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Canon 1D Mark III vs Fujifilm GFX 50S

The Canon EOS-1D Mark III and the Fujifilm GFX 50S are two professional cameras that were announced, respectively, in February 2007 and September 2016. The 1D Mark III is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark III) and a medium format (GFX 50S) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon 1D Mark III   Fujifilm GFX 50S
Canon 1D Mark III Fujifilm GFX 50S
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm G mount lenses
10.1 MP, APS-H Sensor 51.1 MP, Medium Format Sensor
no Video 1080/30p Video
ISO 100-3200 (50-6400) ISO 100-12800 (50-102400)
Optical viewfinder Viewfinder optional
3.0" LCD, 230k dots 3.2" LCD, 2360k dots
Fixed screen (not touch-sensitive) Fully flexible touchscreen
10 shutter flaps per second 3 shutter flaps per second
Weathersealed bodyWeathersealed body
2200 shots per battery charge400 shots per battery charge
156 x 157 x 80 mm, 1155 g 148 x 94 x 91 mm, 740 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 1D Mark III and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Canon 1D Mark III vs Fujifilm GFX 50S
Compare 1D Mark III versus GFX 50S top
Comparison 1D Mark III or GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably smaller (43 percent) than the Canon 1D Mark III. Moreover, the GFX 50S is substantially lighter (36 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the GFX 50S, Fujifilm provides the VG-GFX1 vertical grip as an optional accessory (see here on eBay).

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 1D Mark III» 6.1 in 6.2 in 3.1 in 40.7 oz 2200 Y Feb 2007 4,499- i Canon 1D Mark III
 
Fujifilm GFX 50S« 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
 
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
 
Canon 1D Mark IV« » 6.1 in 6.2 in 3.1 in 43.4 oz 1500 Y Oct 2009 4,999- i Canon 1D Mark IV
 
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
 
Canon 1Ds Mark III« » 5.9 in 6.3 in 3.1 in 48.9 oz 1800 Y Aug 2007 7,999- i Canon 1Ds Mark III
 
Canon 1D Mark II N« » 6.1 in 6.2 in 3.1 in 55.2 oz 1200 Y Aug 2005 3,999- i Canon 1D Mark II N
 
Canon 1D Mark II« » 6.1 in 6.2 in 3.1 in 54.1 oz 1200 Y Jan 2004 4,499- i Canon 1D Mark II
 
Canon 1Ds« » 6.1 in 6.2 in 3.1 in 44.6 oz 600 Y Sep 2002 8,999- i Canon 1Ds
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 i i Leica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D3« » 6.3 in 6.2 in 3.5 in 45.9 oz 4300 Y Aug 2007 4,999- i Nikon D3
 
Nikon D2Xs« » 6.2 in 5.9 in 3.4 in 44.2 oz 3800 Y Jun 2006 4,699- i Nikon D2Xs
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 1D Mark III was launched at a markedly lower price (by 31 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 177 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 0.79. The sensor in the 1D Mark III has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

Canon 1D Mark III and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the 1D Mark III (10.1MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 7.21μm for the 1D Mark III). Yet, the GFX 50S is a much more recent model (by 9 years and 6 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.

The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

1D Mark III versus GFX 50S MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon 1D Mark III» APS-H 10.1 3888 2592-22.711.7107871Canon 1D Mark III
 
Fujifilm GFX 50S« Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Canon 5DS R« » Full Frame 50.3 8688 57921080/30p24.612.4230886Canon 5DS R
 
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
 
Canon 1D Mark IV« » APS-H 16.0 4896 32641080/30p22.812.0132074Canon 1D Mark IV
 
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
 
Canon 1Ds Mark III« » Full Frame 21.0 5616 3744-24.012.0166380Canon 1Ds Mark III
 
Canon 1D Mark II N« » APS-H 8.2 3504 2336-22.311.297566Canon 1D Mark II N
 
Canon 1D Mark II« » APS-H 8.2 3504 2336-22.311.1100366Canon 1D Mark II
 
Canon 1Ds« » Full Frame 11.0 4064 2704-21.811.095463Canon 1Ds
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D II« » Medium Format 51.3 8272 6200-----Hasselblad X1D II
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D3« » Full Frame 12.1 4256 2832-23.512.2229081Nikon D3
 
Nikon D2Xs« » APS-C 12.2 4288 2848-22.210.948959Nikon D2Xs

Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the GFX 50S can use is 1080/30p.

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Canon 1D Mark III, the Fujifilm GFX 50S, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon 1D Mark III»optical Y 3.0 230 fixed n 1/8000s 10.0 n n Canon 1D Mark III
 
Fujifilm GFX 50S«- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Canon 5DS R« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS R
 
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 1/8000s 6.0 n n Canon 5D Mark III
 
Canon 1D Mark IV« »optical Y 3.0 920 fixed n 1/8000s 10.0 n n Canon 1D Mark IV
 
Canon 5D Mark II« »optical Y 3.0 920 fixed n 1/8000s 3.9 n n Canon 5D Mark II
 
Canon 1Ds Mark III« »optical Y 3.0 230 fixed n 1/8000s 5.0 n n Canon 1Ds Mark III
 
Canon 1D Mark II N« »optical Y 2.5 230 fixed n 1/8000s 8.5 n n Canon 1D Mark II N
 
Canon 1D Mark II« »optical Y 2.0 230 fixed n 1/8000s 8.3 n n Canon 1D Mark II
 
Canon 1Ds« »optical Y 2.0 120 fixed n 1/8000s 3.0 n n Canon 1Ds
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D II« »3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10« »optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D3« »optical Y 3.0 922 fixed n 1/8000s 11.0 n n Nikon D3
 
Nikon D2Xs« »optical Y 2.5 230 fixed n 1/8000s 5.0 n n Nikon D2Xs

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the 1D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the GFX 50S uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S supports UHS-II cards (on both slots), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon 1D Mark III»Y-----2.0---Canon 1D Mark III
 
Fujifilm GFX 50S«YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
 
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
 
Canon 1D Mark IV« »Ystereo-Y-mini2.0---Canon 1D Mark IV
 
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
 
Canon 1Ds Mark III« »Y-----2.0---Canon 1Ds Mark III
 
Canon 1D Mark II N« »Y-----1.1---Canon 1D Mark II N
 
Canon 1D Mark II« »Y-----1.1---Canon 1D Mark II
 
Canon 1Ds« »Y-----FW---Canon 1Ds
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D II« »YstereomonoYY-3.0Y--Hasselblad X1D II
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10« »Y------Y--Leica M10
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D3« »Y----mini2.0---Nikon D3
 
Nikon D2Xs« »Y-----2.0---Nikon D2Xs

It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark III does not offer wifi capability.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the 1D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.


Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon 1D Mark III or the Fujifilm GFX 50S – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Canon EOS-1D Mark III:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (2200 versus 400) on a single battery charge.
  • More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in February 2007).

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 10.1MP), which boosts linear resolution by 121%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Broader imaging potential: Can capture not only stills but also 1080/30p video.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More compact: Is smaller (148x94mm vs 156x157mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 415g or 36 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
  • More modern: Reflects 9 years and 6 months of technical progress since the 1D Mark III launch.

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (20 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

1D Mark III 08:20 GFX 50S

How about other alternatives? Do the specifications of the Canon 1D Mark III and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1D Mark III and the GFX 50S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 1D Mark III»---o- Feb 2007 4,499- i Canon 1D Mark III
 
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon 5DS R« »+83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
 
Canon 5D Mark III« »+ +82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
 
Canon 1D Mark IV« »-89/100-5/5- Oct 2009 4,999- i Canon 1D Mark IV
 
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
 
Canon 1Ds Mark III« »-+ +4.5/5-- Aug 2007 7,999- i Canon 1Ds Mark III
 
Canon 1D Mark II N« »----- Aug 2005 3,999- i Canon 1D Mark II N
 
Canon 1D Mark II« »-+ +-o- Jan 2004 4,499- i Canon 1D Mark II
 
Canon 1Ds« »-+ +--- Sep 2002 8,999- i Canon 1Ds
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« »----- Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D3« »-+ +5/5o4.5/5 Aug 2007 4,999- i Nikon D3
 
Nikon D2Xs« »---o- Jun 2006 4,699- i Nikon D2Xs
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Canon 1D Mark III:
Check Ebay offers
Fujifilm GFX 50S:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Canon 1D Mark III vs Fujifilm GFX 50S

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon 1D Mark III Fujifilm GFX 50S
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm G mount lenses
    Launch Date February 2007 September 2016
    Launch Price USD 4499 USD 6499
    Sensor Specs Canon 1D Mark III Fujifilm GFX 50S
    Sensor Technology CMOS CMOS
    Sensor Format APS-H Sensor Medium Format Sensor
    Sensor Size 28.1 x 18.7 mm 44.0 x 33.0 mm
    Sensor Area 525.47 mm2 1452 mm2
    Sensor Diagonal 33.8 mm 55 mm
    Crop Factor 1.3x 0.79x
    Sensor Resolution 10.1 Megapixels 51.1 Megapixels
    Image Resolution 3888 x 2592 pixels 8256 x 6192 pixels
    Pixel Pitch 7.21 μm 5.33 μm
    Pixel Density 1.92 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability no Video 1080/30p Video
    ISO Setting 100-3200 ISO 100-12800 ISO
    ISO Boost 50-6400 ISO 50-102400 ISO
    Image Processor DIGIC III X Processor Pro
    DXO Sensor Quality (score) 71 ..
    DXO Color Depth (bits) 22.7 ..
    DXO Dynamic Range (EV) 11.7 ..
    DXO Low Light (ISO) 1078 ..
    Screen Specs Canon 1D Mark III Fujifilm GFX 50S
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.58x
    Top-Level Screen Control Panel Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 230k dots 2360k dots
    LCD Attachment Fixed screen Fully flexible screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Canon 1D Mark III Fujifilm GFX 50S
    Autofocus System Phase-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/8000/s 1/4000/s
    Continuous Shooting 10 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium CF or SDHC cards SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support no Dual UHS-II
    Connectivity Specs Canon 1D Mark III Fujifilm GFX 50S
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 2.0 USB 3.0
    HDMI Port no HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Body Specs Canon 1D Mark III Fujifilm GFX 50S
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type LP-E4 NP-T125
    Battery Life (CIPA)2200 shots per charge400 shots per charge
    Body Dimensions 156 x 157 x 80 mm
    (6.1 x 6.2 x 3.1 in)
    148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    Camera Weight 1155 g (40.7 oz) 740 g (26.1 oz)

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