Leica SL vs Sony A7S II
The Leica SL (Typ 601) and the Sony Alpha 7S II are two digital cameras that were announced, respectively, in October 2015 and September 2015. Both the SL and the A7S II are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Leica has a resolution of 24 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL (Typ 601) and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Leica SL and the Sony A7S II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably smaller (20 percent) than the Leica SL. Moreover, the A7S II is markedly lighter (26 percent) than the SL. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|2.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||ebay.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|6.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895||amazon.com|
|7.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999||amazon.com|
|8.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|9.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950||ebay.com|
|10.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499||ebay.com|
|11.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|12.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299||ebay.com|
|13.||Sony A7 IV||131 mm||96 mm||80 mm||659 g||580||Y||Oct 2021||2,499||amazon.com|
|14.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499||amazon.com|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|17.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7S II was launched at a markedly lower price (by 60 percent) than the SL, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7S II is 2 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the SL offers a higher resolution than the A7S II (12MP), but the SL has smaller individual pixels (pixel pitch of 6.00μm versus 8.40μm for the A7S II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the SL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica SL implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
The Leica SL (Typ 601) has a native sensitivity range from ISO 50 to ISO 50000. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|2.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|6.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|7.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|8.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|9.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|10.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|12.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|13.||Sony A7 IV||Full Frame||32.7||7008||4672||4K/60p||25.4||14.7||3379||97|
|14.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the SL offers a substantially higher resolution than the one in the A7S II (4400k vs 2400k dots). The adjacent table lists some of the other core features of the Leica SL and Sony A7S II along with similar information for a selection of comparators.
|1.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|2.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|6.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|7.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|8.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|9.||Leica M Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||n||n|
|10.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|11.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|12.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|13.||Sony A7 IV||3686||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the SL, but is missing on the A7S II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SL writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The SL features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S II only has one slot. The SL supports UHS-II cards (on its first slot), while the A7S II can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL (Typ 601) and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|2.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|7.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|8.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|9.||Leica M Typ 240||Y||stereo / mono||-||-||-||2.0||-||-||-|
|10.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|11.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|13.||Sony A7 IV||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Leica SL (unlike the A7S II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the SL has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the SL and the A7S II have been discontinued, but can regularly be found used on ebay. The A7S II was replaced by the Sony A7S III, while the SL was followed by the Leica SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Leica SL and the Sony A7S II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Leica SL (Typ 601):
- More detail: Offers more megapixels (24 vs 12MP) with a 41% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More detailed viewfinder: Has higher resolution electronic viewfinder (4400k vs 2400k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.78x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
Arguments in favor of the Sony Alpha 7S II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (127x96mm vs 147x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 220g or 26 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
If the count of individual advantages (bullet points above) is taken as a guide, the SL is the clear winner of the match-up (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL or the A7S II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|2.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999||ebay.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|6.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895||amazon.com|
|7.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999||amazon.com|
|8.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|9.||Leica M Typ 240||4/5||..||..||..||4/5||..||Sep 2012||6,950||ebay.com|
|10.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499||ebay.com|
|11.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|12.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299||ebay.com|
|13.||Sony A7 IV||5/5||+ +||4.5/5||89/100||4.5/5||4.5/5||Oct 2021||2,499||amazon.com|
|14.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499||amazon.com|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|16.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|17.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Leica SL vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL||Sony A7S II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica L mount lenses||Sony E mount lenses|
|Launch Date||October 2015||September 2015|
|Launch Price||USD 7,450||USD 2,999|
|Sensor Specs||Leica SL||Sony A7S II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.6 x 23.8 mm|
|Sensor Area||864 mm2||847.28 mm2|
|Sensor Diagonal||43.3 mm||42.8 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4240 x 2832 pixels|
|Pixel Pitch||6.00 μm||8.40 μm|
|Pixel Density||2.78 MP/cm2||1.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||50 - 50,000 ISO||100 - 102,400 ISO|
|ISO Boost||no Enhancement||50 - 409,600 ISO|
|Image Processor||Maestro II||BIONZ X|
|DXO Sensor Quality (score)||88||85|
|DXO Color Depth (bits)||25.0||23.6|
|DXO Dynamic Range (EV)||13.4||13.3|
|DXO Low Light (ISO)||1821||2993|
|Screen Specs||Leica SL||Sony A7S II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||4400k dots||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica SL||Sony A7S II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||UHS-I|
|Connectivity Specs||Leica SL||Sony A7S II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Leica SL||Sony A7S II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
147 x 104 x 39 mm
(5.8 x 4.1 x 1.5 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||847 g (29.9 oz)||627 g (22.1 oz)|
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