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Fujifilm X-Pro2 versus Sony A6500

The Fujifilm X-Pro2 and the Sony Alpha A6500 are two enthusiast cameras that were officially introduced, respectively, in January 2016 and October 2016. Both the X-Pro2 and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Sony A6500. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro2 – represents the basis or 100 percent across all the size and weight measures).

Fujifilm X-Pro2 vs Sony A6500 front
X-Pro2 versus A6500 top view
X-Pro2 and A6500 rear side
Body view (X-Pro2 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (31 percent) than the Fujifilm X-Pro2. Moreover, the A6500 is slightly lighter (8 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Fujifilm X-Pro2 (⇒ rgt) 141 mm 83 mm 46 mm 495 g 350 YES 2016 1,699 latest check
Sony A6500 (⇒ lft) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Canon 6D Mark II (⇒ lft | rgt) 144 mm 111 mm 75 mm 765 g 1200 YES 2017 1,999 latest check
Fujifilm X-E3 (⇒ lft | rgt) 121 mm 74 mm 43 mm 337 g 350 no 2017 899 latest check
Fujifilm X-T20 (⇒ lft | rgt) 118 mm 83 mm 41 mm 383 g 350 no 2017 899 latest check
Fujifilm X-A3 (⇒ lft | rgt) 117 mm 67 mm 40 mm 339 g 410 no 2016 399 latest check
Fujifilm X-T2 (⇒ lft | rgt) 133 mm 92 mm 49 mm 507 g 340 YES 2016 1,599 latest check
Fujifilm X-T1 (⇒ lft | rgt) 129 mm 90 mm 47 mm 440 g 350 YES 2014 1,699discont. check
Fujifilm X-Pro1 (⇒ lft | rgt) 140 mm 82 mm 43 mm 450 g 300 no 2012 1,699discont. check
Nikon D500 (⇒ lft | rgt) 147 mm 115 mm 81 mm 860 g 1240 YES 2016 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony RX10 IV (⇒ lft | rgt) 133 mm 94 mm 145 mm 1095 g 400 YES 2017 1,699 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6500 was launched at a somewhat lower price (by 18 percent) than the X-Pro2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Fujifilm X-Pro2 and Sony A6500 sensor measures
Sensor size

Even though the X-Pro2 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-Pro2 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the A6500 is a somewhat more recent model (by 8 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

X-Pro2 versus A6500 MP
Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Fujifilm X-Pro2 (⇒ rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Sony A6500 (⇒ lft) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Canon 6D Mark II (⇒ lft | rgt) Full Frame 26.0 6240 4160 1080/60p 24.4 11.9 2862 85
Fujifilm X-E3 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X-T20 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X-A3 (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p - - - -
Fujifilm X-T2 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p - - - -
Fujifilm X-T1 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/60p - - - -
Fujifilm X-Pro1 (⇒ lft | rgt) APS-C 16.0 4896 3264 1080/24p - - - -
Nikon D500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.0 14.0 1324 83
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony RX10 IV (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p .. .. .. ..
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro2 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Sony A6500, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Fujifilm X-Pro2 (⇒ rgt) 2360 no 3.0 1620 fixed no 8000 8.0 no no
Sony A6500 (⇒ lft) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Canon 6D Mark II (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 6.5 no no
Fujifilm X-E3 (⇒ lft | rgt) 2360 no 3.0 1040 fixed YES 4000 8.0 no no
Fujifilm X-T20 (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5 no
Fujifilm X-A3 (⇒ lft | rgt) no no 3.0 1040 tilting YES 4000 6.0 7 no
Fujifilm X-T2 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 8000 14.0 no no
Fujifilm X-T1 (⇒ lft | rgt) 2360 no 3.0 1040 tilting no 4000 8.0 no no
Fujifilm X-Pro1 (⇒ lft | rgt) 1440 no 3.0 1230 fixed no 4000 6.0 no no
Nikon D500 (⇒ lft | rgt) optical YES 3.2 2359 tilting YES 8000 10.0 no no
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony RX10 IV (⇒ lft | rgt) 2359 YES 3.0 1440 tilting YES 2000 24.0 10.8 no
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 no
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 no

Both the X-Pro2 and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the A6500 followed on from the Sony A6300.

Summary

So what is the bottom line? Is the Fujifilm X-Pro2 better than the Sony A6500 or vice versa? Below is a summary of the relative strengths of each of the two contestants.


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Reasons to prefer the Fujifilm X-Pro2:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
  • Faster shutter: Has a higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

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Advantages of the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 141x83mm) and will fit more readily into a bag.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
  • More modern: Was introduced somewhat (8 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (10 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

X-Pro2 04:10 A6500

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the X-Pro2 or the A6500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Fujifilm X-Pro2 (⇒ rgt) Rec 83/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,699 latest check
Sony A6500 (⇒ lft) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Canon 6D Mark II (⇒ lft | rgt) Rec 80/100 4.5/5 4/5 4/5 2017 1,999 latest check
Fujifilm X-E3 (⇒ lft | rgt) .. 84/100 Gold 4.5/5 .. 4.5/5 2017 899 latest check
Fujifilm X-T20 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 .. 4.5/5 2017 899 latest check
Fujifilm X-A3 (⇒ lft | rgt) - 74/100 4.5/5 - 4/5 2016 399 latest check
Fujifilm X-T2 (⇒ lft | rgt) HiRec 86/100 Gold 4.5/5 5/5 5/5 2016 1,599 latest check
Fujifilm X-T1 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4/5 5/5 2014 1,699discont. check
Fujifilm X-Pro1 (⇒ lft | rgt) HiRec 79/100 Silver 4.5/5 4/5 4.5/5 2012 1,699discont. check
Nikon D500 (⇒ lft | rgt) HiRec 91/100 Gold 4.5/5 5/5 5/5 2016 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199 latest check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony RX10 IV (⇒ lft | rgt) Rec 84/100 Gold 4.5/5 .. .. 2017 1,699 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check

Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you are interested in seeing how other cameras pair up, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please contact me, and I will try to locate and add the respective data to the application.

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