Fujifilm XP120 vs Sony A7S II
The Fujifilm FinePix XP120 and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in January 2017 and September 2015. The XP120 is a fixed lens compact, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP120) and a full frame (A7S II) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XP120||Sony A7S II|
|Fixed lens compact camera||Mirrorless system camera|
|28-140mm f/3.9-4.9||Sony E mount lenses|
|15.9 MP, 1/2.3" Sensor||12 MP, Full Frame Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200||ISO 100-102400 (50-409600)|
|No viewfinder, LCD framing||Electronic viewfinder (2400k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Waterproof body (nom)||Weathersealed body|
|210 shots per battery charge||370 shots per battery charge|
|110 x 71 x 28 mm, 203 g||127 x 96 x 60 mm, 627 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm XP120 and the Sony A7S II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The XP120 can be obtained in three different colors (blue, yellow, green), while the A7S II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is considerably larger (56 percent) than the Fujifilm XP120. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP120 has a lens built in, whereas the A7S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7S II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the XP120 gets 210 shots out of its NP-45S battery, while the A7S II can take 370 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm XP120»||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||Fujifilm XP120|
|Sony A7S II«||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Canon SX620« »||3.8 in||2.2 in||1.1 in||6.4 oz||295||n||May 2016||279||Canon SX620|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP130« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||Fujifilm XP130|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||Olympus TG-5|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||Olympus TG-4|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||Sony A7S|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP120 was launched at a lower price than the A7S II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP120 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.
Despite having a smaller sensor, the Fujifilm XP120 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the Sony A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 8.40μm for the A7S II). However, it should be noted that the XP120 is a somewhat more recent model (by 1 year and 3 months) than the A7S II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the XP120 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm XP120 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the XP120 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inch or 53.8 x 36 cm for good quality, 17 x 11.3 inch or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inch or 35.9 x 24 cm for excellent quality prints.
The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm XP120||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP120|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Canon SX620||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Canon SX620|
|Fujifilm XP140||1/2.3||15.9||4608||3456||4K/15p||..||..||..||..||Fujifilm XP140|
|Fujifilm XP130||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP130|
|Nikon W300||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon W300|
|Olympus TG-5||1/2.3||12.0||4000||3000||4K/30p||..||..||..||..||Olympus TG-5|
|Olympus TG-4||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Olympus TG-4|
|Ricoh WG-60||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Ricoh WG-60|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony HX99||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX99|
|Sony HX95||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony HX95|
|Sony WX800||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony WX800|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7S II provides a better video resolution than the XP120. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP120 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XP120 and Sony A7S II in connection with corresponding information for a sample of similar cameras.
|Fujifilm XP120||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Canon SX620||none||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX620|
|Fujifilm XP140||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP130||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Nikon W300||none||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Olympus TG-5||none||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus TG-4||none||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Ricoh WG-60||none||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony HX99||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800||none||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
One difference between the cameras concerns the presence of an on-board flash. The XP120 has one, while the A7S II does not. While the built-in flash of the XP120 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP120 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP120 writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The A7S II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP120 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XP120||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Canon SX620||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX620|
|Fujifilm XP140||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP130||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Nikon W300||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Olympus TG-5||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus TG-4||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Ricoh WG-60||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony HX99||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
It is notable that the A7S II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP120 does not feature such a mic input.
The A7S II is a recent model that features in the current product line-up of Sony. In contrast, the XP120 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the XP120 was succeeded by the Fujifilm XP130. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm XP120 or the Sony A7S II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm FinePix XP120:
- More detail: Offers more megapixels (15.9 vs 12MP) with a 13% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7S II requires a separate lens.
- More compact: Is smaller (110x71mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7S II).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 3 months after the A7S II).
Reasons to prefer the Sony Alpha 7S II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (370 versus 210) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in September 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the A7S II is the clear winner of the contest (19 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP120 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the XP120 and the A7S II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G15 vs Fujifilm XP120
- Canon M50 vs Sony A7S II
- Canon SX520 vs Sony A7S II
- Fujifilm XP120 vs Leica M8
- Fujifilm XP120 vs Leica X Vario
- Fujifilm XP120 vs Nikon P7800
- Fujifilm XP120 vs Olympus E-PL10
- Fujifilm XP120 vs Samsung NX30
- Leica Digilux 3 vs Sony A7S II
- Olympus E-330 vs Sony A7S II
- Olympus E-520 vs Sony A7S II
- Panasonic TZ200 vs Sony A7S II
Specifications: Fujifilm XP120 vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP120||Sony A7S II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-140mm f/3.9-4.9||Sony E mount lenses|
|Launch Date||January 2017||September 2015|
|Launch Price||USD 229||USD 2999|
|Sensor Specs||Fujifilm XP120||Sony A7S II|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.6 x 23.8 mm|
|Sensor Area||28.0735 mm2||847.28 mm2|
|Sensor Diagonal||7.7 mm||42.8 mm|
|Sensor Resolution||15.9 Megapixels||12 Megapixels|
|Image Resolution||4608 x 3456 pixels||4240 x 2832 pixels|
|Pixel Pitch||1.33 μm||8.40 μm|
|Pixel Density||56.73 MP/cm2||1.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||100-102400 ISO|
|ISO Boost||no Enhancement||50-409600 ISO|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||2993|
|Screen Specs||Fujifilm XP120||Sony A7S II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm XP120||Sony A7S II|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm XP120||Sony A7S II|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm XP120||Sony A7S II|
|Environmental Sealing||Waterproof body (20m)||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||370 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||203 g (7.2 oz)||627 g (22.1 oz)|
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