Fujifilm X100VI vs Panasonic G3

The Fujifilm X100VI and the Panasonic Lumix DMC-G3 are two digital cameras that were announced, respectively, in February 2024 and May 2011. The X100VI is a fixed lens compact, while the G3 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (X100VI) and a Four Thirds (G3) sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X100VI		Panasonic G3
Fixed lens compact camera		Mirrorless system camera
35mm f/2.0		Micro Four Thirds lenses
39.8 MP – APS-C sensor		15.8 MP – Four Thirds sensor
6.2K/30p Video		1080/60i Video
ISO 125-12,800 (64 - 51,200)		ISO 160-6,400
Electronic viewfinder (3690k dots)		Electronic viewfinder (1440k dots)
3.0" LCD – 1620k dots		3.0" LCD – 460k dots
Tilting touchscreen		Swivel touchscreen
11 shutter flaps per second		4 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
450 shots per battery charge		270 shots per battery charge
128 x 75 x 55 mm, 521 g		115 x 84 x 47 mm, 336 g

Check X100VI price at
amazon.com
Check G3 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X100VI and the Panasonic Lumix DMC-G3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm X100VI and the Panasonic G3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The X100VI can be obtained in two different colors (black, silver), while the G3 is available in four color-versions (black, brown, red, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X100VI and the Panasonic G3 are of equal size. It is worth mentioning in this context that the X100VI is splash and dust resistant, while the G3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X100VI has a lens built in, whereas the G3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G3 and their specifications in the Micro Four Thirds Lens Catalog.

Concerning battery life, the X100VI gets 450 shots out of its Fujifilm NP-W126S battery, while the G3 can take 270 images on a single charge of its Panasonic DMW-BLD10 power pack. The power pack in the X100VI can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X100VI	128 mm	75 mm	55 mm	521 g	450	Y	Feb 2024	US$ 1 599	amazon.com
2.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	US$ 599	ebay.com
3.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	US$ 1 699	ebay.com
4.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	US$ 1 799	amazon.com
5.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	US$ 1 599	ebay.com
6.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	US$ 1 499	ebay.com
7.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	US$ 1 699	ebay.com
8.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
9.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	US$ 1 299	ebay.com
10.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	US$ 1 399	ebay.com
11.		Leica X-U Typ 113	140 mm	79 mm	88 mm	635 g	450	Y	Jan 2016	US$ 2 949	ebay.com
12.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
13.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	US$ 599	ebay.com
14.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	US$ 599	ebay.com
15.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	US$ 899	ebay.com
16.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	US$ 699	ebay.com
17.		Sony A6700	122 mm	69 mm	64 mm	493 g	570	Y	Jul 2023	US$ 1 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X100VI features an APS-C sensor and the Panasonic G3 a Four Thirds sensor. The sensor area in the G3 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X100VI has a native 3:2 aspect ratio, while the one in the G3 offers a 4:3 aspect.

With 39.8MP, the X100VI offers a higher resolution than the G3 (15.8MP), but the X100VI has smaller individual pixels (pixel pitch of 3.04μm versus 3.77μm for the G3). However, the X100VI is a much more recent model (by 12 years and 9 months) than the G3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X100VI has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X100VI implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X100VI for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Panasonic G3 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The X100VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X100VI has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Panasonic Lumix DMC-G3 are ISO 160 to ISO 6400 (no boost).

In terms of underlying technology, the X100VI is build around a BSI-CMOS sensor, while the G3 uses a CMOS imager. The X100VI uses Fujifilm's X-Trans layout of photosites, while the G3 employs the more common Bayer array.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X100VI	APS-C	39.8	7728	5152	6.2K/30p	24.3	14.1	2397	86
2.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
3.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
4.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
5.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
6.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
7.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
8.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
9.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
10.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
11.		Leica X-U Typ 113	APS-C	16.1	4928	3264	1080/30p	23.8	13.0	1614	80
12.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
13.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
14.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
15.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
16.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
17.		Sony A6700	APS-C	25.6	6192	4128	4K/120p	24.3	14.0	2329	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X100VI provides a higher video resolution than the G3. It can shoot video footage at 6.2K/30p, while the Panasonic is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X100VI offers a substantially higher resolution than the one in the G3 (3690k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X100VI, the Panasonic G3, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X100VI	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	Y
2.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
3.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
4.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
5.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
6.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
7.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
8.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
9.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
10.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
11.		Leica X-U Typ 113	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
12.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
13.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
14.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
15.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
16.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
17.		Sony A6700	2360	n	3.0 / 1037	swivel	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G3 has one, while the X100VI does not. While the built-in flash of the G3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X100VI is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X100VI has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X100VI and the G3 write their files to SDXC cards. The X100VI supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the G3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X100VI and Panasonic Lumix DMC-G3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X100VI	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
2.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
4.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
5.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
6.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
8.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
11.		Leica X-U Typ 113	Y	stereo / mono	-	-	-	2.0	-	-	-
12.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony A6700	Y	stereo / mono	Y	Y	YES	3.2	Y	Y	Y

It is notable that the X100VI has a microphone port, which is missing on the G3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

The X100VI is a recent model that features in the current product line-up of Fujifilm. In contrast, the G3 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G3 was succeeded by the Panasonic G5. Further information on the features and operation of the X100VI and G3 can be found, respectively, in the Fujifilm X100VI Manual (free pdf) or the online Panasonic G3 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X100VI and the Panasonic G3? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm X100VI:

• More detail: Offers more megapixels (39.8 vs 15.8MP) with a 62% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (6.2K/30p vs 1080/60i).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
• More detailed LCD: Has a higher resolution rear screen (1620k vs 460k dots).
• Faster burst: Shoots at higher frequency (11 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the G3 requires a separate lens.
• Longer lasting: Can take more shots (450 versus 270) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More modern: Reflects 12 years and 9 months of technical progress since the G3 launch.

Arguments in favor of the Panasonic Lumix DMC-G3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.44x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More heavily discounted: Has been around for much longer (launched in May 2011).

If the count of individual advantages (bullet points above) is taken as a guide, the X100VI is the clear winner of the match-up (24 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X100VI and the Panasonic G3 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X100VI or the G3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X100VI	5/5	+ +	4.5/5	..	..	4.5/5	Feb 2024	US$ 1 599	amazon.com
2.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	US$ 599	ebay.com
3.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	US$ 1 699	ebay.com
4.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	US$ 1 799	amazon.com
5.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	US$ 1 599	ebay.com
6.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	US$ 1 499	ebay.com
7.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	US$ 1 699	ebay.com
8.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
9.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	US$ 1 299	ebay.com
10.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	US$ 1 399	ebay.com
11.		Leica X-U Typ 113	3.5/5	..	..	..	..	3.5/5	Jan 2016	US$ 2 949	ebay.com
12.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
13.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	US$ 599	ebay.com
14.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	US$ 599	ebay.com
15.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	US$ 899	ebay.com
16.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	US$ 699	ebay.com
17.		Sony A6700	4.5/5	+	4.5/5	88/100	4.5/5	4.5/5	Jul 2023	US$ 1 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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