Fujifilm X-Pro2 versus Sony A6500
The Fujifilm X-Pro2 and the Sony Alpha A6500 are two enthusiast cameras that were revealed to the public, respectively, in January 2016 and October 2016. Both the X-Pro2 and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-Pro2 vs Sony A6500
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Sony A6500 is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the X-Pro2 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (31 percent) than the Fujifilm X-Pro2. Moreover, the A6500 is markedly lighter (8 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Fujifilm X-Pro2 (⇒ rgt)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Sony A6500 (⇒ lft)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||129 mm||90 mm||47 mm||440 g||350||YES||2014||1,699||discont.||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||140 mm||82 mm||43 mm||450 g||300||no||2012||1,699||discont.||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Olympus PEN-F (⇒ lft | rgt)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Panasonic GX8 (⇒ lft | rgt)||133 mm||78 mm||63 mm||487 g||330||YES||2015||1,199||discont.||check|
|Sony A9 (⇒ lft | rgt)||127 mm||96 mm||63 mm||673 g||650||YES||2017||4,499||latest||check|
|Sony RX10 IV (⇒ lft | rgt)||133 mm||94 mm||145 mm||1095 g||400||YES||2017||1,699||latest||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
|Sony A7 (⇒ lft | rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6500 was launched at a somewhat lower price (by 18 percent) than the X-Pro2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-Pro2 vs Sony A6500
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-Pro2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-Pro2 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is a somewhat more recent model (by 8 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-Pro2 (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Sony A6500 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Olympus PEN-F (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony A9 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony RX10 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony A7 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison: Fujifilm X-Pro2 vs Sony A6500
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro2 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Sony A6500, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Fujifilm X-Pro2 (⇒ rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Sony A6500 (⇒ lft)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Fujifilm X-T1 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||4000||8.0||no||no|
|Fujifilm X-Pro1 (⇒ lft | rgt)||1440||no||3.0||1230||fixed||no||4000||6.0||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Olympus PEN-F (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Sony A9 (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Sony RX10 IV (⇒ lft | rgt)||2359||YES||3.0||1440||tilting||YES||2000||24.0||10.8||YES|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
|Sony A7 (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
Both the X-Pro2 and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the A6500 followed on from the Sony A6300.
Review summary: Fujifilm X-Pro2 vs Sony A6500
So what is the bottom line? Is the Fujifilm X-Pro2 better than the Sony A6500 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-Pro2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Arguments in favor of the Sony Alpha A6500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 141x83mm) and will fit more readily into a bag.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
- More modern: Was introduced somewhat (8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (10 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-Pro2 and the A6500 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X-Pro2 (⇒ rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Sony A6500 (⇒ lft)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||4.5/5||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Fujifilm X-T1 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4/5||5/5||2014||1,699||discont.||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4/5||4.5/5||2012||1,699||discont.||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Olympus PEN-F (⇒ lft | rgt)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||discont.||check|
|Sony A9 (⇒ lft | rgt)||HiRec||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Sony RX10 IV (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||5/5||2017||1,699||latest||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
|Sony A7 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
The above review scores should be interpreted with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to add information on that model to the database.
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