Fujifilm X-A3 vs Panasonic TS7

The Fujifilm X-A3 and the Panasonic Lumix DC-TS7 (labelled Panasonic FT7 in some countries) are two digital cameras that were announced, respectively, in August 2016 and May 2018. The X-A3 is a mirrorless interchangeable lens camera, while the TS7 is a fixed lens compact. The cameras are based on an APS-C (X-A3) and a 1/2.3-inch (TS7) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-A3		Panasonic TS7
Mirrorless system camera		Fixed lens compact camera
Fujifilm X mount lenses		28-128mm f/3.3-5.9
24 MP – APS-C sensor		20.2 MP – 1/2.3" sensor
1080/60p Video		4K/30p Video
ISO 200-6,400 (100 - 25,600)		ISO 80-3,200 (80 - 6,400)
No viewfinder, LCD framing		Electronic viewfinder (1170k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
6 shutter flaps per second		10 shutter flaps per second
not weather sealed		Waterproof body (31m)
410 shots per battery charge		300 shots per battery charge
117 x 67 x 40 mm, 339 g		117 x 76 x 37 mm, 319 g

Check X-A3 offers at
ebay.com
Check TS7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A3 and the Panasonic Lumix DC-TS7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm X-A3 and the Panasonic TS7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The X-A3 can be obtained in three different colors (silver, brown, pink), while the TS7 is also available in three color-versions, but different ones (black, blue, orange).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TS7 is notably larger (13 percent) than the Fujifilm X-A3. It is noteworthy in this context that the TS7 is splash and dust-proof, while the X-A3 does not feature any corresponding weather-sealing. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the X-A3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-A3 and their specifications in the Fujinon X Lens Catalog.

Concerning battery life, the X-A3 gets 410 shots out of its Fujifilm NP-W126S battery, while the TS7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-A3	117 mm	67 mm	40 mm	339 g	410		Aug 2016	US$ 399	ebay.com
2.		Panasonic TS7	117 mm	76 mm	37 mm	319 g	300		May 2018	US$ 449	ebay.com
3.		Canon SX730	110 mm	64 mm	40 mm	300 g	250		Apr 2017	US$ 399	ebay.com
4.		Fujifilm X-A1	117 mm	67 mm	39 mm	330 g	350		Sep 2013	US$ 399	ebay.com
5.		Fujifilm X-A2	117 mm	67 mm	40 mm	350 g	410		Jan 2015	US$ 399	ebay.com
6.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450		Jan 2018	US$ 399	ebay.com
7.		Fujifilm X-A7	119 mm	68 mm	41 mm	320 g	440		Sep 2019	US$ 499	ebay.com
8.		Fujifilm X-A10	117 mm	67 mm	40 mm	331 g	410		Dec 2016	US$ 399	ebay.com
9.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350		Sep 2017	US$ 899	ebay.com
10.		Fujifilm X-T10	118 mm	83 mm	41 mm	381 g	350		May 2015	US$ 799	ebay.com
11.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350		Jan 2017	US$ 899	ebay.com
12.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380		Feb 2019	US$ 899	ebay.com
13.		Fujifilm X-T200	121 mm	84 mm	55 mm	370 g	270		Jan 2020	US$ 699	ebay.com
14.		Panasonic FZ80	130 mm	94 mm	119 mm	616 g	330		Jan 2017	US$ 399	ebay.com
15.		Panasonic ZS70	112 mm	67 mm	41 mm	322 g	380		Apr 2017	US$ 449	ebay.com
16.		Panasonic ZS80	112 mm	69 mm	42 mm	327 g	380		Feb 2019	US$ 449	ebay.com
17.		Ricoh WG-6	118 mm	66 mm	33 mm	246 g	340		Feb 2019	US$ 399	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial
		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
		Camera Model

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-A3 features an APS-C sensor and the Panasonic TS7 a 1/2.3-inch sensor. The sensor area in the TS7 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-A3 has a native 3:2 aspect ratio, while the one in the TS7 offers a 4:3 aspect.

With 24MP, the X-A3 offers a higher resolution than the TS7 (20.2MP), but the X-A3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.18μm for the TS7) due to its larger sensor. However, the TS7 is a somewhat more recent model (by 1 year and 8 months) than the X-A3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Fujifilm X-A3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic TS7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The Fujifilm X-A3 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-TS7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

In terms of underlying technology, the X-A3 is build around a CMOS sensor, while the TS7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-A3	APS-C	24.0	6000	4000	1080/60p	23.8	13.1	1663	81
2.		Panasonic TS7	1/2.3	20.2	5184	3888	4K/30p	20.6	12.1	1028	51
3.		Canon SX730	1/2.3	20.2	5184	3888	1080/60p	20.5	11.9	924	50
4.		Fujifilm X-A1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1390	76
5.		Fujifilm X-A2	APS-C	16.0	4896	3264	1080/30p	23.6	12.8	1515	79
6.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
7.		Fujifilm X-A7	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1955	84
8.		Fujifilm X-A10	APS-C	16.0	4896	3264	1080/30p	23.9	13.2	1691	81
9.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
10.		Fujifilm X-T10	APS-C	16.0	4896	3264	1080/60p	23.7	12.9	1546	79
11.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
12.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
13.		Fujifilm X-T200	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1991	84
14.		Panasonic FZ80	1/2.3	18.0	4896	3672	4K/30p	20.5	11.9	900	49
15.		Panasonic ZS70	1/2.3	20.2	5184	3888	4K/30p	19.1	10.6	106	36
16.		Panasonic ZS80	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1103	52
17.		Ricoh WG-6	1/2.3	20.2	5184	3888	4K/30p	20.7	12.2	1104	52
Note: DXO values in italics represent estimates based on sensor size and age.
		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
		Camera Model

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TS7 provides a better video resolution than the X-A3. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the TS7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A3 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-A3 and Panasonic TS7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-A3			3.0 / 1040	tilting		1/4000s	6.0/s
2.		Panasonic TS7	1170		3.0 / 1040	fixed		1/1300s	10.0/s
3.		Canon SX730			3.0 / 922	tilting		1/3200s	5.9/s
4.		Fujifilm X-A1			3.0 / 920	tilting		1/4000s	5.6/s
5.		Fujifilm X-A2			3.0 / 920	tilting		1/4000s	5.6/s
6.		Fujifilm X-A5			3.0 / 1040	tilting		1/4000s	6.0/s
7.		Fujifilm X-A7			3.5 / 2760	swivel		1/4000s	6.0/s
8.		Fujifilm X-A10			3.0 / 1040	tilting		1/4000s	6.0/s
9.		Fujifilm X-E3	2360		3.0 / 1040	fixed		1/4000s	8.0/s
10.		Fujifilm X-T10	2360		3.0 / 920	tilting		1/4000s	8.0/s
11.		Fujifilm X-T20	2360		3.0 / 1040	tilting		1/4000s	8.0/s
12.		Fujifilm X-T30	2360		3.0 / 1040	tilting		1/4000s	8.0/s
13.		Fujifilm X-T200	2360		3.5 / 2780	swivel		1/4000s	8.0/s
14.		Panasonic FZ80	1166		3.0 / 1040	fixed		1/2000s	10.0/s
15.		Panasonic ZS70	1166		3.0 / 1040	tilting		1/2000s	10.0/s
16.		Panasonic ZS80	2330		3.0 / 1040	tilting		1/2000s	10.0/s
17.		Ricoh WG-6			3.0 / 1040	fixed		1/4000s	1.0/s
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
		Camera Model

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-A3 has a touchscreen, while the TS7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-A3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-A3 and the TS7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A3 and Panasonic Lumix DC-TS7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-A3		stereo / mono			micro	2.0
2.		Panasonic TS7		stereo / mono			micro	2.0
3.		Canon SX730		stereo / mono			micro	2.0
4.		Fujifilm X-A1		stereo / mono			mini	2.0
5.		Fujifilm X-A2		stereo / mono			mini	2.0
6.		Fujifilm X-A5		stereo / mono			micro	2.0
7.		Fujifilm X-A7		stereo / mono			micro	2.0
8.		Fujifilm X-A10		stereo / mono			micro	2.0
9.		Fujifilm X-E3		stereo / mono			micro	2.0
10.		Fujifilm X-T10		stereo / mono			micro	2.0
11.		Fujifilm X-T20		stereo / mono			micro	2.0
12.		Fujifilm X-T30		stereo / mono			micro	3.1
13.		Fujifilm X-T200		stereo / mono			micro	3.1
14.		Panasonic FZ80		stereo / mono			micro	2.0
15.		Panasonic ZS70		stereo / mono			micro	2.0
16.		Panasonic ZS80		stereo / mono			micro	2.0
17.		Ricoh WG-6		mono / mono			micro	3.0
		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
		Camera Model

It is notable that the X-A3 has a hotshoe, while the TS7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the X-A3 and the TS7 have been discontinued, but can regularly be found used on ebay. The X-A3 was replaced by the Fujifilm X-A5, while the TS7 does not have a direct successor. Further information on the features and operation of the X-A3 and TS7 can be found, respectively, in the Fujifilm X-A3 Manual (free pdf) or the online Panasonic TS7 Manual.

Review summary

So what conclusions can be drawn? Is the Fujifilm X-A3 better than the Panasonic TS7 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm X-A3:

• More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• More compact: Is smaller (117x67mm vs 117x76mm) and thus needs less room in the bag.
• Longer lasting: Can take more shots (410 versus 300) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been on the market for longer (launched in August 2016).

Arguments in favor of the Panasonic Lumix DC-TS7:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the X-A3 necessitates an extra lens.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the X-A3).
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
• More modern: Was introduced somewhat (1 year and 8 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the X-A3 is the clear winner of the match-up (15 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-A3 and the Panasonic TS7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-A3 or the TS7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-A3	..	..	..	74/100	4.5/5	4/5	Aug 2016	US$ 399	ebay.com
2.		Panasonic TS7	..	+	..	..	..	3.5/5	May 2018	US$ 449	ebay.com
3.		Canon SX730	..	+	..	..	4/5	4/5	Apr 2017	US$ 399	ebay.com
4.		Fujifilm X-A1	..	..	..	..	4.5/5	4.5/5	Sep 2013	US$ 399	ebay.com
5.		Fujifilm X-A2	4/5	..	..	..	4.5/5	4.5/5	Jan 2015	US$ 399	ebay.com
6.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	US$ 399	ebay.com
7.		Fujifilm X-A7	3/5	..	3.5/5	81/100	4/5	3.5/5	Sep 2019	US$ 499	ebay.com
8.		Fujifilm X-A10	..	..	..	..	4/5	4/5	Dec 2016	US$ 399	ebay.com
9.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	US$ 899	ebay.com
10.		Fujifilm X-T10	4.5/5	+ +	..	80/100	5/5	5/5	May 2015	US$ 799	ebay.com
11.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	US$ 899	ebay.com
12.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	US$ 899	ebay.com
13.		Fujifilm X-T200	3.5/5	..	4/5	82/100	4/5	4.5/5	Jan 2020	US$ 699	ebay.com
14.		Panasonic FZ80	..	+ +	..	..	4.5/5	4.5/5	Jan 2017	US$ 399	ebay.com
15.		Panasonic ZS70	..	+ +	..	..	4/5	4/5	Apr 2017	US$ 449	ebay.com
16.		Panasonic ZS80	..	+ +	..	..	4.5/5	..	Feb 2019	US$ 449	ebay.com
17.		Ricoh WG-6	..	..	..	..	3.5/5	3.5/5	Feb 2019	US$ 399	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
		Camera   Model

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check X-A3 offers at
ebay.com
Check TS7 offers at
ebay.com

Other camera comparisons

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• Contax N Digital
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• Fujifilm GFX 50R
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• Kodak AZ901
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• Leica C-LUX
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• Leica D-LUX Typ 109
• Leica D-LUX 5
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• Leica M Typ 240
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• Nikon D7500
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• Olympus XZ-1
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• OM System OM-1
• OM System OM-1 II
• OM System OM-3
• OM System OM-5
• OM System OM-5 II
• OM System TG-7
• Panasonic FZ80
• Panasonic FZ80D
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• Panasonic FZ150
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• Panasonic FZ1000 II
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• Panasonic G7
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• Panasonic G9 II
• Panasonic G10
• Panasonic G85
• Panasonic G97
• Panasonic G95
• Panasonic G100
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• Panasonic GX9
• Panasonic GX85
• Panasonic GX850
• Panasonic L1
• Panasonic L10
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• Panasonic LX5
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• Panasonic LX100
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• Panasonic S9
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• Panasonic ZS70
• Panasonic ZS80
• Panasonic ZS100
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• Pentax 645D
• Pentax 645Z
• Pentax K-1
• Pentax K-1 II
• Pentax K-3
• Pentax K-3 II
• Pentax K-3 III
• Pentax K-5
• Pentax K-5 II
• Pentax K-30
• Pentax K-50
• Pentax K-70
• Pentax K-500
• Pentax KP
• Pentax K-S1
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• Pentax MX-1
• Pentax Q
• Pentax WG-8
• Pentax WG-90
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• Ricoh GR
• Ricoh GR II
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• Ricoh GR IIIx
• Ricoh WG-6
• Ricoh WG-60
• Samsung NX1
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• Sigma fp
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• Sony A1
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• Sony A7
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• Sony A7 IV
• Sony A7C
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• Sony A7C R
• Sony A7R
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• Sony A7R IIIA
• Sony A7R IV
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• Sony A7R V
• Sony A7S
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• Sony A9
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• Sony A9 III
• Sony A58
• Sony A68
• Sony A77
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• Sony A99
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• Sony A850
• Sony A900
• Sony A3000
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• Sony A5100
• Sony A6000
• Sony A6100
• Sony A6300
• Sony A6400
• Sony A6500
• Sony A6600
• Sony A6700
• Sony H200
• Sony H300
• Sony H400
• Sony HX80
• Sony HX90V
• Sony HX95
• Sony HX99
• Sony HX350
• Sony HX400V
• Sony NEX-3
• Sony NEX-3N
• Sony NEX-5
• Sony NEX-5N
• Sony NEX-5R
• Sony NEX-5T
• Sony NEX-6
• Sony NEX-7
• Sony NEX-C3
• Sony NEX-F3
• Sony RX0
• Sony RX0 II
• Sony RX1
• Sony RX1R
• Sony RX1R II
• Sony RX1R III
• Sony RX10
• Sony RX10 II
• Sony RX10 III
• Sony RX10 IV
• Sony RX100
• Sony RX100 II
• Sony RX100 III
• Sony RX100 IV
• Sony RX100 V
• Sony RX100 VI
• Sony RX100 VII
• Sony WX800
• Sony ZV-1
• Sony ZV-1 II
• Sony ZV-1F
• Sony ZV-E1
• Sony ZV-E10
• Sony ZV-E10 II
• YI M1
• Zeiss ZX1

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