Fujifilm X-T1 vs Olympus PEN-F
The Fujifilm X-T1 and the Olympus PEN-F are two enthusiast cameras that were revealed to the public, respectively, in January 2014 and January 2016. Both the X-T1 and the PEN-F are mirrorless interchangeable lens cameras that are based on an APS-C (X-T1) and a Four Thirds (PEN-F) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T1 and the Olympus PEN-F? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-T1 and the Olympus PEN-F are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (22 percent) than the Fujifilm X-T1. Moreover, the PEN-F is slightly lighter (3 percent) than the X-T1. It is worth mentioning in this context that the X-T1 is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T1) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|2.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|3.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|4.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|5.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|6.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|7.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|8.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|9.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|10.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|11.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|12.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|13.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|14.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|15.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|16.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The PEN-F was somewhat cheaper (by 8 percent) than the X-T1 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-T1 features an APS-C sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T1 has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
Despite having a smaller sensor, the PEN-F offers a higher resolution of 20.2 megapixels, compared with 16 MP of the X-T1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.80μm for the X-T1). However, it should be noted that the PEN-F is a somewhat more recent model (by 1 year and 11 months) than the X-T1, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Olympus PEN-F implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the PEN-F for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Fujifilm X-T1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The X-T1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-T1, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus PEN-F are ISO 80 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|10.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|11.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|12.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|13.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|14.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|15.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|16.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Beyond body and sensor, cameras can and do differ across a range of features. The X-T1 and the PEN-F are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Fujifilm X-T1, the Olympus PEN-F, and comparable cameras.
|1.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|2.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|3.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|4.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0||n||n|
|5.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|6.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0||Y||n|
|7.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0||Y||n|
|8.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|9.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0||n||n|
|10.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|11.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|12.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|13.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|14.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|15.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|16.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The PEN-F has a touchscreen, while the X-T1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The PEN-F has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-T1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T1 and the Olympus PEN-F both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T1 and the PEN-F write their files to SDXC cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T1 and Olympus PEN-F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|5.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|9.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|11.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the X-T1 has a microphone port, which is missing on the PEN-F. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm X-T1 (unlike the PEN-F) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T1 and the PEN-F have been discontinued, but can regularly be found used on eBay. The X-T1 was replaced by the Fujifilm X-T2, while the PEN-F does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So how do things add up? Which of the two cameras – the Fujifilm X-T1 or the Olympus PEN-F – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-T1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.62x).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in January 2014).
Reasons to prefer the Olympus PEN-F:
- More detail: Has more megapixels (20.2 vs 16MP), which boosts linear resolution by 10%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (125x72mm vs 129x90mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (10 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T1 and the Olympus PEN-F place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-T1 or the PEN-F. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|2.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|3.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|4.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|5.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399|
|6.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|7.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|8.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|9.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|10.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|11.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|12.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|13.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|14.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|15.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|16.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D C vs Olympus PEN-F
- Canon 300D vs Fujifilm X-T1
- Canon 600D vs Fujifilm X-T1
- Fujifilm X-T1 vs Leica D-LUX 6
- Fujifilm X-T1 vs Leica M10
- Fujifilm X-T1 vs Panasonic GM1
- Fujifilm X-T1 vs Sony RX100
- Olympus PEN-F vs Panasonic G6
- Olympus PEN-F vs Panasonic GF1
- Olympus PEN-F vs Panasonic GF3
- Olympus PEN-F vs Panasonic LX5
- Olympus PEN-F vs Sony ZV-1
Specifications: Fujifilm X-T1 vs Olympus PEN-F
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T1||Olympus PEN-F|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2014||January 2016|
|Launch Price||USD 1,299||USD 1,199|
|Sensor Specs||Fujifilm X-T1||Olympus PEN-F|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||20.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.80 μm||3.34 μm|
|Pixel Density||4.34 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||200 - 6,400 ISO||80 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||EXR Processor II||TruePic VII|
|DXO Sensor Quality (score)||..||74|
|DXO Color Depth (bits)||..||23.1|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||894|
|Screen Specs||Fujifilm X-T1||Olympus PEN-F|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-T1||Olympus PEN-F|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||YES||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Fujifilm X-T1||Olympus PEN-F|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-T1||Olympus PEN-F|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||350 shots per charge||330 shots per charge|
129 x 90 x 47 mm
(5.1 x 3.5 x 1.9 in)
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
|Camera Weight||440 g (15.5 oz)||427 g (15.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.