Leica SL vs Panasonic FZ150
The Leica SL (Typ 601) and the Panasonic Lumix DMC-FZ150 are two digital cameras that were officially introduced, respectively, in October 2015 and August 2011. The SL is a mirrorless interchangeable lens camera, while the FZ150 is a fixed lens compact. The cameras are based on a full frame (SL) and a 1/2.3-inch (FZ150) sensor. The Leica has a resolution of 24 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica SL (Typ 601) and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica SL and the Panasonic FZ150 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is considerably smaller (33 percent) than the Leica SL. It is worth mentioning in this context that the SL is splash and dust resistant, while the FZ150 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the SL is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|2.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|7.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429|
|8.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|9.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999|
|10.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|11.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|12.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|13.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|14.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|15.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ150 was launched at a lower price than the SL, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica SL features a full frame sensor and the Panasonic FZ150 a 1/2.3-inch sensor. The sensor area in the FZ150 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the SL has a native 3:2 aspect ratio, while the one in the FZ150 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the SL offers a higher resolution than the FZ150 (12MP), but the SL nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the SL is a much more recent model (by 4 years and 1 month) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica SL implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Leica SL (Typ 601) has a native sensitivity range from ISO 50 to ISO 50000. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the SL provides substantially higher image quality than the FZ150, with an overall score that is 48 points higher. This advantage is based on 5.6 bits higher color depth, 2.5 EV in additional dynamic range, and 3.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|8.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|9.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|10.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|11.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|12.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|14.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the SL provides a higher video resolution than the FZ150. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the SL offers a substantially higher resolution than the one in the FZ150 (4400k vs 202k dots). The adjacent table lists some of the other core features of the Leica SL and Panasonic FZ150 along with similar information for a selection of comparators.
|1.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|2.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|5.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|7.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3||Y||Y|
|8.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0||n||Y|
|9.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0||n||Y|
|10.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|11.||Leica M Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|12.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|13.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|14.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0||Y||n|
|15.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
One feature that is present on the SL, but is missing on the FZ150 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ150 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SL does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the SL is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica SL has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SL and the FZ150 write their files to SDXC cards. The SL features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ150 only has one slot. The SL supports UHS-II cards on its first slot and UHS-I on its second one, while the FZ150 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica SL (Typ 601) and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|2.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|8.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|9.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|10.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|11.||Leica M Typ 240||Y||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|13.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|14.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
It is notable that the SL has a microphone port, which is missing on the FZ150. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Leica SL (unlike the FZ150) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the SL has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the SL and the FZ150 have been discontinued, but can regularly be found used on eBay. The FZ150 was replaced by the Panasonic FZ200, while the SL was followed by the Leica SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Leica and Panasonic websites.
So how do things add up? Which of the two cameras – the Leica SL or the Panasonic FZ150 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Leica SL (Typ 601):
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Better image quality: Scores substantially higher (48 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (5.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.5 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (4400k vs 202k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 4 years and 1 month of technical progress since the FZ150 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ150:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the SL necessitates an extra lens.
- More compact: Is smaller (124x82mm vs 147x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the SL).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the SL is the clear winner of the match-up (26 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica SL and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the SL or the FZ150 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|2.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|5.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|6.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|7.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429|
|8.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|9.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999|
|10.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|11.||Leica M Typ 240||4/5||..||..||..||4/5||..||Sep 2012||6,950|
|12.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|13.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|14.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|15.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds vs Leica SL
- Canon 1Ds vs Panasonic FZ150
- Canon 6D vs Leica SL
- Canon SX410 vs Leica SL
- Canon SX530 vs Leica SL
- Canon T1i vs Panasonic FZ150
- Fujifilm GFX 50R vs Panasonic FZ150
- Fujifilm X-T1 vs Panasonic FZ150
- Kodak AZ901 vs Panasonic FZ150
- Leica SL vs Nikon P1000
- Leica SL vs Sony RX100 VII
- Nikon 1 V2 vs Panasonic FZ150
Specifications: Leica SL vs Panasonic FZ150
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica SL||Panasonic FZ150|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Leica L mount lenses||25-600mm f/2.8-5.2|
|Launch Date||October 2015||August 2011|
|Launch Price||USD 7,450||USD 499|
|Sensor Specs||Leica SL||Panasonic FZ150|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.00 μm||1.53 μm|
|Pixel Density||2.78 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||50 - 50,000 ISO||100 - 3,200 ISO|
|ISO Boost||no Enhancement||100 - 6,400 ISO|
|Image Processor||Maestro II||Venus FHD|
|DXO Sensor Quality (score)||88||40|
|DXO Color Depth (bits)||25.0||19.4|
|DXO Dynamic Range (EV)||13.4||10.9|
|DXO Low Light (ISO)||1821||132|
|Screen Specs||Leica SL||Panasonic FZ150|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||4400k dots||202k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Leica SL||Panasonic FZ150|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||11 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Leica SL||Panasonic FZ150|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||full HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Leica SL||Panasonic FZ150|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||410 shots per charge|
147 x 104 x 39 mm
(5.8 x 4.1 x 1.5 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||847 g (29.9 oz)||528 g (18.6 oz)|
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