Leica CL vs Olympus E-M5 II
The Leica CL (Typ 7323) and the Olympus OM-D E-M5 Mark II are two digital cameras that were revealed to the public, respectively, in November 2017 and February 2015. Both the CL and the E-M5 II are mirrorless interchangeable lens cameras that are based on an APS-C (CL) and a Four Thirds (E-M5 II) sensor. The Leica has a resolution of 24.1 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Leica CL (Typ 7323) and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Leica CL and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the CL is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is somewhat larger (3 percent) than the Leica CL. Moreover, the E-M5 II is markedly heavier (16 percent) than the CL. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the CL does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Leica CL||131 mm||78 mm||45 mm||403 g||220||n||Nov 2017||2,795||amazon.com|
|2.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|3.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599||ebay.com|
|4.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||ebay.com|
|5.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|6.||Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||amazon.com|
|7.||Leica TL2||134 mm||69 mm||33 mm||399 g||250||n||Jul 2017||1,950||amazon.com|
|8.||Leica TL||134 mm||69 mm||33 mm||384 g||400||n||Nov 2016||1,695||ebay.com|
|9.||Leica T||134 mm||69 mm||33 mm||384 g||400||n||Apr 2014||1,850||ebay.com|
|10.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429||amazon.com|
|11.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699||amazon.com|
|12.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||ebay.com|
|13.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199||amazon.com|
|14.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|15.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|16.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|17.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M5 II was launched at a markedly lower price (by 61 percent) than the CL, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Leica CL features an APS-C sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the CL has a native 3:2 aspect ratio, while the one in the E-M5 II offers a 4:3 aspect.
With 24.1MP, the CL offers a higher resolution than the E-M5 II (15.9MP), but the CL nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.76μm for the E-M5 II) due to its larger sensor. Moreover, the CL is a much more recent model (by 2 years and 9 months) than the E-M5 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the CL has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica CL implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the CL for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
Unlike the CL, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Leica CL (Typ 7323) has a native sensitivity range from ISO 100 to ISO 50000. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|13.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1324||76|
|14.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|15.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|16.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|17.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the CL provides a higher video resolution than the E-M5 II. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The CL and the E-M5 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Leica CL and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras.
|1.||Leica CL||2360||Y||3.0 / 1040||fixed||Y||1/8000s||10.0/s||n||n|
|2.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|3.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|4.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|6.||Leica C-LUX||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0/s||Y||Y|
|7.||Leica TL2||optional||n||3.7 / 1230||fixed||Y||1/4000s||7.0/s||n||n|
|8.||Leica TL||optional||n||3.7 / 1230||fixed||Y||1/4000s||5.0/s||Y||n|
|9.||Leica T||optional||n||3.7 / 1230||fixed||Y||1/4000s||5.0/s||Y||n|
|10.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|11.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|12.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|13.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|15.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|16.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the CL, but is missing on the E-M5 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-M5 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the CL does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica CL and the Olympus E-M5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the CL and the E-M5 II write their files to SDXC cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Leica CL (Typ 7323) and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Leica CL||Y||stereo / mono||-||-||-||-||Y||-||-|
|2.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Leica C-LUX||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Leica TL2||Y||stereo / mono||-||-||micro||3.0||Y||-||-|
|8.||Leica TL||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Leica T||Y||stereo / mono||-||-||-||2.0||Y||-||-|
|10.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|11.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|12.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|17.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the E-M5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The CL does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the CL) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The CL is a recent model that features in the current product line-up of Leica. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the features and operation of the CL and E-M5 II can be found, respectively, in the Leica CL Manual (free pdf) or the online Olympus E-M5 II Manual.
So how do things add up? Is there a clear favorite between the Leica CL and the Olympus E-M5 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Leica CL (Typ 7323):
- More detail: Offers more megapixels (24.1 vs 15.9MP) with a 26% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Less heavy: Is lighter (by 66g or 14 percent) and hence easier to carry around.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale price.
- More modern: Reflects 2 years and 9 months of technical progress since the E-M5 II launch.
Reasons to prefer the Olympus OM-D E-M5 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.49x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Gets more shots (310 versus 220) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (61 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II comes out slightly ahead of the CL (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Leica CL and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the CL or the E-M5 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Leica CL||..||..||4.2/5||..||..||4/5||Nov 2017||2,795||amazon.com|
|2.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|3.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599||ebay.com|
|4.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899||ebay.com|
|5.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|6.||Leica C-LUX||..||..||3.5/5||..||4.5/5||4/5||Jun 2018||1,049||amazon.com|
|7.||Leica TL2||3.5/5||..||3/5||..||4/5||4/5||Jul 2017||1,950||amazon.com|
|8.||Leica TL||..||..||..||..||..||4/5||Nov 2016||1,695||ebay.com|
|9.||Leica T||3/5||..||..||..||4/5||4/5||Apr 2014||1,850||ebay.com|
|10.||Nikon D3500||4/5||..||4/5||75/100||4/5||4.5/5||Aug 2018||429||amazon.com|
|11.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699||amazon.com|
|12.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499||ebay.com|
|13.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199||amazon.com|
|14.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|15.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|16.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|17.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS vs Olympus E-M5 II
- Canon G1 X Mark III vs Leica CL
- Canon G7 X Mark III vs Olympus E-M5 II
- Leica CL vs Nikon 1 J4
- Leica CL vs Nikon 1 V3
- Leica CL vs Olympus E-PL7
- Leica CL vs Panasonic LX15
- Leica CL vs Sony RX1
- Nikon D700 vs Olympus E-M5 II
- Nikon Df vs Olympus E-M5 II
- Olympus E-M5 II vs Sony A7R IV
- Olympus E-M5 II vs Sony HX90V
Specifications: Leica CL vs Olympus E-M5 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Leica CL||Olympus E-M5 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Leica T mount lenses||Micro Four Thirds lenses|
|Launch Date||November 2017||February 2015|
|Launch Price||USD 2,795||USD 1,099|
|Sensor Specs||Leica CL||Olympus E-M5 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||370.52 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24.1 Megapixels||15.9 Megapixels|
|Image Resolution||6014 x 4014 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.92 μm||3.76 μm|
|Pixel Density||6.52 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||100 - 50,000 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||Maestro II||TruePic VII|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.5|
|DXO Low Light (ISO)||..||842|
|Screen Specs||Leica CL||Olympus E-M5 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Leica CL||Olympus E-M5 II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/25000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Leica CL||Olympus E-M5 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||no USB||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Leica CL||Olympus E-M5 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||220 shots per charge||310 shots per charge|
131 x 78 x 45 mm
(5.2 x 3.1 x 1.8 in)
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||403 g (14.2 oz)||469 g (16.5 oz)|
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