Fujifilm X-Pro2 vs Olympus XZ-2
The Fujifilm X-Pro2 and the Olympus XZ-2 are two digital cameras that were officially introduced, respectively, in January 2016 and September 2012. The X-Pro2 is a mirrorless interchangeable lens camera, while the XZ-2 is a fixed lens compact. The cameras are based on an APS-C (X-Pro2) and a 1/1.7-inch (XZ-2) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Olympus provides 11.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Olympus XZ-2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Olympus XZ-2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the XZ-2 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus XZ-2 is considerably smaller (37 percent) than the Fujifilm X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the XZ-2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XZ-2 has a lens built in, whereas the X-Pro2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro2 and their specifications in the Fujinon X Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|2.||Olympus XZ-2||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599|
|3.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399|
|4.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|5.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|6.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|7.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|8.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|9.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|10.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|11.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|12.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|13.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|14.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|15.||Olympus XZ-1||111 mm||65 mm||42 mm||275 g||320||n||Jan 2011||499|
|16.||Pentax MX-1||122 mm||61 mm||51 mm||391 g||290||n||Jan 2013||499|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XZ-2 was launched at a lower price than the X-Pro2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Olympus XZ-2 a 1/1.7-inch sensor. The sensor area in the XZ-2 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the XZ-2 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the X-Pro2 offers a higher resolution than the XZ-2 (11.8MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.91μm for the XZ-2) due to its larger sensor. Moreover, the X-Pro2 is a much more recent model (by 3 years and 3 months) than the XZ-2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus XZ-2 are 19.8 x 14.9 inches or 50.4 x 37.8 cm for good quality, 15.9 x 11.9 inches or 40.3 x 30.2 cm for very good quality, and 13.2 x 9.9 inches or 33.6 x 25.2 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus XZ-2 are ISO 100 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|12.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|13.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|14.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro2 provides a higher frame rate than the XZ-2. It can shoot video footage at 1080/60p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XZ-2 relies on live view and the rear LCD for framing. That said, the XZ-2 can be equipped with an optional viewfinder – the VF-2. The adjacent table lists some of the other core features of the Fujifilm X-Pro2 and Olympus XZ-2 along with similar information for a selection of comparators.
|1.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|2.||Olympus XZ-2||optional||n||3.0 / 920||tilting||Y||1/2000s||5.0/s||Y||Y|
|3.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|4.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|5.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|6.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|8.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|9.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|10.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|11.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|12.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|13.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|14.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|15.||Olympus XZ-1||optional||n||3.0 / 614||fixed||n||1/2000s||2.0/s||Y||Y|
|16.||Pentax MX-1||none||n||3.0 / 920||tilting||n||1/8000s||1.0/s||Y||Y|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The XZ-2 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 and the Olympus XZ-2 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the XZ-2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the XZ-2 only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the XZ-2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Olympus XZ-2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Olympus XZ-2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|5.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|9.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Olympus XZ-1||Y||mono / -||-||-||mini||2.0||-||-||-|
|16.||Pentax MX-1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the X-Pro2 has a microphone port, which is missing on the XZ-2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the XZ-2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the XZ-2 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the XZ-2 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Which of the two cameras – the Fujifilm X-Pro2 or the Olympus XZ-2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 11.8MP) with a 45% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 3 years and 3 months of technical progress since the XZ-2 launch.
Arguments in favor of the Olympus XZ-2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Ready to shoot: Has an integrated lens, whereas the X-Pro2 necessitates an extra lens.
- More compact: Is smaller (113x65mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-Pro2).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro2 is the clear winner of the match-up (21 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Olympus XZ-2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro2 or the XZ-2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|2.||Olympus XZ-2||4/5||+||..||..||4.5/5||4.5/5||Sep 2012||599|
|3.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399|
|4.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|5.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|6.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|7.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|8.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|9.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|10.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|11.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|12.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699|
|13.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|14.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|15.||Olympus XZ-1||4/5||..||..||74/100||4.5/5||4.5/5||Jan 2011||499|
|16.||Pentax MX-1||3/5||..||..||74/100||4/5||4/5||Jan 2013||499|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 77D vs Fujifilm X-Pro2
- Canon T2i vs Olympus XZ-2
- Fujifilm X-Pro2 vs Fujifilm X10
- Fujifilm X-Pro2 vs Leica M-E Typ 240
- Fujifilm X-Pro2 vs Nikon D70s
- Fujifilm X-Pro2 vs Sony A6600
- Fujifilm X-Pro2 vs Sony HX90V
- Leica M9 vs Olympus XZ-2
- Nikon B700 vs Olympus XZ-2
- Nikon D100 vs Olympus XZ-2
- Nikon W300 vs Olympus XZ-2
- Olympus XZ-2 vs Sony RX100 VII
Specifications: Fujifilm X-Pro2 vs Olympus XZ-2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Olympus XZ-2|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||28-112mm f/1.8-2.5|
|Launch Date||January 2016||September 2012|
|Launch Price||USD 1,699||USD 599|
|Sensor Specs||Fujifilm X-Pro2||Olympus XZ-2|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.6 x 15.6 mm||7.6 x 5.7 mm|
|Sensor Area||368.16 mm2||43.32 mm2|
|Sensor Diagonal||28.3 mm||9.5 mm|
|Sensor Resolution||24 Megapixels||11.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||3968 x 2976 pixels|
|Pixel Pitch||3.92 μm||1.91 μm|
|Pixel Density||6.52 MP/cm2||27.26 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||X Processor Pro||TruePic VI|
|DXO Sensor Quality (score)||..||49|
|DXO Color Depth (bits)||..||20.4|
|DXO Dynamic Range (EV)||..||11.3|
|DXO Low Light (ISO)||..||216|
|Screen Specs||Fujifilm X-Pro2||Olympus XZ-2|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-Pro2||Olympus XZ-2|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Fujifilm X-Pro2||Olympus XZ-2|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-Pro2||Olympus XZ-2|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||350 shots per charge||340 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
113 x 65 x 48 mm
(4.4 x 2.6 x 1.9 in)
|Camera Weight||495 g (17.5 oz)||346 g (12.2 oz)|
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