Fujifilm X-Pro1 vs Nikon 1 V2
The Fujifilm X-Pro1 and the Nikon 1 V2 are two digital cameras that were announced, respectively, in January 2012 and October 2012. Both the X-Pro1 and the V2 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro1) and an one-inch (V2) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Nikon provides 14.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro1||Nikon 1 V2|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Nikon 1 mount lenses|
|16 MP, APS-C Sensor||14.2 MP, 1" Sensor|
|1080/24p Video||1080/60p Video|
|ISO 200-6400 (100-25600)||ISO 160-12800|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 1230k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|6 shutter flaps per second||15 shutter flaps per second|
|300 shots per battery charge||310 shots per battery charge|
|140 x 82 x 43 mm, 450 g||109 x 82 x 46 mm, 278 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Nikon 1 V2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro1 and the Nikon 1 V2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The V2 can be obtained in two different colors (black, white), while the X-Pro1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon 1 V2 is notably smaller (22 percent) than the Fujifilm X-Pro1. Moreover, the V2 is substantially lighter (38 percent) than the X-Pro1. In this context, it is worth noting that neither the X-Pro1 nor the V2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-Pro1»||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon 1 V2«||4.3 in||3.2 in||1.8 in||9.8 oz||310||n||Oct 2012||799||-||Nikon 1 V2|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X100S« »||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-||Fujifilm X-E1|
|Nikon 1 V3« »||4.4 in||2.6 in||1.3 in||13.4 oz||310||n||Mar 2014||799||-||Nikon 1 V3|
|Nikon 1 J4« »||3.9 in||2.4 in||1.1 in||8.2 oz||300||n||Apr 2014||549||-||Nikon 1 J4|
|Nikon 1 V1« »||4.4 in||3.0 in||1.7 in||13.5 oz||350||n||Sep 2011||799||-||Nikon 1 V1|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||-||Panasonic GX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V2 was launched at a markedly lower price (by 53 percent) than the X-Pro1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Nikon 1 V2 an one-inch sensor. The sensor area in the V2 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the X-Pro1 offers a higher resolution than the V2 (14.2MP), but the X-Pro1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 2.86μm for the V2) due to its larger sensor. However, the V2 is a somewhat more recent model (by 9 months) than the X-Pro1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inch or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inch or 41.5 x 27.6 cm. The corresponding values for the Nikon 1 V2 are 23 x 15.4 inch or 58.5 x 39 cm for good quality, 18.4 x 12.3 inch or 46.8 x 31.2 cm for very good quality, and 15.4 x 10.2 inch or 39 x 26 cm for excellent quality prints.
The V2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon 1 V2 are ISO 160 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-Pro1»||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon 1 V2«||1-inch||14.2||4608||3072||1080/60p||20.2||10.8||403||50||Nikon 1 V2|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100S|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-E1|
|Nikon 1 V3« »||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52||Nikon 1 V3|
|Nikon 1 J4« »||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53||Nikon 1 J4|
|Nikon 1 V1« »||1-inch||10.0||3872||2592||1080/60i||21.3||11||346||54||Nikon 1 V1|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the V2 provides a faster frame rate than the X-Pro1. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. The X-Pro1 and the V2 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro1, the Nikon 1 V2, and comparable cameras.
|Fujifilm X-Pro1»||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon 1 V2«||1440||n||3.0||921||fixed||n||1/4000s||15.0||Y||n||Nikon 1 V2|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Nikon 1 V3« »||-||n||3.0||1037||tilting||Y||1/4000s||60.0||Y||n||Nikon 1 V3|
|Nikon 1 J4« »||-||n||3.0||1037||Fixed||Y||1/4000s||60.0||Y||n||Nikon 1 J4|
|Nikon 1 V1« »||1440||n||3.0||921||fixed||n||1/4000s||10.0||n||n||Nikon 1 V1|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
One difference between the cameras concerns the presence of an on-board flash. The V2 has one, while the X-Pro1 does not. While the built-in flash of the V2 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the V2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon 1 V2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro1 and the V2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Nikon 1 V2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro1»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon 1 V2«||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V2|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X100S« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Fujifilm X-A1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm X-E1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Nikon 1 V3« »||-||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon 1 V3|
|Nikon 1 J4« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Nikon 1 J4|
|Nikon 1 V1« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Nikon 1 V1|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
It is notable that the X-Pro1 has a hotshoe, while the V2 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the V2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro1 and the V2 have been discontinued, but can regularly be found used on eBay. The X-Pro1 was replaced by the Fujifilm X-Pro2, while the V2 was followed by the Nikon 1 V3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So how do things add up? Which of the two cameras – the Fujifilm X-Pro1 or the Nikon 1 V2 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-Pro1:
- More detail: Offers more megapixels (16 vs 14.2MP) with a 6% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Reasons to prefer the Nikon 1 V2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (15 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (109x82mm vs 140x82mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 172g or 38 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More modern: Was introduced somewhat (9 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the V2 comes out slightly ahead of the X-Pro1 (11 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Nikon 1 V2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro1 or the V2. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro1»||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon 1 V2«||-||-||4.5/5||-||4/5||Oct 2012||799||-||Nikon 1 V2|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X100S« »||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm X-E1« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-||Fujifilm X-E1|
|Nikon 1 V3« »||-||76/100||4.5/5||3/5||4/5||Mar 2014||799||-||Nikon 1 V3|
|Nikon 1 J4« »||-||-||4.5/5||-||4/5||Apr 2014||549||-||Nikon 1 J4|
|Nikon 1 V1« »||+||69/100||4.5/5||4.5/5||4/5||Sep 2011||799||-||Nikon 1 V1|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Nikon 1 V2
- Canon 2000D vs Fujifilm X-Pro1
- Canon SX740 vs Nikon 1 V2
- Canon T6s vs Fujifilm X-Pro1
- Canon XTi vs Nikon 1 V2
- Fujifilm X-H1 vs Nikon 1 V2
- Fujifilm X-Pro1 vs Fujifilm X100T
- Fujifilm X-Pro1 vs Olympus E-P5
- Fujifilm X-Pro1 vs Panasonic G1
- Fujifilm X-Pro1 vs Panasonic GX7
- Fujifilm X-Pro1 vs Panasonic TS7
- Fujifilm X-Pro1 vs Sigma fp
Specifications: Fujifilm X-Pro1 vs Nikon 1 V2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro1||Nikon 1 V2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Nikon 1 mount lenses|
|Launch Date||January 2012||October 2012|
|Launch Price||USD 1699||USD 799|
|Sensor Specs||Fujifilm X-Pro1||Nikon 1 V2|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.6 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||368.16 mm2||116.16 mm2|
|Sensor Diagonal||28.3 mm||15.9 mm|
|Sensor Resolution||16 Megapixels||14.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||4608 x 3072 pixels|
|Pixel Pitch||4.80 μm||2.86 μm|
|Pixel Density||4.34 MP/cm2||12.19 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60p Video|
|ISO Setting||200-6400 ISO||160-12800 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||EXR Processor||EXPEED 3|
|DXO Sensor Quality (score)||..||50|
|DXO Color Depth (bits)||..||20.2|
|DXO Dynamic Range (EV)||..||10.8|
|DXO Low Light (ISO)||..||403|
|Screen Specs||Fujifilm X-Pro1||Nikon 1 V2|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro1||Nikon 1 V2|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||15 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-Pro1||Nikon 1 V2|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X-Pro1||Nikon 1 V2|
|Battery Life (CIPA)||300 shots per charge||310 shots per charge|
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
109 x 82 x 46 mm
(4.3 x 3.2 x 1.8 in)
|Camera Weight||450 g (15.9 oz)||278 g (9.8 oz)|
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