Fujifilm XP120 vs Sony A7S II

The Fujifilm FinePix XP120 and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in January 2017 and September 2015. The XP120 is a fixed lens compact, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP120) and a full frame (A7S II) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm XP120		Sony A7S II
Fixed lens compact camera		Mirrorless system camera
28-140mm f/3.9-4.9		Sony E mount lenses
15.9 MP – 1/2.3" sensor		12 MP – Full Frame sensor
1080/60p Video		4K/30p Video
ISO 100-3,200		ISO 100-102,400 (50 - 409,600)
No viewfinder, LCD framing		Electronic viewfinder (2400k dots)
3.0" LCD – 920k dots		3.0" LCD – 1229k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
10 shutter flaps per second		5 shutter flaps per second
In-body stabilization		In-body stabilization
Waterproof body (20m)		Weathersealed body
210 shots per battery charge		370 shots per battery charge
110 x 71 x 28 mm, 203 g		127 x 96 x 60 mm, 627 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm XP120 and the Sony A7S II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The XP120 can be obtained in three different colors (blue, yellow, green), while the A7S II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is considerably larger (56 percent) than the Fujifilm XP120. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP120 has a lens built in, whereas the A7S II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7S II and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the XP120 gets 210 shots out of its Fujifilm NP-45S battery, while the A7S II can take 370 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm XP120	110 mm	71 mm	28 mm	203 g	210	Y	Jan 2017	US$ 229	ebay.com
2.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	US$ 2 999	ebay.com
3.		Fujifilm XP130	110 mm	71 mm	28 mm	207 g	240	Y	Jan 2018	US$ 229	ebay.com
4.		Fujifilm XP140	110 mm	71 mm	28 mm	207 g	240	Y	Feb 2019	US$ 229	ebay.com
5.		Nikon W300	112 mm	66 mm	29 mm	231 g	280	Y	May 2017	US$ 389	ebay.com
6.		Olympus TG-4	112 mm	66 mm	31 mm	247 g	380	Y	Apr 2015	US$ 379	ebay.com
7.		Olympus TG-5	113 mm	66 mm	32 mm	250 g	340	Y	May 2017	US$ 449	ebay.com
8.		Pentax WG-90	123 mm	62 mm	30 mm	194 g	300	Y	Nov 2023	US$ 279	amazon.com
9.		Ricoh WG-60	123 mm	62 mm	30 mm	193 g	300	Y	Oct 2018	US$ 279	ebay.com
10.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
11.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	US$ 3 199	ebay.com
12.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	US$ 3 499	ebay.com
13.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	US$ 2 499	ebay.com
14.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	US$ 3 499	amazon.com
15.		Sony HX95	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	US$ 429	ebay.com
16.		Sony HX99	102 mm	58 mm	36 mm	242 g	370	n	Aug 2018	US$ 449	ebay.com
17.		Sony WX800	102 mm	58 mm	36 mm	233 g	370	n	Oct 2018	US$ 399	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP120 was launched at a lower price than the A7S II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP120 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.

Despite having a smaller sensor, the Fujifilm XP120 offers a higher resolution of 15.9 megapixels, compared with 12 MP of the Sony A7S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 8.40μm for the A7S II). However, it should be noted that the XP120 is a somewhat more recent model (by 1 year and 3 months) than the A7S II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the XP120 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm XP120 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the XP120 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Sony A7S II are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.

The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

In terms of underlying technology, the XP120 is build around a BSI-CMOS sensor, while the A7S II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm XP120	1/2.3	15.9	4608	3456	1080/60p	20.5	11.9	900	49
2.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
3.		Fujifilm XP130	1/2.3	15.9	4608	3456	1080/60p	20.6	12.1	1000	51
4.		Fujifilm XP140	1/2.3	15.9	4608	3456	4K/15p	20.7	12.2	1102	52
5.		Nikon W300	1/2.3	15.9	4608	3456	4K/30p	20.5	12.0	938	50
6.		Olympus TG-4	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	737	47
7.		Olympus TG-5	1/2.3	12.0	4000	3000	4K/30p	20.5	11.9	934	50
8.		Pentax WG-90	1/2.3	15.9	4608	3456	1080/60p	20.9	12.8	1570	54
9.		Ricoh WG-60	1/2.3	15.9	4608	3456	1080/60p	20.6	12.2	1072	51
10.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
11.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
12.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
13.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
14.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
15.		Sony HX95	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1057	51
16.		Sony HX99	1/2.3	18.0	4896	3672	4K/30p	20.6	12.1	1058	51
17.		Sony WX800	1/2.3	18.0	4896	3672	4K/30p	20.6	12.2	1070	51
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7S II provides a better video resolution than the XP120. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP120 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XP120 and Sony A7S II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm XP120	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
2.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
3.		Fujifilm XP130	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
4.		Fujifilm XP140	none	n	3.0 / 920	fixed	n	1/2000s	10.0/s	Y	Y
5.		Nikon W300	none	n	3.0 / 921	fixed	n	1/4000s	7.0/s	Y	Y
6.		Olympus TG-4	none	n	3.0 / 460	fixed	n	1/2000s	5.0/s	Y	Y
7.		Olympus TG-5	none	n	3.0 / 460	fixed	n	1/2000s	20.0/s	Y	Y
8.		Pentax WG-90	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
9.		Ricoh WG-60	none	n	2.7 / 230	fixed	n	1/4000s	8.0/s	Y	n
10.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
12.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
13.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
14.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
15.		Sony HX95	638	n	3.0 / 922	tilting	n	1/2000s	10.0/s	Y	Y
16.		Sony HX99	638	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
17.		Sony WX800	none	n	3.0 / 922	tilting	Y	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The XP120 has one, while the A7S II does not. While the built-in flash of the XP120 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm XP120 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The XP120 writes its imaging data to SDXC cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The A7S II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP120 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm XP120	-	mono / mono	-	-	micro	2.0	Y	-	-
2.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Fujifilm XP130	-	mono / mono	-	-	micro	2.0	Y	-	Y
4.		Fujifilm XP140	-	mono / mono	-	-	micro	2.0	Y	-	Y
5.		Nikon W300	-	stereo / mono	-	-	micro	2.0	Y	-	Y
6.		Olympus TG-4	-	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus TG-5	-	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Pentax WG-90	-	mono / mono	-	-	micro	2.0	-	-	-
9.		Ricoh WG-60	-	mono / mono	-	-	micro	2.0	-	-	-
10.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
11.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
12.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
13.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
14.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Sony HX95	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
16.		Sony HX99	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
17.		Sony WX800	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A7S II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP120 does not feature such a mic input.

Both the XP120 and the A7S II have been discontinued, but can regularly be found used on ebay. The A7S II was replaced by the Sony A7S III, while the XP120 was followed by the Fujifilm XP130. Further information on the features and operation of the XP120 and A7S II can be found, respectively, in the Fujifilm XP120 Manual (free pdf) or the online Sony A7S II Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm XP120 or the Sony A7S II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Fujifilm FinePix XP120:

• More detail: Offers more megapixels (15.9 vs 12MP) with a 13% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the A7S II requires a separate lens.
• More compact: Is smaller (110x71mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7S II).
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Is somewhat more recent (announced 1 year and 3 months after the A7S II).

Reasons to prefer the Sony Alpha 7S II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (370 versus 210) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been on the market for longer (launched in September 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the A7S II is the clear winner of the contest (19 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm XP120 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the XP120 and the A7S II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm XP120	..	o	..	..	3.5/5	4/5	Jan 2017	US$ 229	ebay.com
2.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	US$ 2 999	ebay.com
3.		Fujifilm XP130	..	o	..	..	3.5/5	4/5	Jan 2018	US$ 229	ebay.com
4.		Fujifilm XP140	..	+	..	..	3.5/5	4/5	Feb 2019	US$ 229	ebay.com
5.		Nikon W300	..	+	..	..	4/5	4/5	May 2017	US$ 389	ebay.com
6.		Olympus TG-4	..	+	..	79/100	4/5	4/5	Apr 2015	US$ 379	ebay.com
7.		Olympus TG-5	..	+ +	4.5/5	..	4/5	4/5	May 2017	US$ 449	ebay.com
8.		Pentax WG-90	..	..	..	..	..	..	Nov 2023	US$ 279	amazon.com
9.		Ricoh WG-60	..	..	..	..	..	..	Oct 2018	US$ 279	ebay.com
10.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
11.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	US$ 3 199	ebay.com
12.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	US$ 3 499	ebay.com
13.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	US$ 2 499	ebay.com
14.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	US$ 3 499	amazon.com
15.		Sony HX95	..	..	..	..	..	..	Aug 2018	US$ 429	ebay.com
16.		Sony HX99	..	..	..	..	4/5	4.5/5	Aug 2018	US$ 449	ebay.com
17.		Sony WX800	..	..	..	..	..	..	Oct 2018	US$ 399	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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