Leica D-LUX Typ 109 versus Fujifilm GFX 50S
The Leica D-LUX (Typ 109) and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in September 2014 and September 2016. The D-LUX Typ 109 is a fixed lens compact, while the GFX is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (D-LUX Typ 109) and a medium format (GFX) sensor. The Leica has a resolution of 12.7 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Leica D-LUX Typ 109 vs Fujifilm GFX 50S
The side-by-side display below illustrates the physical size and weight of the Leica D-LUX Typ 109 and the Fujifilm GFX 50S. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the D-LUX Typ 109 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (79 percent) than the Leica D-LUX Typ 109. It is noteworthy in this context that the GFX is splash and dust-proof, while the D-LUX Typ 109 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX Typ 109 has a lens build in, whereas the GFX is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Leica D-LUX Typ 109 (⇒ rgt)||118 mm||66 mm||55 mm||405 g||300||no||2014||1,195||latest||check|
|Fujifilm GFX 50S (⇒ lft)||148 mm||94 mm||91 mm||740 g||400||YES||2016||6,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||152 mm||116 mm||76 mm||930 g||700||YES||2015||3,699||latest||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Fujifilm X100T (⇒ lft | rgt)||127 mm||74 mm||52 mm||440 g||330||no||2014||1,299||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Fujifilm X100S (⇒ lft | rgt)||127 mm||74 mm||54 mm||445 g||330||no||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||117 mm||70 mm||57 mm||353 g||270||no||2013||599||discont.||check|
|Fujifilm X100 (⇒ lft | rgt)||126 mm||75 mm||54 mm||445 g||300||no||2010||1,199||discont.||check|
|Leica V-LUX Typ 114 (⇒ lft | rgt)||137 mm||99 mm||131 mm||830 g||360||no||2014||1,349||latest||check|
|Leica X Typ 113 (⇒ lft | rgt)||133 mm||73 mm||78 mm||486 g||350||no||2014||2,295||latest||check|
|Leica D-LUX 6 (⇒ lft | rgt)||111 mm||68 mm||46 mm||298 g||330||no||2012||699||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D-LUX Typ 109 was launched at a lower price than the GFX, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Leica D-LUX Typ 109 vs Fujifilm GFX 50S
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Leica D-LUX Typ 109 features a Four Thirds sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX is 545 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX offers a higher resolution than the D-LUX Typ 109 (12.7MP), but the GFX nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.21μm for the D-LUX Typ 109) due to its larger sensor. Moreover, the GFX is a much more recent model (by 2 years) than the D-LUX Typ 109, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Leica D-LUX Typ 109 (⇒ rgt)||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-|
|Fujifilm GFX 50S (⇒ lft)||MF||51.1||8256||6192||1080/30p||..||..||..||..|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X100T (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X100S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X20 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X100 (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73|
|Leica V-LUX Typ 114 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Leica X Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Leica D-LUX 6 (⇒ lft | rgt)||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D-LUX Typ 109 provides a higher video resolution than the GFX. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Feature comparison: Leica D-LUX Typ 109 vs Fujifilm GFX 50S
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D-LUX Typ 109 has an electronic viewfinder (2764k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Leica D-LUX Typ 109, the Fujifilm GFX 50S, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Leica D-LUX Typ 109 (⇒ rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Fujifilm GFX 50S (⇒ lft)||no||YES||3.2||2360||tilting||YES||4000||3.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 5DS R (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 5DS (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Fujifilm X100T (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||6.0||9||no|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||YES|
|Fujifilm X100S (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||9||no|
|Fujifilm X20 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||12.0||7||YES|
|Fujifilm X100 (⇒ lft | rgt)||1440||no||2.8||460||fixed||no||4000||5.0||9||no|
|Leica V-LUX Typ 114 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Leica X Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Leica D-LUX 6 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||4000||11.0||8.5||YES|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
Both the D-LUX Typ 109 and the GFX are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The D-LUX Typ 109 replaced the earlier Leica D-LUX 6, while the GFX does not have a direct predecessor.
Review summary: Leica D-LUX Typ 109 vs Fujifilm GFX 50S
So what conclusions can be drawn? Is there a clear favorite between the Leica D-LUX Typ 109 and the Fujifilm GFX 50S? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Leica D-LUX (Typ 109):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the GFX requires a separate lens.
- More compact: Is smaller (118x66mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the GFX).
- Sharper images: Has hand-shake reducing image stabilization build-in.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 12.7MP), which boosts linear resolution by 101%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Reflects 2 years of technical progress since the D-LUX Typ 109 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX comes out slightly ahead of the D-LUX Typ 109 (12 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the D-LUX Typ 109 or the GFX handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Leica D-LUX Typ 109 (⇒ rgt)||-||-||4.5/5||-||4.5/5||2014||1,195||latest||check|
|Fujifilm GFX 50S (⇒ lft)||-||85/100 Gold||5/5||5/5||4.5/5||2016||6,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||Rec||83/100 Silver||5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Fujifilm X100T (⇒ lft | rgt)||Rec||81/100 Silver||4.5/5||4.5/5||5/5||2014||1,299||discont.||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Fujifilm X100S (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||4/5||5/5||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||-||5/5||2013||599||discont.||check|
|Fujifilm X100 (⇒ lft | rgt)||-||75/100 Silver||4/5||4/5||5/5||2010||1,199||discont.||check|
|Leica V-LUX Typ 114 (⇒ lft | rgt)||-||-||-||-||5/5||2014||1,349||latest||check|
|Leica X Typ 113 (⇒ lft | rgt)||-||-||3.5/5||-||4/5||2014||2,295||latest||check|
|Leica D-LUX 6 (⇒ lft | rgt)||-||-||4/5||-||4/5||2012||699||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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