Fujifilm X-E2 vs Leica V-LUX 1
The Fujifilm X-E2 and the Leica V-LUX 1 are two digital cameras that were revealed to the public, respectively, in October 2013 and September 2006. The X-E2 is a mirrorless interchangeable lens camera, while the V-LUX 1 is a fixed lens compact. The cameras are based on an APS-C (X-E2) and a 1/1.8-inch (V-LUX 1) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2 and the Leica V-LUX 1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-E2 and the Leica V-LUX 1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-E2 can be obtained in two different colors (black, silver), while the V-LUX 1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 1 is notably larger (25 percent) than the Fujifilm X-E2. In this context, it is worth noting that neither the X-E2 nor the V-LUX 1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 1 has a lens built in, whereas the X-E2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E2 and their specifications in the Fujinon X Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | 999 | ebay.com | |
2. | Leica V-LUX 1 | 141 mm | 86 mm | 142 mm | 734 g | 360 | n | Sep 2006 | 849 | ebay.com | |
3. | Fujifilm X-A1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Sep 2013 | 399 | ebay.com | |
4. | Fujifilm X-A2 | 117 mm | 67 mm | 40 mm | 350 g | 410 | n | Jan 2015 | 399 | ebay.com | |
5. | Fujifilm X-A10 | 117 mm | 67 mm | 40 mm | 331 g | 410 | n | Dec 2016 | 399 | ebay.com | |
6. | Fujifilm X-E1 | 129 mm | 75 mm | 38 mm | 350 g | 350 | n | Sep 2012 | 999 | ebay.com | |
7. | Fujifilm X-E2S | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Jan 2016 | 699 | ebay.com | |
8. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | 699 | ebay.com | |
9. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | 1,699 | ebay.com | |
10. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | 799 | ebay.com | |
11. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | 899 | ebay.com | |
12. | Leica D-LUX 5 | 110 mm | 65 mm | 43 mm | 271 g | 400 | n | Sep 2010 | 699 | ebay.com | |
13. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | ebay.com | |
14. | Leica V-LUX 2 | 124 mm | 80 mm | 95 mm | 520 g | 410 | n | Sep 2010 | 849 | ebay.com | |
15. | Leica V-LUX 4 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Sep 2012 | 949 | ebay.com | |
16. | Nikon D80 | 132 mm | 103 mm | 77 mm | 668 g | 600 | n | Aug 2006 | 999 | ebay.com | |
17. | Sony NEX-6 | 120 mm | 67 mm | 43 mm | 345 g | 360 | n | Sep 2012 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The V-LUX 1 was launched at a lower price than the X-E2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-E2 features an APS-C sensor and the Leica V-LUX 1 a 1/1.8-inch sensor. The sensor area in the V-LUX 1 is 90 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.8. The sensor in the X-E2 has a native 3:2 aspect ratio, while the one in the V-LUX 1 offers a 4:3 aspect.
With 16MP, the X-E2 offers a higher resolution than the V-LUX 1 (10MP), but the X-E2 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 1.95μm for the V-LUX 1) due to its larger sensor. Moreover, the X-E2 is a much more recent model (by 7 years and 1 month) than the V-LUX 1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-E2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E2 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Leica V-LUX 1 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The X-E2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E2 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica V-LUX 1 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-E2 uses Fujifilm's X-Trans layout of photosites, while the V-LUX 1 employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
2. | Leica V-LUX 1 | 1/1.8 | 10.0 | 3648 | 2736 | 480/30p | 18.4 | 9.5 | -727 | 29 | |
3. | Fujifilm X-A1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1390 | 76 | |
4. | Fujifilm X-A2 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.6 | 12.8 | 1515 | 79 | |
5. | Fujifilm X-A10 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.9 | 13.2 | 1691 | 81 | |
6. | Fujifilm X-E1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.2 | 12.4 | 1298 | 75 | |
7. | Fujifilm X-E2S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
8. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
9. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
10. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
11. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
12. | Leica D-LUX 5 | 1/1.7 | 10.0 | 3648 | 2736 | 720/60p | 19.5 | 10.4 | -583 | 39 | |
13. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
14. | Leica V-LUX 2 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 321 | 39 | |
15. | Leica V-LUX 4 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.8 | 11.1 | 501 | 43 | |
16. | Nikon D80 | APS-C | 10.0 | 3872 | 2592 | none | 22.1 | 11.2 | 524 | 61 | |
17. | Sony NEX-6 | APS-C | 16.0 | 4912 | 3264 | 1080/60i | 23.7 | 13.1 | 1018 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E2 provides a higher video resolution than the V-LUX 1. It can shoot video footage at 1080/60p, while the Leica is limited to 480/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E2 offers a substantially higher resolution than the one in the V-LUX 1 (2360k vs 235k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-E2, the Leica V-LUX 1, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
2. | Leica V-LUX 1 | 235 | n | 2.0 / 207 | tilting | n | 1/2000s | 2.0/s | Y | Y | |
3. | Fujifilm X-A1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
4. | Fujifilm X-A2 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
5. | Fujifilm X-A10 | none | n | 3.0 / 1040 | tilting | n | 1/4000s | 6.0/s | Y | n | |
6. | Fujifilm X-E1 | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm X-E2S | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
8. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
9. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
10. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
11. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
12. | Leica D-LUX 5 | optional | n | 3.0 / 460 | fixed | n | 1/4000s | 2.5/s | Y | Y | |
13. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
14. | Leica V-LUX 2 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
15. | Leica V-LUX 4 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
16. | Nikon D80 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
17. | Sony NEX-6 | 2359 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
The Fujifilm X-E2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-E2 writes its imaging data to SDXC cards, while the V-LUX 1 uses SDHC cards. The X-E2 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2 and Leica V-LUX 1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
2. | Leica V-LUX 1 | Y | mono / mono | - | - | - | 2.0 | - | - | - | |
3. | Fujifilm X-A1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Fujifilm X-A2 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Fujifilm X-A10 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X-E1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
7. | Fujifilm X-E2S | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
9. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
12. | Leica D-LUX 5 | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
13. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Leica V-LUX 2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Leica V-LUX 4 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Nikon D80 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Sony NEX-6 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - |
It is notable that the X-E2 has a microphone port, which is missing on the V-LUX 1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the X-E2 and the V-LUX 1 have been discontinued, but can regularly be found used on ebay. The V-LUX 1 was replaced by the Leica V-LUX 2, while the X-E2 was followed by the Fujifilm X-E2S. Further information on the features and operation of the X-E2 and V-LUX 1 can be found, respectively, in the Fujifilm X-E2 Manual (free pdf) or the online Leica V-LUX 1 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-E2 and the Leica V-LUX 1? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-E2:
- More detail: Offers more megapixels (16 vs 10MP) with a 29% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 480/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 235k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 2 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (129x75mm vs 141x86mm) and thus needs less room in the bag.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 1 month of technical progress since the V-LUX 1 launch.
Arguments in favor of the Leica V-LUX 1:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Has an integrated lens, whereas the X-E2 necessitates an extra lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in September 2006).
If the count of individual advantages (bullet points above) is taken as a guide, the X-E2 is the clear winner of the match-up (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E2 and the Leica V-LUX 1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E2 or the V-LUX 1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | 999 | ebay.com | |
2. | Leica V-LUX 1 | .. | .. | .. | .. | .. | .. | Sep 2006 | 849 | ebay.com | |
3. | Fujifilm X-A1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2013 | 399 | ebay.com | |
4. | Fujifilm X-A2 | 4/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 399 | ebay.com | |
5. | Fujifilm X-A10 | .. | .. | .. | .. | 4/5 | 4/5 | Dec 2016 | 399 | ebay.com | |
6. | Fujifilm X-E1 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
7. | Fujifilm X-E2S | 4.5/5 | .. | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
8. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | 699 | ebay.com | |
9. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | 1,699 | ebay.com | |
10. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | 799 | ebay.com | |
11. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 899 | ebay.com | |
12. | Leica D-LUX 5 | .. | .. | .. | .. | 4.5/5 | 4/5 | Sep 2010 | 699 | ebay.com | |
13. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | 699 | ebay.com | |
14. | Leica V-LUX 2 | .. | .. | .. | .. | .. | .. | Sep 2010 | 849 | ebay.com | |
15. | Leica V-LUX 4 | .. | .. | .. | .. | .. | .. | Sep 2012 | 949 | ebay.com | |
16. | Nikon D80 | .. | + | .. | + + | o | 4.5/5 | Aug 2006 | 999 | ebay.com | |
17. | Sony NEX-6 | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon XC10 vs Fujifilm X-E2
- Fujifilm X-E2 vs Nikon D1H
- Fujifilm X-E2 vs Panasonic G9
- Fujifilm X-E2 vs Panasonic GX85
- Fujifilm X-E2 vs Sony A7R II
- Fujifilm X-E2 vs Sony RX100
- Leica V-LUX 1 vs Nikon D7100
- Leica V-LUX 1 vs Olympus E-330
- Leica V-LUX 1 vs Olympus Stylus 1s
- Leica V-LUX 1 vs Panasonic LX10
- Leica V-LUX 1 vs Panasonic S1
- Leica V-LUX 1 vs Sony H200
Specifications: Fujifilm X-E2 vs Leica V-LUX 1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-E2 | Leica V-LUX 1 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Fujifilm X mount lenses | 35-420mm f/2.8-3.7 |
Launch Date | October 2013 | September 2006 |
Launch Price | USD 999 | USD 849 |
Sensor Specs | Fujifilm X-E2 | Leica V-LUX 1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | 1/1.8" Sensor |
Sensor Size | 23.6 x 15.6 mm | 7.14 x 5.36 mm |
Sensor Area | 368.16 mm2 | 38.2704 mm2 |
Sensor Diagonal | 28.3 mm | 8.9 mm |
Crop Factor | 1.5x | 4.8x |
Sensor Resolution | 16 Megapixels | 10 Megapixels |
Image Resolution | 4896 x 3264 pixels | 3648 x 2736 pixels |
Pixel Pitch | 4.80 μm | 1.95 μm |
Pixel Density | 4.34 MP/cm2 | 26.08 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/60p Video | 480/30p Video |
ISO Setting | 200 - 6,400 ISO | 100 - 1,600 ISO |
ISO Boost | 100 - 51,200 ISO | 100 - 3,200 ISO |
Screen Specs | Fujifilm X-E2 | Leica V-LUX 1 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.41x | |
Viewfinder Resolution | 2360k dots | 235k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.0inch |
LCD Resolution | 1040k dots | 207k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Fujifilm X-E2 | Leica V-LUX 1 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 7 shutter flaps/s | 2 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDHC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | no |
Connectivity Specs | Fujifilm X-E2 | Leica V-LUX 1 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Fujifilm X-E2 | Leica V-LUX 1 |
Battery Type | Fujifilm NP-W126 | Leica BP-DC5 |
Battery Life (CIPA) | 350 shots per charge | 360 shots per charge |
Body Dimensions |
129 x 75 x 37 mm (5.1 x 3.0 x 1.5 in) |
141 x 86 x 142 mm (5.6 x 3.4 x 5.6 in) |
Camera Weight | 350 g (12.3 oz) | 734 g (25.9 oz) |
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