Kodak AZ901 vs Olympus E-M5 II

The Kodak PixPro AZ901 and the Olympus OM-D E-M5 Mark II are two digital cameras that were officially introduced, respectively, in January 2016 and February 2015. The AZ901 is a fixed lens compact, while the E-M5 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (AZ901) and a Four Thirds (E-M5 II) sensor. The Kodak has a resolution of 20.2 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Kodak AZ901		Olympus E-M5 II
Fixed lens compact camera		Mirrorless system camera
22-1980mm f/3.1-6.8		Micro Four Thirds lenses
20.2 MP – 1/2.3" sensor		15.9 MP – Four Thirds sensor
1080/30p Video		1080/60p Video
ISO 100-3,200		ISO 200-25,600
Electronic viewfinder (202k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 920k dots		3.0" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
5 shutter flaps per second		10 shutter flaps per second
Lens-based stabilization		In-body stabilization
not weather sealed		Weathersealed body
400 shots per battery charge		310 shots per battery charge
139 x 104 x 119 mm, 777 g		124 x 85 x 45 mm, 469 g

Check AZ901 price at
amazon.com
Check E-M5 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Kodak PixPro AZ901 and the Olympus OM-D E-M5 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Kodak AZ901 and the Olympus E-M5 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the AZ901 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 II is notably smaller (27 percent) than the Kodak AZ901. It is noteworthy in this context that the E-M5 II is splash and dust-proof, while the AZ901 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the AZ901 has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the AZ901 gets 400 shots out of its Kodak LB-070 battery, while the E-M5 II can take 310 images on a single charge of its Olympus BLN-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Kodak AZ901	139 mm	104 mm	119 mm	777 g	400	n	Jan 2016	US$ 499	amazon.com
2.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	US$ 1 099	ebay.com
3.		Canon G9 X	98 mm	58 mm	31 mm	209 g	220	n	Oct 2015	US$ 529	ebay.com
4.		Canon G9 X Mark II	98 mm	58 mm	31 mm	206 g	235	n	Jan 2017	US$ 529	ebay.com
5.		Leica Q Typ 116	130 mm	80 mm	93 mm	640 g	300	n	Jun 2015	US$ 4 249	ebay.com
6.		Nikon B700	125 mm	85 mm	107 mm	565 g	350	n	Feb 2016	US$ 499	ebay.com
7.		Nikon P900	140 mm	103 mm	137 mm	899 g	360	n	Mar 2015	US$ 599	ebay.com
8.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	US$ 1 399	ebay.com
9.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	US$ 1 299	ebay.com
10.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	US$ 1 199	ebay.com
11.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	US$ 699	ebay.com
12.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	US$ 649	ebay.com
13.		Panasonic FZ2500	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	US$ 1 199	amazon.com
14.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380	n	Apr 2017	US$ 449	ebay.com
15.		Sony HX90V	102 mm	58 mm	36 mm	245 g	360	n	Apr 2015	US$ 429	ebay.com
16.		Sony HX350	130 mm	93 mm	103 mm	652 g	300	n	Dec 2016	US$ 449	ebay.com
17.		Sony HX400V	130 mm	93 mm	103 mm	660 g	300	n	Feb 2014	US$ 499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The AZ901 was launched at a lower price than the E-M5 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Kodak AZ901 features a 1/2.3-inch sensor and the Olympus E-M5 II a Four Thirds sensor. The sensor area in the E-M5 II is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Despite having a smaller sensor, the Kodak AZ901 offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the Olympus E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.76μm for the E-M5 II). However, it should be noted that the AZ901 is a somewhat more recent model (by 11 months) than the E-M5 II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.

The resolution advantage of the Kodak AZ901 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the AZ901 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the AZ901, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Kodak PixPro AZ901 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M5 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the AZ901 is build around a BSI-CMOS sensor, while the E-M5 II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Kodak AZ901	1/2.3	20.2	5184	3888	1080/30p	20.3	11.7	806	48
2.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
3.		Canon G9 X	1-inch	20.0	5472	3648	1080/60p	21.5	12.3	495	63
4.		Canon G9 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.9	12.5	522	65
5.		Leica Q Typ 116	Full Frame	24.0	6000	4000	1080/60p	24.3	12.7	2221	85
6.		Nikon B700	1/2.3	20.2	5184	3888	4K/30p	20.4	11.8	818	48
7.		Nikon P900	1/2.3	15.9	4608	3456	1080/60p	20.2	11.6	727	47
8.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
9.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
10.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
11.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
12.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
13.		Panasonic FZ2500	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
14.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
15.		Sony HX90V	1/2.3	18.0	4896	3672	1080/60p	20.2	11.6	738	47
16.		Sony HX350	1/2.3	19.9	5152	3864	1080/60p	20.5	11.9	896	49
17.		Sony HX400V	1/2.3	20.2	5184	3888	1080/60p	20.1	11.4	629	45
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a faster frame rate than the AZ901. It can shoot movie footage at 1080/60p, while the Kodak is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a substantially higher resolution than the one in the AZ901 (2360k vs 202k dots). The table below summarizes some of the other core capabilities of the Kodak AZ901 and Olympus E-M5 II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Kodak AZ901	202	n	3.0 / 920	swivel	n	1/2000s	5.0/s	Y	Y
2.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Canon G9 X	none	n	3.0 / 1040	fixed	Y	1/2000s	6.0/s	Y	Y
4.		Canon G9 X Mark II	none	n	3.0 / 1040	fixed	Y	1/2000s	8.2/s	Y	Y
5.		Leica Q Typ 116	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
6.		Nikon B700	921	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	Y
7.		Nikon P900	921	n	3.0 / 921	swivel	n	1/4000s	7.0/s	Y	Y
8.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
10.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
11.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
12.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
13.		Panasonic FZ2500	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
14.		Panasonic ZS70	1166	n	3.0 / 1040	tilting	Y	1/2000s	10.0/s	Y	Y
15.		Sony HX90V	638	n	3.0 / 921	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony HX350	202	n	3.0 / 922	tilting	n	1/4000s	10.0/s	Y	Y
17.		Sony HX400V	210	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The AZ901 has one, while the E-M5 II does not. While the built-in flash of the AZ901 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the AZ901 and the E-M5 II write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the AZ901 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Kodak PixPro AZ901 and Olympus OM-D E-M5 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Kodak AZ901	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon G9 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G9 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
5.		Leica Q Typ 116	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Nikon B700	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
7.		Nikon P900	-	stereo / mono	-	-	micro	2.0	Y	Y	-
8.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
12.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
13.		Panasonic FZ2500	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
14.		Panasonic ZS70	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Sony HX90V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony HX350	-	stereo / mono	-	-	micro	2.0	-	-	-
17.		Sony HX400V	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the E-M5 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The AZ901 does not feature such a mic input.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the AZ901) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The AZ901 is a recent model that features in the current product line-up of Kodak. In contrast, the E-M5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M5 II was succeeded by the Olympus E-M5 III. Further information on the features and operation of the AZ901 and E-M5 II can be found, respectively, in the Kodak AZ901 Manual (free pdf) or the online Olympus E-M5 II Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Kodak AZ901 and the Olympus E-M5 II? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Kodak PixPro AZ901:

• More detail: Offers more megapixels (20.2 vs 15.9MP) with a 13% higher linear resolution.
• Ready to shoot: Has a lens built-in, whereas the E-M5 II requires a separate lens.
• Longer lasting: Can take more shots (400 versus 310) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Is somewhat more recent (announced 11 months after the E-M5 II).

Reasons to prefer the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 202k dots).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (124x85mm vs 139x104mm) and will fit more readily into a bag.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
• More heavily discounted: Has been on the market for longer (launched in February 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the contest (21 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Kodak AZ901 and the Olympus E-M5 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the AZ901 or the E-M5 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Kodak AZ901	..	..	..	..	3.5/5	3/5	Jan 2016	US$ 499	amazon.com
2.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	US$ 1 099	ebay.com
3.		Canon G9 X	3.5/5	+ +	..	..	4.5/5	4.5/5	Oct 2015	US$ 529	ebay.com
4.		Canon G9 X Mark II	4/5	..	4/5	75/100	4.5/5	4.5/5	Jan 2017	US$ 529	ebay.com
5.		Leica Q Typ 116	5/5	..	..	80/100	4.5/5	4.5/5	Jun 2015	US$ 4 249	ebay.com
6.		Nikon B700	..	+	..	..	4/5	4/5	Feb 2016	US$ 499	ebay.com
7.		Nikon P900	..	..	..	77/100	4/5	4/5	Mar 2015	US$ 599	ebay.com
8.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	US$ 1 399	ebay.com
9.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	US$ 1 299	ebay.com
10.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	US$ 1 199	ebay.com
11.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	US$ 699	ebay.com
12.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	US$ 649	ebay.com
13.		Panasonic FZ2500	..	+	..	82/100	4.5/5	5/5	Sep 2016	US$ 1 199	amazon.com
14.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
15.		Sony HX90V	4/5	+ +	..	..	4/5	4.5/5	Apr 2015	US$ 429	ebay.com
16.		Sony HX350	..	..	..	..	..	4/5	Dec 2016	US$ 449	ebay.com
17.		Sony HX400V	4/5	+ +	..	..	4/5	4/5	Feb 2014	US$ 499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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