Leica SL2 vs Panasonic FZ80
The Leica SL2 and the Panasonic Lumix DC-FZ80 (labelled Panasonic FZ82 in some countries) are two digital cameras that were announced, respectively, in November 2019 and January 2017. The SL2 is a mirrorless interchangeable lens camera, while the FZ80 is a fixed lens compact. The cameras are based on a full frame (SL2) and a 1/2.3-inch (FZ80) sensor. The Leica has a resolution of 46.7 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL2 and the Panasonic Lumix DC-FZ80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Leica SL2 and the Panasonic FZ80. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ80 is notably smaller (22 percent) than the Leica SL2. It is worth mentioning in this context that the SL2 is splash and dust resistant, while the FZ80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ80 has a lens built in, whereas the SL2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|2.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|5.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|6.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|7.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|8.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|9.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|10.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|11.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|12.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|13.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|14.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|15.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|17.||Sony HX350||130 mm||93 mm||103 mm||652 g||300||n||Dec 2016||449|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ80 was launched at a lower price than the SL2, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica SL2 features a full frame sensor and the Panasonic FZ80 a 1/2.3-inch sensor. The sensor area in the FZ80 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the SL2 has a native 3:2 aspect ratio, while the one in the FZ80 offers a 4:3 aspect.
With 46.7MP, the SL2 offers a higher resolution than the FZ80 (18MP), but the SL2 nevertheless has larger individual pixels (pixel pitch of 4.30μm versus 1.25μm for the FZ80) due to its larger sensor. Moreover, the SL2 is a much more recent model (by 2 years and 10 months) than the FZ80, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica SL2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL2 for good quality output (200 dots per inch) amounts to 41.8 x 27.9 inches or 106.3 x 70.9 cm, for very good quality (250 dpi) 33.5 x 22.3 inches or 85 x 56.7 cm, and for excellent quality (300 dpi) 27.9 x 18.6 inches or 70.8 x 47.3 cm. The corresponding values for the Panasonic FZ80 are 24.5 x 18.4 inches or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inches or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inches or 41.5 x 31.1 cm for excellent quality prints.
Unlike the FZ80, the SL2 has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica SL2 has a native sensitivity range from ISO 100 to ISO 50000, which can be extended to ISO 50-50000. The corresponding ISO settings for the Panasonic Lumix DC-FZ80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|3.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|6.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|7.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|8.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|9.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|10.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|11.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|12.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|15.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL2 provides a higher frame rate than the FZ80. It can shoot video footage at 4K/60p, while the Panasonic is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the SL2 offers a substantially higher resolution than the one in the FZ80 (5760k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Leica SL2, the Panasonic FZ80, and comparable cameras.
|1.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|2.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0/s||n||Y|
|4.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|5.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|6.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|7.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|8.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|9.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|10.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|11.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|12.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|13.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|14.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|16.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|17.||Sony HX350||202||n||3.0 / 922||tilting||n||1/4000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the SL2, but is missing on the FZ80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL2 and the FZ80 write their files to SDXC cards. The SL2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ80 only has one slot. The SL2 supports UHS-II cards (on both slots), while the FZ80 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL2 and Panasonic Lumix DC-FZ80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|2.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|8.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|9.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|10.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|11.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|16.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony HX350||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the SL2 has a microphone port, which is missing on the FZ80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Leica SL2 (unlike the FZ80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SL2 and the FZ80 are recent models that are part of the current product line-up. The FZ80 replaced the earlier Panasonic FZ70, while the SL2 followed on from the Leica SL (Typ 601). Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So how do things add up? Which of the two cameras – the Leica SL2 or the Panasonic FZ80 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica SL2:
- More detail: Offers more megapixels (46.7 vs 18MP) with a 64% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1166k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (370 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 2 years and 10 months of technical progress since the FZ80 launch.
Arguments in favor of the Panasonic Lumix DC-FZ80:
- Ready to shoot: Has an integrated lens, whereas the SL2 necessitates an extra lens.
- More compact: Is smaller (130x94mm vs 146x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the SL2).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2017).
If the number of relative strengths (bullet points above) is taken as a guide, the SL2 is the clear winner of the match-up (27 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL2 and the Panasonic FZ80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SL2 or the FZ80 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999|
|2.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|5.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|6.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|7.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|8.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|9.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|10.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|11.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|12.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|13.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|14.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|15.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|16.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|17.||Sony HX350||..||..||..||..||..||4/5||Dec 2016||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Panasonic FZ80
- Canon 5D vs Leica SL2
- Canon 6D Mark II vs Panasonic FZ80
- Canon SX620 vs Leica SL2
- Canon SX70 vs Panasonic FZ80
- Fujifilm GFX 50R vs Leica SL2
- Fujifilm X-T30 vs Leica SL2
- Fujifilm XP140 vs Leica SL2
- Leica SL2 vs Panasonic S5
- Leica X Typ 113 vs Panasonic FZ80
- Panasonic FZ80 vs Panasonic GX8
- Panasonic FZ80 vs Panasonic S1H
Specifications: Leica SL2 vs Panasonic FZ80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL2||Panasonic FZ80|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Leica L mount lenses||20-1200mm f/2.8-5.9|
|Launch Date||November 2019||January 2017|
|Launch Price||USD 5,999||USD 399|
|Sensor Specs||Leica SL2||Panasonic FZ80|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||46.7 Megapixels||18 Megapixels|
|Image Resolution||8368 x 5584 pixels||4896 x 3672 pixels|
|Pixel Pitch||4.30 μm||1.25 μm|
|Pixel Density||5.41 MP/cm2||64.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100 - 50,000 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 50,000 ISO||80 - 6,400 ISO|
|Image Processor||Maestro III||Venus|
|Screen Specs||Leica SL2||Panasonic FZ80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Leica SL2||Panasonic FZ80|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/40000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Leica SL2||Panasonic FZ80|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Leica SL2||Panasonic FZ80|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||370 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||USB charging|
146 x 107 x 42 mm
(5.7 x 4.2 x 1.7 in)
130 x 94 x 119 mm
(5.1 x 3.7 x 4.7 in)
|Camera Weight||953 g (33.6 oz)||616 g (21.7 oz)|
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