Fujifilm XP130 vs Panasonic ZS200
The Fujifilm FinePix XP130 and the Panasonic Lumix DC-ZS200 (labelled Panasonic TZ200 in some countries) are two digital cameras that were announced, respectively, in January 2018 and February 2018. Both the XP130 and the ZS200 are fixed lens compact cameras that are based on a 1/2.3-inch (XP130) and an one-inch (ZS200) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP130 and the Panasonic Lumix DC-ZS200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm XP130 and the Panasonic ZS200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The XP130 can be obtained in five different colors (black, blue, yellow, green, white), while the ZS200 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS200 is notably smaller (8 percent) than the Fujifilm XP130. However, the ZS200 is substantially heavier (64 percent) than the XP130. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
Concerning battery life, the XP130 gets 240 shots out of its NP-45S battery, while the ZS200 can take 370 images on a single charge of its DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229|
|2.||Panasonic ZS200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Canon SX600||104 mm||61 mm||26 mm||188 g||290||n||Jan 2014||249|
|5.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|6.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229|
|7.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389|
|8.||Olympus TG-5||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449|
|9.||Olympus TG-4||112 mm||66 mm||31 mm||247 g||380||Y||Apr 2015||379|
|10.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|11.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|12.||Panasonic LX10||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|13.||Panasonic ZS100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|14.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279|
|15.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|16.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|17.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP130 was launched at a markedly lower price (by 71 percent) than the ZS200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP130 features a 1/2.3-inch sensor and the Panasonic ZS200 an one-inch sensor. The sensor area in the ZS200 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the XP130 has a native 4:3 aspect ratio, while the one in the ZS200 offers a 3:2 aspect.
With 20MP, the ZS200 offers a higher resolution than the XP130 (15.9MP), but the ZS200 nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.33μm for the XP130) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the XP130 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic ZS200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS200 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Fujifilm FinePix XP130 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-ZS200 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|10.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|11.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the ZS200 provides a better video resolution than the XP130. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZS200 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP130 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm XP130, the Panasonic ZS200, and comparable cameras.
|1.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|2.||Panasonic ZS200||2330||n||3.0 / 1240||fixed||Y||1/2000s||10.0||Y||Y|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon SX600||none||n||3.0 / 461||fixed||n||1/2000s||3.9||Y||Y|
|5.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|6.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|7.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0||Y||Y|
|8.||Olympus TG-5||none||n||3.0 / 460||fixed||n||1/2000s||20.0||Y||Y|
|9.||Olympus TG-4||none||n||3.0 / 460||fixed||n||1/2000s||5.0||Y||Y|
|10.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0||Y||Y|
|11.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|12.||Panasonic LX10||none||n||3.0 / 1040||tilting||Y||1/4000s||10.0||Y||Y|
|13.||Panasonic ZS100||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0||Y||Y|
|14.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0||Y||n|
|15.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|16.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
|17.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS200 has a touchscreen, while the XP130 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS200 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP130 and the Panasonic ZS200 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the XP130 and the ZS200 have zoom lenses built in. The XP130 has a 28-140mm f/3.9-4.9 optic and the ZS200 offers a 24-360mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The ZS200 offers the faster maximum aperture.
Concerning the storage of imaging data, both the XP130 and the ZS200 write their files to SDXC cards. The ZS200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP130 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP130 and Panasonic Lumix DC-ZS200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|2.||Panasonic ZS200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon SX600||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|5.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|6.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|7.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Olympus TG-5||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus TG-4||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|11.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Panasonic LX10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic ZS100||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|15.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
The ZS200 is a recent model that features in the current product line-up of Panasonic. In contrast, the XP130 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the XP130 was succeeded by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what is the bottom line? Is the Fujifilm XP130 better than the Panasonic ZS200 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm FinePix XP130:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Less heavy: Is lighter (by 133g or 39 percent) and hence easier to carry around.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
Advantages of the Panasonic Lumix DC-ZS200:
- More detail: Has more megapixels (20 vs 15.9MP), which boosts linear resolution by 14%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/3.3 vs f/3.9).
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (370 versus 240) out of a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
If the count of relative strengths (bullet points above) is taken as a measure, the ZS200 is the clear winner of the contest (16 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP130 and the Panasonic ZS200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the XP130 or the ZS200. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229|
|2.||Panasonic ZS200||..||+ +||..||81/100||4.5/5||4.5/5||Feb 2018||799|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|4.||Canon SX600||..||+||..||..||4/5||4/5||Jan 2014||249|
|5.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|6.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229|
|7.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389|
|8.||Olympus TG-5||..||+ +||..||..||4/5||4/5||May 2017||449|
|9.||Olympus TG-4||..||+||..||79/100||4/5||4/5||Apr 2015||379|
|10.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|11.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|12.||Panasonic LX10||..||+ +||..||81/100||4/5||4.5/5||Sep 2016||699|
|13.||Panasonic ZS100||4.5/5||+ +||..||82/100||4.5/5||4.5/5||Jan 2016||699|
|14.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279|
|15.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|16.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|17.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Fujifilm XP130
- Canon SL2 vs Panasonic ZS200
- Fujifilm XP130 vs Nikon D300S
- Fujifilm XP130 vs Nikon D3300
- Fujifilm XP130 vs Nikon Z6 II
- Fujifilm XP130 vs Panasonic TZ100
- Fujifilm XP130 vs Sony A77 II
- Nikon W300 vs Panasonic ZS200
- Olympus E-M1 II vs Panasonic ZS200
- Olympus TG-5 vs Panasonic ZS200
- Panasonic FZ100 vs Panasonic ZS200
- Panasonic ZS200 vs Sony A99 II
Specifications: Fujifilm XP130 vs Panasonic ZS200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP130||Panasonic ZS200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-140mm f/3.9-4.9||24-360mm f/3.3-6.4|
|Launch Date||January 2018||February 2018|
|Launch Price||USD 229||USD 799|
|Sensor Specs||Fujifilm XP130||Panasonic ZS200|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||15.9 Megapixels||20 Megapixels|
|Image Resolution||4608 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.33 μm||2.41 μm|
|Pixel Density||56.73 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|Screen Specs||Fujifilm XP130||Panasonic ZS200|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1240k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP130||Panasonic ZS200|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm XP130||Panasonic ZS200|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm XP130||Panasonic ZS200|
|Battery Life (CIPA)||240 shots per charge||370 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
111 x 65 x 45 mm
(4.4 x 2.6 x 1.8 in)
|Camera Weight||207 g (7.3 oz)||340 g (12.0 oz)|
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