Fujifilm X-Pro2 vs Samsung NX1
The Fujifilm X-Pro2 and the Samsung NX1 are two enthusiast cameras that were officially introduced, respectively, in January 2016 and September 2014. Both the X-Pro2 and the NX1 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Samsung provides 28 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro2||Samsung NX1|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Samsung NX mount lenses|
|24 MP, APS-C Sensor||28 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 200-12800 (100-51200)||ISO 100-25600 (100-51200)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1620k dots||3.0" LCD, 1036k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|8 shutter flaps per second||15 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|350 shots per battery charge||500 shots per battery charge|
|141 x 83 x 46 mm, 495 g||139 x 102 x 66 mm, 550 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Samsung NX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Samsung NX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the NX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Samsung NX1 is notably larger (21 percent) than the Fujifilm X-Pro2. Moreover, the NX1 is markedly heavier (11 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the NX1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-Pro2»||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Samsung NX1«||5.5 in||4.0 in||2.6 in||19.4 oz||500||Y||Sep 2014||1,499||-||Samsung NX1|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Samsung NX500« »||4.7 in||2.5 in||1.7 in||10.1 oz||370||n||Feb 2015||799||-||Samsung NX500|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NX1 was launched at a somewhat lower price (by 12 percent) than the X-Pro2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 28MP, the NX1 offers a higher resolution than the X-Pro2 (24MP), but the NX1 has smaller individual pixels (pixel pitch of 3.63μm versus 3.92μm for the X-Pro2). It is noteworthy in this context that the X-Pro2 is a somewhat more recent model (by 1 year and 4 months) than the NX1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Samsung NX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NX1 for good quality output (200 dots per inch) amounts to 32.4 x 21.6 inch or 82.3 x 54.9 cm, for very good quality (250 dpi) 25.9 x 17.3 inch or 65.8 x 43.9 cm, and for excellent quality (300 dpi) 21.6 x 14.4 inch or 54.9 x 36.6 cm. The corresponding values for the Fujifilm X-Pro2 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Samsung NX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-Pro2»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Samsung NX1«||APS-C||28.0||6480||4320||4K/30p||24.2||13.2||1363||83||Samsung NX1|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Samsung NX500« »||APS-C||28.0||6480||4320||4K/30p||24.8||13.9||1379||87||Samsung NX500|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the NX1 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The X-Pro2 and the NX1 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Samsung NX1, and comparable cameras.
|Fujifilm X-Pro2»||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Samsung NX1«||2360||Y||3.0||1036||tilting||Y||1/8000s||15.0||Y||n||Samsung NX1|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Samsung NX500« »||-||n||3.0||1036||tilting||Y||1/6000s||9.0||Y||n||Samsung NX500|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The NX1 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 and the Samsung NX1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the NX1 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the NX1 only has one slot. Both the X-Pro2 and the NX1 support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on the first slot and UHS-I cards (104 MB/s) on the second one.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Samsung NX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro2»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Samsung NX1«||Y||stereo||mono||Y||Y||micro||3.0||Y||Y||Y||Samsung NX1|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Samsung NX500« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Samsung NX500|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
It is notable that the NX1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-Pro2 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the NX1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the NX1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the NX1 from Samsung. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Samsung websites.
So what is the bottom line? Is the Fujifilm X-Pro2 better than the Samsung NX1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-Pro2:
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1036k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (141x83mm vs 139x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 55g or 10 percent) and hence easier to carry around.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the NX1).
Arguments in favor of the Samsung NX1:
- More detail: Has more megapixels (28 vs 24MP), which boosts linear resolution by 8%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.69x vs 0.39x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (15 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (500 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was released into a lower priced segment (12 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the NX1 is the clear winner of the contest (15 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Samsung NX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-Pro2 and the NX1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro2»||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Samsung NX1«||-||87/100||5/5||4.5/5||5/5||Sep 2014||1,499||-||Samsung NX1|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Samsung NX500« »||-||81/100||5/5||4.5/5||4.5/5||Feb 2015||799||-||Samsung NX500|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D vs Fujifilm X-Pro2
- Canon 7D vs Fujifilm X-Pro2
- Canon M5 vs Fujifilm X-Pro2
- Fujifilm X-A5 vs Samsung NX1
- Fujifilm X-Pro2 vs Leica SL
- Fujifilm X-Pro2 vs Olympus E-1
- Fujifilm X-Pro2 vs Panasonic FZ300
- Fujifilm X-Pro2 vs Sony NEX-C3
- Leica S3 vs Samsung NX1
- Nikon 1 J5 vs Samsung NX1
- Panasonic GH5 vs Samsung NX1
- Panasonic ZS100 vs Samsung NX1
Specifications: Fujifilm X-Pro2 vs Samsung NX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Samsung NX1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Samsung NX mount lenses|
|Launch Date||January 2016||September 2014|
|Launch Price||USD 1699||USD 1499|
|Sensor Specs||Fujifilm X-Pro2||Samsung NX1|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.7 mm|
|Sensor Area||368.16 mm2||368.95 mm2|
|Sensor Diagonal||28.3 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||28 Megapixels|
|Image Resolution||6000 x 4000 pixels||6480 x 4320 pixels|
|Pixel Pitch||3.92 μm||3.63 μm|
|Pixel Density||6.52 MP/cm2||7.59 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200-12800 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||100-51200 ISO|
|Image Processor||X Processor Pro||DRIMe 5|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.2|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||1363|
|Screen Specs||Fujifilm X-Pro2||Samsung NX1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1620k dots||1036k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-Pro2||Samsung NX1|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||8 shutter flaps/s||15 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||Single UHS-II|
|Connectivity Specs||Fujifilm X-Pro2||Samsung NX1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-Pro2||Samsung NX1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||500 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
139 x 102 x 66 mm
(5.5 x 4.0 x 2.6 in)
|Camera Weight||495 g (17.5 oz)||550 g (19.4 oz)|
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