Kodak S-1 vs Panasonic GX7
The Kodak PIXPRO S-1 and the Panasonic Lumix DMC-GX7 are two digital cameras that were officially introduced, respectively, in January 2012 and August 2013. Both the S-1 and the GX7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Kodak S-1||Panasonic GX7|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|16.1 MP, Four Thirds Sensor||15.8 MP, Four Thirds Sensor|
|1080/30p Video||1080/60p Video|
|ISO 200-12800||ISO 125-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2760k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|4 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|410 shots per battery charge||350 shots per battery charge|
|116 x 68 x 36 mm, 290 g||123 x 71 x 55 mm, 402 g|
Body comparison: Kodak S-1 vs Panasonic GX7
The side-by-side display below illustrates the physical size and weight of the Kodak S-1 and the Panasonic GX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the S-1 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably larger (11 percent) than the Kodak S-1. Moreover, the GX7 is substantially heavier (39 percent) than the S-1. In this context, it is worth noting that neither the S-1 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Kodak S-1»||4.6 in||2.7 in||1.4 in||10.2 oz||410||n||Jan 2012||299||Kodak S-1|
|Panasonic GX7«||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||-||Olympus E-PL6|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-||Olympus E-PM2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||-||Olympus E-PM1|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic GX85« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX85|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||949||-||Panasonic GX1|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 70 percent) than the GX7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Kodak S-1 vs Panasonic GX7
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the S-1 offers a slightly higher resolution of 16.1 megapixels, compared with 15.8 MP of the GX7. This megapixels advantage translates into a 1 percent gain in linear resolution. On the other hand, these sensor specs imply that the S-1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.74μm versus 3.77μm for the GX7). Moreover, it should be noted that the GX7 is a somewhat more recent model (by 1 year and 6 months) than the S-1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
The Kodak PIXPRO S-1 has a native sensitivity range from ISO 200 to ISO 12800 The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Kodak S-1»||Four Thirds||16.1||4640||3480||1080/30p||-||-||-||-||Kodak S-1|
|Panasonic GX7«||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL6|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX85« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX85|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GX7 provides a faster frame rate than the S-1. It can shoot movie footage at 1080/60p, while the Kodak is limited to 1080/30p.
Feature comparison: Kodak S-1 vs Panasonic GX7
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Kodak S-1, the Panasonic GX7, and comparable cameras.
|Kodak S-1»||-||n||3.0||920||tilting||n||4000||4.0||n||Y||Kodak S-1|
|Panasonic GX7«||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y||Panasonic GX7|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y||Olympus E-M10|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6« »||-||n||3.0||460||tilting||Y||4000||8.0||n||Y||Olympus E-PL6|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||4000||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2« »||-||n||3.0||460||fixed||Y||4000||8.0||n||Y||Olympus E-PM2|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||4000||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||4000||5.5||n||Y||Olympus E-PM1|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y||Panasonic G85|
|Panasonic GX85« »||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Panasonic GX85|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n||Panasonic G6|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n||Panasonic GF6|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||4000||4.0||Y||n||Panasonic G3|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||4000||4.2||Y||n||Panasonic GX1|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the S-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX7 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GX7 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the S-1 and the GX7 write their files to SDXC cards.
Connectivity comparison: Kodak S-1 vs Panasonic GX7
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PIXPRO S-1 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Kodak S-1»||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak S-1|
|Panasonic GX7«||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX85« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX85|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
The S-1 is a recent model that features in the current product line-up of Kodak. In contrast, the GX7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX7 was succeeded by the Panasonic GX85.
Review summary: Kodak S-1 vs Panasonic GX7
So how do things add up? Which of the two cameras – the Kodak S-1 or the Panasonic GX7 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Kodak PIXPRO S-1:
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Is lighter (by 112g or 28 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (410 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Arguments in favor of the Panasonic Lumix DMC-GX7:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GX7 is the clear winner of the contest (10 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the S-1 or the GX7 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Kodak S-1 vs Panasonic GX7
This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Kodak S-1»||-||-||4/5||-||4/5||Jan 2012||299||Kodak S-1|
|Panasonic GX7«||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||-||-||-||-||-||May 2013||599||-||Olympus E-PL6|
|Olympus E-PL5« »||HiRec||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-||Olympus E-PM2|
|Olympus E-PL3« »||HiRec||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-||Olympus E-PM1|
|Panasonic G85« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||Panasonic G85|
|Panasonic GX85« »||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX85|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||HiRec||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic G3« »||HiRec||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||949||-||Panasonic GX1|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G3 X vs Panasonic L1
- Fujifilm X-A3 vs Sony A99 II
- Fujifilm X-T2 vs Fujifilm X-T3
- Leica M10 vs Sony A6500
- Leica X Vario vs Sony NEX-6
- Nikon D800 vs Panasonic GX85
- Nikon Z6 vs Canon 1D X
- Panasonic FZ200 vs Fujifilm X20
- Panasonic G10 vs Canon G1 X Mark III
- Panasonic GF3 vs Panasonic GF1
- Panasonic TS7 vs Panasonic TZ90
- Sony RX100 VI vs Canon 1D X Mark II
Specifications: Kodak S-1 vs Panasonic GX7
|Camera Model||Kodak S-1||Panasonic GX7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2012||August 2013|
|Launch Price||USD 299||USD 999|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||16.1 Megapixels||15.8 Megapixels|
|Image Resolution||4640 x 3480 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.74 μm||3.77 μm|
|Pixel Density||7.18 MP/cm2||7.04 MP/cm2|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||200-12800 ISO||125-25600 ISO|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2760k dots|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||5 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Battery Type||LB-070 power pack||DMW-BLG10 power pack|
|Battery Life (CIPA)||410 shots per charge||350 shots per charge|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||290 g (10.2 oz)||402 g (14.2 oz)|
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