Kodak S-1 versus Olympus E-P5
The Kodak PIXPRO S-1 and the Olympus PEN E-P5 are two digital cameras that were announced, respectively, in January 2012 and May 2013. Both the S-1 and the E-P5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Kodak has a resolution of 16.1 megapixel, whereas the Olympus provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Kodak S-1 vs Olympus E-P5
An illustration of the physical size and weight of the Kodak S-1 and the Olympus E-P5 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the S-1 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is notably larger (7 percent) than the Kodak S-1. Moreover, the E-P5 is substantially heavier (45 percent) than the S-1. In this context, it is worth noting that neither the S-1 nor the E-P5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Kodak S-1»||4.6 in||2.7 in||1.4 in||10.2 oz||410||n||Jan 2012||299|
|Olympus E-P5«||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||-|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-|
|Olympus E-PM1« »||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499||-|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||949||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 70 percent) than the E-P5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Kodak S-1 vs Olympus E-P5
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the S-1 offers a slightly higher resolution of 16.1 megapixel, compared with 15.9 MP of the E-P5. This megapixel advantage translates into a 0.7 percent gain in linear resolution. On the other hand, these sensor specs imply that the S-1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.74μm versus 3.76μm for the E-P5). Moreover, it should be noted that the E-P5 is a somewhat more recent model (by 1 year and 3 months) than the S-1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Kodak S-1»||Four Thirds||16.1||4640||3480||1080/30p||-||-||-||-|
|Olympus E-P5«||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-PL6« »||Four Thirds||15.9||4608||3456||1080/30p||-||-||-||-|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-PM2« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PM1« »||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).
Feature comparison: Kodak S-1 vs Olympus E-P5
Apart from body and sensor, cameras can and do differ across a range of features. The S-1 and the E-P5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The following table reports on some other key feature differences and similarities of the Kodak S-1, the Olympus E-P5, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||4000||8.0||n||Y|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y|
|Olympus E-PL6« »||-||n||3.0||460||tilting||Y||4000||8.0||n||Y|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y|
|Olympus E-PM2« »||-||n||3.0||460||fixed||Y||4000||8.0||n||Y|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||4000||8.0||n||Y|
|Olympus E-PM1« »||-||n||3.0||460||fixed||n||4000||5.5||n||Y|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||4000||5.5||n||Y|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||4000||4.0||Y||n|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||4000||4.2||Y||n|
The S-1 is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-P5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-P5 was succeeded by the ...
Review summary: Kodak S-1 vs Olympus E-P5
So what conclusions can be drawn? Which of the two cameras – the Kodak S-1 or the Olympus E-P5 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Kodak PIXPRO S-1:
- Less heavy: Is lighter (by 130g or 31 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (410 versus 330) on a single battery charge.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Reasons to prefer the Olympus PEN E-P5:
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 4 flaps/sec) to capture the decisive moment.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the E-P5 emerges as the winner of the match-up (6 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the S-1 or the E-P5 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Kodak S-1»||-||-||4/5||-||4/5||Jan 2012||299|
|Olympus E-P5«||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-|
|Olympus E-PL7« »||Rec||-||5/5||4.5/5||4/5||Aug 2014||599||-|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-|
|Olympus E-PL6« »||-||-||-||-||-||May 2013||599||-|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-|
|Olympus E-PM2« »||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-|
|Olympus E-PL5« »||HiRec||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-|
|Olympus E-PM1« »||86/100||71/100||4.5/5||-||4.5/5||Jun 2011||499||-|
|Olympus E-PL3« »||HiRec||72/100||4.5/5||-||4/5||Jun 2011||599||-|
|Panasonic GF6« »||HiRec||-||4.5/5||-||4.5/5||Apr 2013||499||-|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-|
|Panasonic G3« »||HiRec||75/100||4.5/5||4.5/5||5/5||May 2011||599||-|
|Panasonic GX1« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||949||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to add information on that model to the database.
- Canon 77D vs Canon G1 X
- Canon M3 vs Canon M50
- Canon M50 vs Panasonic TZ90
- Canon XS vs Canon T5i
- Fujifilm X-H1 vs Panasonic TZ100
- Leica V-LUX 4 vs Leica V-LUX Typ 114
- Leica X1 vs Canon G1 X Mark II
- Nikon D5600 vs Canon 1D
- Panasonic FZ1000 vs Panasonic G80
- Panasonic GH1 vs Panasonic G10
- Sony A6500 vs Panasonic ZS200
- Sony RX10 II vs Panasonic FZ1000