Kodak S-1 vs Sony HX400V
The Kodak PIXPRO S-1 and the Sony Cyber-shot DSC-HX400V are two digital cameras that were officially introduced, respectively, in January 2012 and February 2014. The S-1 is a mirrorless interchangeable lens camera, while the HX400V is a fixed lens compact. The cameras are based on a Four Thirds (S-1) and a 1/2.3-inch (HX400V) sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Sony provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Kodak S-1||Sony HX400V|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|16.1 MP, Four Thirds Sensor||20.2 MP, 1/2.3" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 200-12800||ISO 80-3200 (80-12800)|
|No viewfinder, LCD framing||Electronic viewfinder (210k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 921k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|4 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|410 shots per battery charge||300 shots per battery charge|
|116 x 68 x 36 mm, 290 g||130 x 93 x 103 mm, 660 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PIXPRO S-1 and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Kodak S-1 and the Sony HX400V is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the HX400V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX400V is considerably larger (53 percent) than the Kodak S-1. In this context, it is worth noting that neither the S-1 nor the HX400V are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX400V has a lens built in, whereas the S-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the S-1 and their specifications in the Micro Four Thirds Lens Catalog.
The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Kodak S-1»||4.6 in||2.7 in||1.4 in||10.2 oz||410||n||Jan 2012||299||Kodak S-1|
|Sony HX400V«||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||-||Olympus E-PL6|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-||Olympus E-PM2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||-||Olympus E-PM1|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||-||Panasonic GX1|
|Sony HX350« »||5.1 in||3.7 in||4.1 in||23.0 oz||300||n||Dec 2016||449||Sony HX350|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Sony H400« »||5.1 in||3.7 in||4.8 in||22.2 oz||300||n||Feb 2014||319||Sony H400|
|Sony H300« »||5.0 in||3.5 in||3.6 in||20.8 oz||350||n||Feb 2014||219||Sony H300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Kodak S-1 features a Four Thirds sensor and the Sony HX400V a 1/2.3-inch sensor. The sensor area in the HX400V is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the HX400V offers a higher resolution of 20.2 megapixels, compared with 16.1 MP of the S-1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.74μm for the S-1). However, it should be noted that the HX400V is much more recent (by 2 years) than the S-1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the HX400V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX400V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX400V for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inch or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inch or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inch or 39.3 x 29.5 cm for excellent quality prints.
The Kodak PIXPRO S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Kodak S-1»||Four Thirds||16.1||4640||3480||1080/30p||-||-||-||-||Kodak S-1|
|Sony HX400V«||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-||Olympus E-PL6|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52||Olympus E-PM1|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Sony HX350« »||1/2.3||19.9||5152||3864||1080/60p||-||-||-||-||Sony HX350|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
|Sony H400« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H400|
|Sony H300« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H300|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the HX400V provides a faster frame rate than the S-1. It can shoot movie footage at 1080/60p, while the Kodak is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the HX400V has an electronic viewfinder (210k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Kodak S-1 and Sony HX400V in connection with corresponding information for a sample of similar cameras.
|Kodak S-1»||-||n||3.0||920||tilting||n||1/4000s||4.0||n||Y||Kodak S-1|
|Sony HX400V«||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2« »||-||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||1/4000s||5.5||n||Y||Olympus E-PM1|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Sony HX350« »||202||n||3.0||922||tilting||n||1/4000s||10.0||Y||Y||Sony HX350|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
|Sony H400« »||210||n||3.0||460||fixed||n||1/2000s||0.7||Y||Y||Sony H400|
|Sony H300« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
One difference between the cameras concerns the presence of an on-board flash. The HX400V has one, while the S-1 does not. While the built-in flash of the HX400V is not very powerful, it can at times be useful as a fill-in light.The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the HX400V does not have a selfie-screen.
The S-1 writes its imaging data to SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the HX400V cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PIXPRO S-1 and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Kodak S-1»||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak S-1|
|Sony HX400V«||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PM1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM1|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Sony HX350« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony HX350|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
|Sony H400« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H400|
|Sony H300« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
Travel and landscape photographers will find it useful that the HX400V has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the S-1 and the HX400V are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Kodak and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Kodak and Sony websites.
So what conclusions can be drawn? Is the Kodak S-1 better than the Sony HX400V or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Kodak PIXPRO S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (116x68mm vs 130x93mm) and thus needs less room in the bag.
- Longer lasting: Can take more shots (410 versus 300) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Reasons to prefer the Sony Cyber-shot DSC-HX400V:
- More detail: Has more megapixels (20.2 vs 16.1MP), which boosts linear resolution by 12%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the S-1 necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years of technical progress since the S-1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S-1 comes out slightly ahead of the HX400V (11 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the S-1 and the HX400V in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Kodak S-1»||-||-||4/5||-||4/5||Jan 2012||299||Kodak S-1|
|Sony HX400V«||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-PL6« »||-||-||-||-||-||May 2013||599||-||Olympus E-PL6|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-||Olympus E-PM2|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-||Olympus E-PM1|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic GX7« »||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Sony HX350« »||-||-||-||-||4/5||Dec 2016||449||Sony HX350|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Sony H400« »||o||-||3.5/5||-||3.5/5||Feb 2014||319||Sony H400|
|Sony H300« »||+||-||4.5/5||-||4/5||Feb 2014||219||Sony H300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II N vs Kodak S-1
- Canon SL3 vs Sony HX400V
- Kodak S-1 vs Leica S Typ 007
- Kodak S-1 vs Leica X Typ 113
- Kodak S-1 vs Sony A7
- Kodak S-1 vs Sony NEX-5T
- Nikon 1 V2 vs Sony HX400V
- Olympus E-PL8 vs Sony HX400V
- Panasonic FZ2000 vs Sony HX400V
- Panasonic LX10 vs Sony HX400V
- Sony HX400V vs Sony NEX-7
- Sony HX400V vs Zeiss ZX1
Specifications: Kodak S-1 vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Kodak S-1||Sony HX400V|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|Launch Date||January 2012||February 2014|
|Launch Price||USD 299||USD 499|
|Sensor Specs||Kodak S-1||Sony HX400V|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||16.1 Megapixels||20.2 Megapixels|
|Image Resolution||4640 x 3480 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.74 μm||1.18 μm|
|Pixel Density||7.18 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||200-12800 ISO||80-3200 ISO|
|ISO Boost||no Enhancement||80-12800 ISO|
|Screen Specs||Kodak S-1||Sony HX400V|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||210k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Kodak S-1||Sony HX400V|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Kodak S-1||Sony HX400V|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Kodak S-1||Sony HX400V|
|Battery Life (CIPA)||410 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||290 g (10.2 oz)||660 g (23.3 oz)|
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