick PRO Duo cards. The A7C II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the V-LUX 5 can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Sony Alpha A7C II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
2. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
5. | Leica D-LUX 7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Leica V-LUX Typ 114 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
7. | Panasonic FZ1000 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Panasonic FZ2000 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
9. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Panasonic TZ95 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
11. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
12. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
14. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
15. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
16. | Sony RX100 VII | - | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y | |
17. | Sony ZV-E1 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y |
It is notable that the A7C II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The V-LUX 5 does not feature such a mic input.
Both the V-LUX 5 and the A7C II are recent models that are part of the current product line-up. The V-LUX 5 replaced the earlier Leica V-LUX Typ 114, while the A7C II followed on from the Sony A7C. Further information on the features and operation of the V-LUX 5 and A7C II can be found, respectively, in the Leica V-LUX 5 Manual (free pdf) or the online Sony A7C II Manual.
Review summary
So how do things add up? Is there a clear favorite between the Leica V-LUX 5 and the Sony A7C II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Leica V-LUX 5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1037k dots).
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A7C II requires a separate lens.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in July 2019).
Advantages of the Sony Alpha A7C II:
- More detail: Has more megapixels (32.7 vs 20MP), which boosts linear resolution by 28%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (124x71mm vs 136x97mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (540 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 1 month of technical progress since the V-LUX 5 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7C II is the clear winner of the contest (17 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Sony A7C II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX 5 or the A7C II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Leica V-LUX 5 | .. | .. | .. | .. | 4/5 | 4/5 | Jul 2019 | EUR 1 199 | amazon.com | |
2. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | EUR 2 399 | amazon.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | EUR 399 | amazon.com | |
4. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | EUR 970 | ebay.com | |
5. | Leica D-LUX 7 | .. | .. | .. | .. | .. | 4.5/5 | Nov 2018 | EUR 1 149 | ebay.com | |
6. | Leica V-LUX Typ 114 | .. | .. | .. | .. | .. | 5/5 | Sep 2014 | EUR 1 099 | ebay.com | |
7. | Panasonic FZ1000 II | .. | .. | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2019 | EUR 849 | amazon.com | |
8. | Panasonic FZ2000 | .. | + | .. | 82/100 | 4.5/5 | 5/5 | Sep 2016 | EUR 1 249 | amazon.com | |
9. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | EUR 949 | ebay.com | |
10. | Panasonic TZ95 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | EUR 449 | ebay.com | |
11. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | EUR 2 099 | ebay.com | |
12. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | EUR 2 799 | amazon.com | |
13. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | EUR 2 099 | amazon.com | |
14. | Sony A7R | 5/5 | + + | .. | 82/100 | 4.5/5 | 5/5 | Oct 2013 | EUR 2 099 | ebay.com | |
15. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | EUR 1 299 | ebay.com | |
16. | Sony RX100 VII | 4.5/5 | .. | 4/5 | .. | 4/5 | 5/5 | Jul 2019 | EUR 1 299 | amazon.com | |
17. | Sony ZV-E1 | .. | + | 4/5 | .. | .. | 4.5/5 | Mar 2023 | EUR 2 699 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1100D vs Sony A7C II
- Canon 1Ds Mark II vs Leica V-LUX 5
- Canon 30D vs Leica V-LUX 5
- Canon 5D vs Leica V-LUX 5
- Canon R50 vs Leica V-LUX 5
- Leica Q3 vs Leica V-LUX 5
- Leica SL3 vs Sony A7C II
- Leica V-LUX 5 vs Olympus E-410
- OM System OM-1 vs Sony A7C II
- Panasonic GF7 vs Sony A7C II
- Panasonic GH5 vs Sony A7C II
- Panasonic GX9 vs Sony A7C II
Specifications: Leica V-LUX 5 vs Sony A7C II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Leica V-LUX 5 | Sony A7C II |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 25-400mm f/2.8-4.0 | Sony E mount lenses |
Launch Date | July 2019 | August 2023 |
Launch Price | USD 1,249 | USD 2,199 |
Sensor Specs | Leica V-LUX 5 | Sony A7C II |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1" Sensor | Full Frame Sensor |
Sensor Size | 13.2 x 8.8 mm | 35.9 x 23.9 mm |
Sensor Area | 116.16 mm2 | 858.01 mm2 |
Sensor Diagonal | 15.9 mm | 43.1 mm |
Crop Factor | 2.7x | 1.0x |
Sensor Resolution | 20 Megapixels | 32.7 Megapixels |
Image Resolution | 5472 x 3648 pixels | 7008 x 4672 pixels |
Pixel Pitch | 2.41 μm | 5.12 μm |
Pixel Density | 17.18 MP/cm2 | 3.82 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 4K/60p Video |
ISO Setting | 125 - 12,800 ISO | 100 - 51,200 ISO |
ISO Boost | 80 - 25,600 ISO | 50 - 204,800 ISO |
Screen Specs | Leica V-LUX 5 | Sony A7C II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.7x |
Viewfinder Resolution | 2360k dots | 2360k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1240k dots | 1037k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Leica V-LUX 5 | Sony A7C II |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-II |
Connectivity Specs | Leica V-LUX 5 | Sony A7C II |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Leica V-LUX 5 | Sony A7C II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Leica BP-DC12 | Sony NP-FZ100 |
Battery Life (CIPA) | 350 shots per charge | 540 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
136 x 97 x 131 mm (5.4 x 3.8 x 5.2 in) |
124 x 71 x 63 mm (4.9 x 2.8 x 2.5 in) |
Camera Weight | 812 g (28.6 oz) | 514 g (18.1 oz) |
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