Fujifilm X-A5 vs Nikon D5500
The Fujifilm X-A5 and the Nikon D5500 are two digital cameras that were officially introduced, respectively, in January 2018 and January 2015. The X-A5 is a mirrorless interchangeable lens camera, while the D5500 is a DSLR. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A5 and the Nikon D5500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-A5 and the Nikon D5500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-A5 can be obtained in three different colors (silver, brown, pink), while the D5500 is available in two color-versions (black, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5500 is considerably larger (51 percent) than the Fujifilm X-A5. Moreover, the D5500 is markedly heavier (30 percent) than the X-A5. In this context, it is worth noting that neither the X-A5 nor the D5500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-A5) and the Nikon Lens Catalog (D5500). Mirrorless cameras, such as the Fujifilm X-A5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the X-A5 gets 450 shots out of its NP-W126S battery, while the D5500 can take 820 images on a single charge of its EN-EL14a power pack. The power pack in the X-A5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|2.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|3.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699|
|4.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|5.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499|
|6.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|7.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|8.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|9.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|10.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|11.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|12.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|13.||Nikon D5600||124 mm||97 mm||70 mm||465 g||970||n||Nov 2016||699|
|14.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|15.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|16.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|17.||Nikon D5200||129 mm||98 mm||78 mm||555 g||500||n||Nov 2012||749|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-A5 was launched at a markedly lower price (by 56 percent) than the D5500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D5500 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Even though the X-A5 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-A5 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the D5500), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-A5 is much more recent (by 3 years) than the D5500, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the D5500 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X-A5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-A5 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Nikon D5500 are ISO 100 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-A5 provides a higher video resolution than the D5500. It can shoot video footage at 4K/15p, while the Nikon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D5500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-A5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-A5 and Nikon D5500 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|2.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|3.||Fujifilm X-T200||2360||n||3.5 / 2780||swivel||Y||1/4000s||8.0||Y||n|
|4.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|5.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0||Y||n|
|6.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|7.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|8.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|9.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|10.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0||Y||n|
|11.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|12.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|13.||Nikon D5600||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|14.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|15.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|16.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0||Y||n|
|17.||Nikon D5200||optical||n||3.0 / 921||swivel||n||1/4000s||5.0||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A5 and the Nikon D5500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-A5 and the D5500 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A5 and Nikon D5500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Fujifilm X-T200||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|4.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|12.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Nikon D5600||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|14.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|15.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|16.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|17.||Nikon D5200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Both the X-A5 and the D5500 have been discontinued, but can regularly be found used on eBay. The D5500 was replaced by the Nikon D5600, while the X-A5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what is the bottom line? Which of the two cameras – the Fujifilm X-A5 or the Nikon D5500 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-A5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/15p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (117x68mm vs 124x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 109g or 23 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Reflects 3 years of technical progress since the D5500 launch.
Advantages of the Nikon D5500:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Gets more shots (820 versus 450) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in January 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the X-A5 is the clear winner of the match-up (12 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-A5 and the Nikon D5500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-A5 and the D5500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|2.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|3.||Fujifilm X-T200||3.5/5||..||4/5||82/100||4/5||4.5/5||Jan 2020||699|
|4.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|5.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499|
|6.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|7.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|8.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|9.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|10.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399|
|11.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399|
|12.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|13.||Nikon D5600||4/5||..||4/5||79/100||4.5/5||4/5||Nov 2016||699|
|14.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|15.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|16.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|17.||Nikon D5200||4/5||+ +||..||79/100||4.5/5||4.5/5||Nov 2012||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 80D vs Fujifilm X-A5
- Canon D30 vs Nikon D5500
- Canon XSi vs Fujifilm X-A5
- Fujifilm X-A5 vs Nikon D2X
- Fujifilm X-A5 vs Panasonic GH2
- Fujifilm X-A5 vs Sony A77 II
- Fujifilm X-A5 vs Sony RX100 V
- Leica S2 vs Nikon D5500
- Nikon D5 vs Nikon D5500
- Nikon D5500 vs Olympus E-520
- Nikon D5500 vs Olympus E-P2
- Nikon D5500 vs Panasonic G85
Specifications: Fujifilm X-A5 vs Nikon D5500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-A5||Nikon D5500|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Nikon F mount lenses|
|Launch Date||January 2018||January 2015|
|Launch Price||USD 399||USD 899|
|Sensor Specs||Fujifilm X-A5||Nikon D5500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.7 mm||23.5 x 15.6 mm|
|Sensor Area||368.95 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.92 μm||3.91 μm|
|Pixel Density||6.50 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/15p Video||1080/60p Video|
|ISO Setting||200 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||200 - 51,200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||84|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1438|
|Screen Specs||Fujifilm X-A5||Nikon D5500|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Fujifilm X-A5||Nikon D5500|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-A5||Nikon D5500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-A5||Nikon D5500|
|Battery Life (CIPA)||450 shots per charge||820 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
117 x 68 x 40 mm
(4.6 x 2.7 x 1.6 in)
124 x 97 x 70 mm
(4.9 x 3.8 x 2.8 in)
|Camera Weight||361 g (12.7 oz)||470 g (16.6 oz)|
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