Fujifilm X-A5 versus Canon G7 X Mark II
The Fujifilm X-A5 and the Canon PowerShot G7 X Mark II are two digital cameras that were officially introduced, respectively, in January 2018 and February 2016. The X-A5 is a mirrorless interchangeable lens camera, while the G7X Mark II is a fixed lens compact. The cameras are based on an APS-C (X-A5) and an one-inch (G7X Mark II) sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Canon provides 20 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-A5 vs Canon G7 X Mark II
An illustration of the physical size and weight of the Fujifilm X-A5 and the Canon G7 X Mark II is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the X-A5 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G7 X Mark II is notably smaller (19 percent) than the Fujifilm X-A5. In this context, it is worth noting that neither the X-A5 nor the G7X Mark II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G7X Mark II has a lens build in, whereas the X-A5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the X-A5 and their specifications in the Fujinon X Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Fujifilm X-A5 (⇒ rgt)||4.6 in||2.7 in||1.6 in||12.7 oz||450||no||2018||399||latest||check|
|Canon G7 X Mark II (⇒ lft)||4.2 in||2.4 in||1.7 in||11.3 oz||265||no||2016||699||latest||check|
|Canon SX730 (⇒ lft | rgt)||4.3 in||2.5 in||1.6 in||10.6 oz||250||no||2017||399||latest||check|
|Canon M100 (⇒ lft | rgt)||4.3 in||2.6 in||1.4 in||10.7 oz||295||no||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||4.4 in||2.7 in||1.8 in||13.8 oz||295||no||2017||779||latest||check|
|Canon M3 (⇒ lft | rgt)||4.4 in||2.7 in||1.7 in||12.9 oz||250||no||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||4.4 in||3.0 in||1.7 in||12.5 oz||210||no||2015||799||latest||check|
|Fujifilm X-T100 (⇒ lft | rgt)||4.8 in||3.3 in||1.9 in||15.8 oz||430||no||2018||599||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||4.8 in||2.9 in||1.7 in||11.9 oz||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||4.6 in||3.3 in||1.6 in||13.5 oz||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||4.6 in||2.6 in||1.6 in||12.0 oz||410||no||2016||399||latest||check|
|Fujifilm X-A10 (⇒ lft | rgt)||4.6 in||2.6 in||1.6 in||11.7 oz||410||no||2016||399||latest||check|
|Fujifilm X-A2 (⇒ lft | rgt)||4.6 in||2.6 in||1.6 in||12.3 oz||410||no||2015||399||discont.||check|
|Fujifilm X-A1 (⇒ lft | rgt)||4.6 in||2.6 in||1.5 in||11.6 oz||350||no||2013||399||discont.||check|
|Panasonic ZS70 (⇒ lft | rgt)||4.4 in||2.6 in||1.6 in||11.4 oz||380||no||2017||449||latest||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-A5 vs Canon G7 X Mark II
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-A5 features an APS-C sensor and the Canon G7 X Mark II an one-inch sensor. The sensor area in the G7X Mark II is 69 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the X-A5 offers a higher resolution than the G7X Mark II (20MP), but the X-A5 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the G7X Mark II) due to its larger sensor. Moreover, the X-A5 is a somewhat more recent model (by 1 year and 11 months) than the G7X Mark II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-A5 (⇒ rgt)||APS-C||24.0||6000||4000||4K/15p||..||..||..||..|
|Canon G7 X Mark II (⇒ lft)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon SX730 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.8||11.8||1169||72|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Fujifilm X-T100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/15p||..||..||..||..|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-A10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Panasonic ZS70 (⇒ lft | rgt)||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-A5 provides a higher video resolution than the G7X Mark II. It can shoot video footage at 4K/15p, while the Canon is limited to 1080/60p.
Feature comparison: Fujifilm X-A5 vs Canon G7 X Mark II
Beyond body and sensor, cameras can and do differ across a range of features. The X-A5 and the G7X Mark II are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Fujifilm X-A5 and Canon G7 X Mark II in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Fujifilm X-A5 (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||5.7||no|
|Canon G7 X Mark II (⇒ lft)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon SX730 (⇒ lft | rgt)||no||no||3.0||922||tilting||no||3200||5.9||4||YES|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon M3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.2||5||no|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Fujifilm X-T100 (⇒ lft | rgt)||2360||no||3.0||1040||full-flex||YES||4000||6.0||5||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-A10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Fujifilm X-A2 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-A1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Panasonic ZS70 (⇒ lft | rgt)||1166||no||3.0||1040||tilting||YES||2000||10.0||5.6||YES|
Both the X-A5 and the G7X Mark II are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G7X Mark II replaced the earlier Canon G7 X, while the X-A5 followed on from the Fujifilm X-A3.
Review summary: Fujifilm X-A5 vs Canon G7 X Mark II
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-A5 or the Canon G7 X Mark II – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-A5:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Better video: Provides higher definition movie capture (4K/15p vs 1080/60p).
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (450 versus 265) on a single battery charge.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the G7X Mark II).
Advantages of the Canon PowerShot G7 X Mark II:
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the X-A5 necessitates an extra lens.
- More compact: Is smaller (106x61mm vs 117x68mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens build in (unlike the X-A5).
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the X-A5 comes out slightly ahead of the G7X Mark II (7 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-A5 or the G7X Mark II handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Fujifilm X-A5 (⇒ rgt)||..||..||..||..||3.5/5||2018||399||latest||check|
|Canon G7 X Mark II (⇒ lft)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon SX730 (⇒ lft | rgt)||Rec||-||4/5||-||4/5||2017||399||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon M3 (⇒ lft | rgt)||reviewed||75/100||4.5/5||4.5/5||4/5||2015||679||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Fujifilm X-T100 (⇒ lft | rgt)||..||..||..||..||..||2018||599||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||4.5/5||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-A10 (⇒ lft | rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Fujifilm X-A2 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2015||399||discont.||check|
|Fujifilm X-A1 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||399||discont.||check|
|Panasonic ZS70 (⇒ lft | rgt)||HiRec||-||4/5||-||4/5||2017||449||latest||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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