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Fujifilm X-Pro2 versus Sony A6500

The Fujifilm X-Pro2 and the Sony Alpha A6500 are two enthusiast cameras that were officially introduced, respectively, in January 2016 and October 2016. Both the X-Pro2 and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Fujifilm X-Pro2 vs Sony A6500

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Sony A6500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro2 – represents 100 percent across all the size and weight measures).

Compare Fujifilm X-Pro2 vs Sony A6500
Compare X-Pro2 versus A6500 top
Compare X-Pro2 and A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (31 percent) than the Fujifilm X-Pro2. Moreover, the A6500 is markedly lighter (8 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm X-Pro2» 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-E3« » 4.8 in 2.9 in 1.7 in 11.9 oz 350 n Sep 2017 899 i i Fujifilm X-E3
Fujifilm X-T20« » 4.6 in 3.3 in 1.6 in 13.5 oz 350 n Jan 2017 899 i i Fujifilm X-T20
Fujifilm X-A3« » 4.6 in 2.6 in 1.6 in 12.0 oz 410 n Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« » 5.2 in 3.6 in 1.9 in 17.9 oz 340 Y Jul 2016 1,599 i i Fujifilm X-T2
Fujifilm X-T1« » 5.1 in 3.5 in 1.9 in 15.5 oz 350 Y Jan 2014 1,699- i Fujifilm X-T1
Fujifilm X-Pro1« » 5.5 in 3.2 in 1.7 in 15.9 oz 300 n Jan 2012 1,699- i Fujifilm X-Pro1
Nikon D500« » 5.8 in 4.5 in 3.2 in 30.3 oz 1240 Y Jan 2016 1,999 i i Nikon D500
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony RX10 IV« » 5.2 in 3.7 in 5.7 in 38.6 oz 400 Y Sep 2017 1,699 i i Sony RX10 IV
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX10 III« » 5.2 in 3.7 in 5.0 in 37.1 oz 420 Y Mar 2016 1,499- i Sony RX10 III
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A6500 was launched at a somewhat lower price (by 18 percent) than the X-Pro2, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Fujifilm X-Pro2 vs Sony A6500

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Fujifilm X-Pro2 and Sony A6500 sensor measures

Even though the X-Pro2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-Pro2 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is a somewhat more recent model (by 8 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

X-Pro2 versus A6500 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Fujifilm X-Pro2» APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Fujifilm X-E3« » APS-C 24.0 6000 40004K/30p----Fujifilm X-E3
Fujifilm X-T20« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T20
Fujifilm X-A3« » APS-C 24.0 6000 40001080/60p----Fujifilm X-A3
Fujifilm X-T2« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T2
Fujifilm X-T1« » APS-C 16.0 4896 32641080/60p----Fujifilm X-T1
Fujifilm X-Pro1« » APS-C 16.0 4896 32641080/24p----Fujifilm X-Pro1
Nikon D500« » APS-C 20.7 5568 37124K/30p24.014.0132483Nikon D500
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony RX10 IV« » 1-inch 20.0 5472 36484K/30p----Sony RX10 IV
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX10 III« » 1-inch 20.0 5472 36484K/30p23.112.647270Sony RX10 III
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.

 

Feature comparison: Fujifilm X-Pro2 vs Sony A6500

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro2 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The adjacent table lists some of the other core features of the Fujifilm X-Pro2 and Sony A6500 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Fujifilm X-Pro2»2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Sony A6500«2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Fujifilm X-E3« »2360 n 3.0 1040 fixed Y 4000 8.0 n n Fujifilm X-E3
Fujifilm X-T20« »2360 n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X-T20
Fujifilm X-A3« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A3
Fujifilm X-T2« »2360 n 3.0 1040 tilting n 8000 14.0 n n Fujifilm X-T2
Fujifilm X-T1« »2360 n 3.0 1040 tilting n 4000 8.0 n n Fujifilm X-T1
Fujifilm X-Pro1« »1440 n 3.0 1230 fixed n 4000 6.0 n n Fujifilm X-Pro1
Nikon D500« »optical Y 3.2 2359 tilting Y 8000 10.0 n n Nikon D500
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony RX10 IV« »2359 Y 3.0 1440 tilting Y 2000 24.0 Y Y Sony RX10 IV
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX10 III« »2359 Y 3.0 1229 tilting n 2000 14.0 Y Y Sony RX10 III
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7

Both the X-Pro2 and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the A6500 followed on from the Sony A6300.

Review summary: Fujifilm X-Pro2 vs Sony A6500

So how do things add up? Is there a clear favorite between the Fujifilm X-Pro2 and the Sony A6500? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Fujifilm X-Pro2:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

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Arguments in favor of the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 141x83mm) and will fit more readily into a bag.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
  • More modern: Was introduced somewhat (8 months) more recently.

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (10 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

X-Pro2 04:10 A6500

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-Pro2 and the A6500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm X-Pro2»Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Sony A6500«HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Canon 6D Mark II« »Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-E3« »Rec84/1004.5/54.5/54.5/5 Sep 2017 899 i i Fujifilm X-E3
Fujifilm X-T20« »HiRec82/1005/5-4.5/5 Jan 2017 899 i i Fujifilm X-T20
Fujifilm X-A3« »-74/1004.5/5-4/5 Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« »HiRec86/1004.5/55/55/5 Jul 2016 1,599 i i Fujifilm X-T2
Fujifilm X-T1« »HiRec84/1005/54/55/5 Jan 2014 1,699- i Fujifilm X-T1
Fujifilm X-Pro1« »HiRec79/1004.5/54/54.5/5 Jan 2012 1,699- i Fujifilm X-Pro1
Nikon D500« »HiRec91/1004.5/55/55/5 Jan 2016 1,999 i i Nikon D500
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony RX10 IV« »Rec84/1004.5/5-5/5 Sep 2017 1,699 i i Sony RX10 IV
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX10 III« »Rec84/1004.5/54.5/54.5/5 Mar 2016 1,499- i Sony RX10 III
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.

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