Leica SL versus Nikon D3S
The Leica SL (Typ 601) and the Nikon D3S are two digital cameras that were revealed to the public, respectively, in October 2015 and October 2009. The SL is a mirrorless interchangeable lens camera, while the D3S is a DSLR. Both cameras are equipped with a full frame sensor. The Leica has a resolution of 24 megapixel, whereas the Nikon provides 12.1 MP.
An illustration of the physical size and weight of the Leica SL and the Nikon D3S is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the SL – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3S is considerably larger (64 percent) than the Leica SL. Moreover, the D3S is substantially heavier (46 percent) than the SL. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Leica SL (⇒ rgt)||147 mm||104 mm||39 mm||847 g||400||YES||2015||7,450||latest||check|
|Nikon D3S (⇒ lft)||160 mm||157 mm||88 mm||1240 g||4200||YES||2009||5,199||discont.||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Hasselblad X1D (⇒ lft | rgt)||150 mm||98 mm||71 mm||725 g||..||YES||2016||8,995||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||130 mm||80 mm||93 mm||640 g||300||no||2015||4,249||latest||check|
|Leica M Typ 240 (⇒ lft | rgt)||139 mm||80 mm||42 mm||680 g||..||YES||2012||6,950||discont.||check|
|Nikon D5 (⇒ lft | rgt)||160 mm||159 mm||92 mm||1415 g||3780||YES||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D7200 (⇒ lft | rgt)||136 mm||107 mm||76 mm||765 g||1110||YES||2015||1,199||discont.||check|
|Nikon D750 (⇒ lft | rgt)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Nikon D4S (⇒ lft | rgt)||160 mm||157 mm||91 mm||1350 g||3020||YES||2014||6,499||discont.||check|
|Nikon D4 (⇒ lft | rgt)||160 mm||157 mm||91 mm||1340 g||2600||YES||2012||5,999||discont.||check|
|Nikon D3X (⇒ lft | rgt)||160 mm||157 mm||88 mm||1260 g||4400||YES||2008||7,999||discont.||check|
|Nikon D700 (⇒ lft | rgt)||147 mm||123 mm||77 mm||1074 g||1000||YES||2008||2,999||discont.||check|
|Nikon D3 (⇒ lft | rgt)||160 mm||157 mm||88 mm||1300 g||4300||YES||2007||4,999||discont.||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D3S was launched at a markedly lower price (by 30 percent) than the SL, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the SL offers a higher resolution than the D3S (12.1MP), but the SL has smaller individual pixels (pixel pitch of 6.00μm versus 8.43μm for the D3S). However, the SL is a somewhat more recent model (by 6 years) than the D3S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the SL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the SL has a notably higher overall DXO score than the D3S (overall score 6 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.5 bits higher color depth, 1.4 EV in additional dynamic range, 0.8 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica SL (⇒ rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Nikon D3S (⇒ lft)||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Hasselblad X1D (⇒ lft | rgt)||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica Q Typ 116 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|Leica M Typ 240 (⇒ lft | rgt)||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|Nikon D5 (⇒ lft | rgt)||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D7200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87|
|Nikon D750 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D4S (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|Nikon D4 (⇒ lft | rgt)||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3X (⇒ lft | rgt)||Full Frame||24.4||6048||4032||no||24.7||13.7||1992||88|
|Nikon D700 (⇒ lft | rgt)||Full Frame||12.1||4256||2832||no||23.5||12.2||2303||80|
|Nikon D3 (⇒ lft | rgt)||Full Frame||12.1||4256||2832||no||23.5||12.2||2290||81|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the SL provides a higher video resolution than the D3S. It can shoot video footage at 4K/30p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the SL has an electronic viewfinder (4400k dots), while the D3S has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Leica SL, the Nikon D3S, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Leica SL (⇒ rgt)||4400||YES||3.0||1040||fixed||YES||8000||11.0||no||no|
|Nikon D3S (⇒ lft)||optical||YES||3.0||921||fixed||no||8000||11.0||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Hasselblad X1D (⇒ lft | rgt)||2360||no||3.0||920||fixed||YES||2000||2.3||no||no|
|Leica Q Typ 116 (⇒ lft | rgt)||3680||no||3.0||1040||fixed||YES||2000||10.0||no||no|
|Leica M Typ 240 (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||no||no|
|Nikon D5 (⇒ lft | rgt)||optical||YES||3.2||2359||fixed||YES||8000||14.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D7200 (⇒ lft | rgt)||optical||YES||3.2||1229||fixed||no||8000||6.0||12||no|
|Nikon D750 (⇒ lft | rgt)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Nikon D4S (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D4 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||8000||11.0||no||no|
|Nikon D3X (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||5.0||no||no|
|Nikon D700 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||8.0||12||no|
|Nikon D3 (⇒ lft | rgt)||optical||YES||3.0||922||fixed||no||8000||11.0||no||no|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
The SL is a current model that online retailers, such as amazon, will have in stock. In contrast, the D3S has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the D3S was succeeded by the Nikon D4.
So how do things add up? Is the Leica SL better than the Nikon D3S or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Leica SL (Typ 601):
- More detail: Offers more megapixels (24 vs 12.1MP) with a 41% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 720/24p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (147x104mm vs 160x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 393g or 32 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 6 years of technical progress since the D3S launch.
Reasons to prefer the Nikon D3S:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (4200 versus 400) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the SL is the clear winner of the match-up (14 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the SL and the D3S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica SL (⇒ rgt)||-||84/100||4.5/5||4/5||4/5||2015||7,450||latest||check|
|Nikon D3S (⇒ lft)||-||89/100 Gold||4.5/5||5/5||5/5||2009||5,199||discont.||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Hasselblad X1D (⇒ lft | rgt)||reviewed||-||-||-||4/5||2016||8,995||latest||check|
|Leica Q Typ 116 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||-||4.5/5||2015||4,249||latest||check|
|Leica M Typ 240 (⇒ lft | rgt)||-||-||4/5||-||-||2012||6,950||discont.||check|
|Nikon D5 (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||5/5||2016||6,499||latest||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D7200 (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4/5||4.5/5||2015||1,199||discont.||check|
|Nikon D750 (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Nikon D4S (⇒ lft | rgt)||-||-||4.5/5||5/5||4.5/5||2014||6,499||discont.||check|
|Nikon D4 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2012||5,999||discont.||check|
|Nikon D3X (⇒ lft | rgt)||-||86/100||4/5||5/5||5/5||2008||7,999||discont.||check|
|Nikon D700 (⇒ lft | rgt)||89/100||HiRec||4.5/5||5/5||4.5/5||2008||2,999||discont.||check|
|Nikon D3 (⇒ lft | rgt)||-||HiRec||5/5||reviewed||4.5/5||2007||4,999||discont.||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.
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