Kodak S-1 vs Leica Digilux 3
The Kodak PixPro S-1 and the Leica Digilux 3 are two digital cameras that were announced, respectively, in January 2012 and September 2006. The S-1 is a mirrorless interchangeable lens camera, while the Digilux 3 is a DSLR. Both cameras are equipped with a Four Thirds sensor. The Kodak has a resolution of 16.1 megapixels, whereas the Leica provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro S-1 and the Leica Digilux 3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Kodak S-1 and the Leica Digilux 3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the Digilux 3 is only available in silver.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica Digilux 3 is considerably larger (61 percent) than the Kodak S-1. Moreover, the Digilux 3 is substantially heavier (109 percent) than the S-1. In this context, it is worth noting that neither the S-1 nor the Digilux 3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (S-1) and the Four Thirds Lens Catalog (Digilux 3). Mirrorless cameras, such as the Kodak S-1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The power pack in the S-1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak S-1 | 116 mm | 68 mm | 36 mm | 290 g | 410 | n | Jan 2012 | US$ 299 | ebay.com | |
2. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | US$ 1 499 | ebay.com | |
3. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | US$ 799 | ebay.com | |
4. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | US$ 999 | ebay.com | |
5. | Olympus E-500 | 130 mm | 95 mm | 66 mm | 479 g | 750 | n | Sep 2005 | US$ 599 | ebay.com | |
6. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | US$ 999 | ebay.com | |
7. | Olympus E-PL3 | 110 mm | 64 mm | 37 mm | 313 g | 300 | n | Jun 2011 | US$ 599 | ebay.com | |
8. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | US$ 599 | ebay.com | |
9. | Olympus E-PL6 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | May 2013 | US$ 599 | ebay.com | |
10. | Olympus E-PM1 | 110 mm | 64 mm | 34 mm | 265 g | 330 | n | Jun 2011 | US$ 499 | ebay.com | |
11. | Olympus E-PM2 | 110 mm | 64 mm | 34 mm | 269 g | 360 | n | Sep 2012 | US$ 499 | ebay.com | |
12. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | US$ 599 | ebay.com | |
13. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | US$ 499 | ebay.com | |
14. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | US$ 699 | ebay.com | |
15. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | US$ 999 | ebay.com | |
16. | Panasonic L1 | 146 mm | 87 mm | 64 mm | 606 g | 750 | n | Feb 2006 | US$ 999 | ebay.com | |
17. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | US$ 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 80 percent) than the Digilux 3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the S-1 offers a higher resolution of 16.1 megapixels, compared with 7.4 MP of the Digilux 3. This megapixels advantage translates into a 48 percent gain in linear resolution. On the other hand, these sensor specs imply that the S-1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.74μm versus 5.51μm for the Digilux 3). In this context, it should be noted, however, that the S-1 is much more recent (by 5 years and 4 months) than the Digilux 3, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Kodak S-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S-1 for good quality output (200 dots per inch) amounts to 23.2 x 17.4 inches or 58.9 x 44.2 cm, for very good quality (250 dpi) 18.6 x 13.9 inches or 47.1 x 35.4 cm, and for excellent quality (300 dpi) 15.5 x 11.6 inches or 39.3 x 29.5 cm. The corresponding values for the Leica Digilux 3 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Kodak PixPro S-1 has a native sensitivity range from ISO 200 to ISO 12800. The corresponding ISO settings for the Leica Digilux 3 are ISO 100 to ISO 1600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak S-1 | Four Thirds | 16.1 | 4640 | 3480 | 1080/30p | 22.2 | 11.8 | 598 | 65 | |
2. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
3. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
4. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
5. | Olympus E-500 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.7 | 10.3 | 45 | 51 | |
6. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
7. | Olympus E-PL3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.9 | 10.3 | 499 | 52 | |
8. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
9. | Olympus E-PL6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.5 | 12.0 | 717 | 68 | |
10. | Olympus E-PM1 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 21.0 | 10.3 | 499 | 52 | |
11. | Olympus E-PM2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.2 | 932 | 72 | |
12. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
13. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
14. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
15. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
16. | Panasonic L1 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 80 | 52 | |
17. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The S-1 indeed provides movie recording capabilities, while the Digilux 3 does not. The highest resolution format that the S-1 can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Digilux 3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Kodak S-1 and Leica Digilux 3 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak S-1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 4.0/s | n | Y | |
2. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
3. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
4. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
5. | Olympus E-500 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 2.5/s | Y | n | |
6. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
7. | Olympus E-PL3 | optional | n | 3.0 / 460 | tilting | n | 1/4000s | 5.5/s | n | Y | |
8. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
9. | Olympus E-PL6 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
10. | Olympus E-PM1 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 5.5/s | n | Y | |
11. | Olympus E-PM2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 8.0/s | n | Y | |
12. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
13. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
14. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
15. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
16. | Panasonic L1 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
17. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the S-1 and the Digilux 3 is in-body image stabilization (IBIS). The S-1 reduces the risk of handshake-induced blur with all attached lenses, while the Digilux 3 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The S-1 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Digilux 3 does not have a selfie-screen.Concerning the storage of imaging data, both the S-1 and the Digilux 3 write their files to SDXC cards. The S-1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Digilux 3 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro S-1 and Leica Digilux 3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak S-1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
3. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Olympus E-500 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Olympus E-PL3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
8. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Olympus E-PL6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Olympus E-PM1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Olympus E-PM2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
12. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
16. | Panasonic L1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - |
It is notable that the S-1 offers wifi support, while the Digilux 3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the S-1 and the Digilux 3 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Kodak and Leica. Further information on the features and operation of the S-1 and Digilux 3 can be found, respectively, in the Kodak S-1 Manual (free pdf) or the online Leica Digilux 3 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Kodak S-1 and the Leica Digilux 3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Kodak PixPro S-1:
- More detail: Offers more megapixels (16.1 vs 7.4MP) with a 48% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 207k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (116x68mm vs 146x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 316g or 52 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 5 years and 4 months of technical progress since the Digilux 3 launch.
Arguments in favor of the Leica Digilux 3:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Longer lasting: Gets more shots (750 versus 410) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2006).
If the count of relative strengths (bullet points above) is taken as a measure, the S-1 is the clear winner of the match-up (16 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Kodak S-1 and the Leica Digilux 3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the S-1 or the Digilux 3. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Kodak S-1 | .. | .. | .. | .. | 4/5 | 4/5 | Jan 2012 | US$ 299 | ebay.com | |
2. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | US$ 1 499 | ebay.com | |
3. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | US$ 799 | ebay.com | |
4. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | US$ 999 | ebay.com | |
5. | Olympus E-500 | .. | 76/100 | .. | + + | .. | .. | Sep 2005 | US$ 599 | ebay.com | |
6. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | US$ 999 | ebay.com | |
7. | Olympus E-PL3 | 3/5 | + + | .. | 72/100 | 4.5/5 | 4/5 | Jun 2011 | US$ 599 | ebay.com | |
8. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | US$ 599 | ebay.com | |
9. | Olympus E-PL6 | .. | .. | .. | .. | .. | .. | May 2013 | US$ 599 | ebay.com | |
10. | Olympus E-PM1 | .. | 86/100 | .. | 71/100 | 4.5/5 | 4.5/5 | Jun 2011 | US$ 499 | ebay.com | |
11. | Olympus E-PM2 | 3/5 | .. | .. | 77/100 | 5/5 | 4.5/5 | Sep 2012 | US$ 499 | ebay.com | |
12. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | US$ 599 | ebay.com | |
13. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | US$ 499 | ebay.com | |
14. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | US$ 699 | ebay.com | |
15. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | US$ 999 | ebay.com | |
16. | Panasonic L1 | .. | 85/100 | .. | + | .. | 3.5/5 | Feb 2006 | US$ 999 | ebay.com | |
17. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | US$ 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Leica Digilux 3
- Canon 5DS R vs Kodak S-1
- Canon M5 vs Kodak S-1
- Kodak S-1 vs Nikon D40X
- Kodak S-1 vs Panasonic LX10
- Kodak S-1 vs Sony NEX-7
- Kodak S-1 vs Sony RX10 III
- Leica Digilux 3 vs Nikon D90
- Leica Digilux 3 vs Olympus E-P5
- Leica Digilux 3 vs Panasonic FZ80
- Leica Digilux 3 vs Panasonic GX800
- Leica Digilux 3 vs Pentax K-1 II
Specifications: Kodak S-1 vs Leica Digilux 3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Kodak S-1 | Leica Digilux 3 |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Micro Four Thirds lenses | Four Thirds lenses |
Launch Date | January 2012 | September 2006 |
Launch Price | USD 299 | USD 1,499 |
Sensor Specs | Kodak S-1 | Leica Digilux 3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
Sensor Area | 224.9 mm2 | 224.9 mm2 |
Sensor Diagonal | 21.6 mm | 21.6 mm |
Crop Factor | 2.0x | 2.0x |
Sensor Resolution | 16.1 Megapixels | 7.4 Megapixels |
Image Resolution | 4640 x 3480 pixels | 3136 x 2352 pixels |
Pixel Pitch | 3.74 μm | 5.51 μm |
Pixel Density | 7.18 MP/cm2 | 3.28 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | no Video |
ISO Setting | 200 - 12,800 ISO | 100 - 1,600 ISO |
Screen Specs | Kodak S-1 | Leica Digilux 3 |
Viewfinder Type | no viewfinder | Optical viewfinder |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.47x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.5inch |
LCD Resolution | 920k dots | 207k dots |
LCD Attachment | Tilting screen | Fixed screen |
Shooting Specs | Kodak S-1 | Leica Digilux 3 |
Focus System | Contrast-detect AF | Phase-detect AF |
Continuous Shooting | 4 shutter flaps/s | 3 shutter flaps/s |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Kodak S-1 | Leica Digilux 3 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | no HDMI |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Kodak S-1 | Leica Digilux 3 |
Battery Type | Kodak LB-070 | Leica BP-DC3 |
Battery Life (CIPA) | 410 shots per charge | 750 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
116 x 68 x 36 mm (4.6 x 2.7 x 1.4 in) |
146 x 87 x 77 mm (5.7 x 3.4 x 3.0 in) |
Camera Weight | 290 g (10.2 oz) | 606 g (21.4 oz) |
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