Leica V-LUX 5 vs Sony A7

The Leica V-LUX 5 and the Sony Alpha A7 are two digital cameras that were revealed to the public, respectively, in July 2019 and October 2013. The V-LUX 5 is a fixed lens compact, while the A7 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (V-LUX 5) and a full frame (A7) sensor. The Leica has a resolution of 20 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Leica V-LUX 5		Sony A7
Fixed lens compact camera		Mirrorless system camera
25-400mm f/2.8-4.0		Sony E mount lenses
20 MP – 1" sensor		24 MP – Full Frame sensor
4K/30p Video		1080/60p Video
ISO 125-12,800 (80 - 25,600)		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (2360k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 1240k dots		3.0" LCD – 1230k dots
Swivel touchscreen		Tilting screen (no touchscreen)
12 shutter flaps per second		5 shutter flaps per second
not weather sealed		Weathersealed body
350 shots per battery charge		340 shots per battery charge
136 x 97 x 131 mm, 812 g		127 x 94 x 48 mm, 474 g

Check V-LUX 5 price at
amazon.com
Check A7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Leica V-LUX 5 and the Sony Alpha A7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Leica V-LUX 5 and the Sony A7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 is notably smaller (10 percent) than the Leica V-LUX 5. It is noteworthy in this context that the A7 is splash and dust-proof, while the V-LUX 5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 5 has a lens built in, whereas the A7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the V-LUX 5 gets 350 shots out of its Leica BP-DC12 battery, while the A7 can take 340 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	1,249	amazon.com
2.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
3.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	899	ebay.com
4.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	1,049	ebay.com
5.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	1,195	ebay.com
6.		Leica V-LUX Typ 114	137 mm	99 mm	131 mm	830 g	360	n	Sep 2014	1,349	ebay.com
7.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
8.		Panasonic FZ1000 II	136 mm	97 mm	131 mm	810 g	350	n	Feb 2019	899	amazon.com
9.		Panasonic FZ2500	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	1,199	amazon.com
10.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
11.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
12.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
13.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
14.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	2,799	ebay.com
15.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	1,299	ebay.com
16.		Sony RX100 VI	102 mm	58 mm	43 mm	301 g	240	n	Jun 2018	1,199	ebay.com
17.		Sony RX100 VII	102 mm	58 mm	43 mm	302 g	260	n	Jul 2019	1,199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 5 was launched at a lower price than the A7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Leica V-LUX 5 features an one-inch sensor and the Sony A7 a full frame sensor. The sensor area in the A7 is 638 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A7 offers a higher resolution than the V-LUX 5 (20MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 2.41μm for the V-LUX 5) due to its larger sensor. However, the V-LUX 5 is a much more recent model (by 5 years and 8 months) than the A7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica V-LUX 5 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Leica V-LUX 5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

In terms of underlying technology, the V-LUX 5 is build around a BSI-CMOS sensor, while the A7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
2.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
3.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
4.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
5.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
6.		Leica V-LUX Typ 114	1-inch	20.0	5472	3648	4K/30p	21.6	11.7	127	60
7.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
8.		Panasonic FZ1000 II	1-inch	20.0	5472	3648	4K/30p	22.1	12.4	546	65
9.		Panasonic FZ2500	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
10.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
11.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
12.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
13.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
14.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91
15.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
16.		Sony RX100 VI	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	478	64
17.		Sony RX100 VII	1-inch	20.0	5472	3648	4K/30p	21.8	12.4	418	63
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 5 provides a higher video resolution than the A7. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 offers a slightly higher resolution than the one in the V-LUX 5 (2400k vs 2360k dots). The adjacent table lists some of the other core features of the Leica V-LUX 5 and Sony A7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
2.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
3.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
4.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
5.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
6.		Leica V-LUX Typ 114	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
7.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
8.		Panasonic FZ1000 II	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
9.		Panasonic FZ2500	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
10.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
11.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
12.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
13.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
14.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
15.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0/s	Y	Y
16.		Sony RX100 VI	2359	n	3.0 / 1229	tilting	Y	1/2000s	24.0/s	Y	Y
17.		Sony RX100 VII	2359	n	3.0 / 921	tilting	Y	1/2000s	90.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The V-LUX 5 has one, while the A7 does not. While the built-in flash of the V-LUX 5 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V-LUX 5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Leica V-LUX 5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The V-LUX 5 writes its imaging data to SDXC cards, while the A7 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica V-LUX 5 and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
2.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
4.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Leica V-LUX Typ 114	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
7.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
8.		Panasonic FZ1000 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Panasonic FZ2500	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
10.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
11.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
14.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony RX100 VI	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony RX100 VII	-	stereo / mono	Y	-	micro	2.0	Y	Y	Y

It is notable that the A7 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The V-LUX 5 does not feature such a mic input.

The V-LUX 5 is a recent model that features in the current product line-up of Leica. In contrast, the A7 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7 was succeeded by the Sony A7 II. Further information on the features and operation of the V-LUX 5 and A7 can be found, respectively, in the Leica V-LUX 5 Manual (free pdf) or the online Sony A7 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Leica V-LUX 5 or the Sony A7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Leica V-LUX 5:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the A7 requires a separate lens.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 5 years and 8 months of technical progress since the A7 launch.

Arguments in favor of the Sony Alpha A7:

• More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been around for much longer (launched in October 2013).

If the count of individual advantages (bullet points above) is taken as a guide, the V-LUX 5 is the clear winner of the match-up (14 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Leica V-LUX 5 and the Sony A7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the V-LUX 5 or the A7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	1,249	amazon.com
2.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
3.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	899	ebay.com
4.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	1,049	ebay.com
5.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	1,195	ebay.com
6.		Leica V-LUX Typ 114	..	..	..	..	..	5/5	Sep 2014	1,349	ebay.com
7.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
8.		Panasonic FZ1000 II	..	..	..	83/100	4.5/5	4.5/5	Feb 2019	899	amazon.com
9.		Panasonic FZ2500	..	+	..	82/100	4.5/5	5/5	Sep 2016	1,199	amazon.com
10.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
11.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
12.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
13.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
14.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	2,799	ebay.com
15.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	1,299	ebay.com
16.		Sony RX100 VI	4.5/5	+ +	..	83/100	4/5	4.5/5	Jun 2018	1,199	ebay.com
17.		Sony RX100 VII	4.5/5	..	4/5	..	4/5	5/5	Jul 2019	1,199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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