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Fujifilm GFX 50S vs Sony A77 II

The Fujifilm GFX 50S and the Sony Alpha SLT-A77 II are two digital cameras that were revealed to the public, respectively, in September 2016 and May 2014. The GFX 50S is a mirrorless interchangeable lens camera, while the A77 II is a DSLR. The cameras are based on a medium format (GFX 50S) and an APS-C (A77 II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S
versus
Sony A77 II
Fujifilm GFX 50S   Sony A77 II
Mirrorless system camera Digital single lens reflex
Fujifilm G mount lenses Sony A mount lenses
51.1 MP, Medium Format Sensor 24 MP, APS-C Sensor
1080/30p Video 1080/60p Video
ISO 100-12,800 (50 - 102,400) ISO 100-25,600 (50 - 51,200)
Viewfinder optional Electronic viewfinder (2359k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1229k dots
Fully flexible touchscreen Fully flexible screen (no touchscreen)
3 shutter flaps per second 12 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge480 shots per battery charge
148 x 94 x 91 mm, 740 g 143 x 104 x 81 mm, 647 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50S and the Sony A77 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 50S vs Sony A77 II
Compare GFX 50S versus A77 II top
Comparison GFX 50S or A77 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is notably larger (7 percent) than the Fujifilm GFX 50S. However, the A77 II is markedly lighter (13 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the A77 II can take 480 images on a single charge of its NP-FM500H power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499i
2.
 
Sony A77 II 143 mm 104 mm 81 mm 647 g 480 Y May 2014 1,199 i
3.
 
Canon 5D Mark IV 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i
4.
 
Canon 80D 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199i
5.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
6.
 
Fujifilm GFX 50S II 150 mm 104 mm 87 mm 900 g 440 Y Sep 2021 3,999 i
7.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
8.
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750 i
9.
 
Hasselblad X1D 150 mm 98 mm 71 mm 725 g .. Y Jun 2016 8,995i
10.
 
Leica M10 139 mm 80 mm 39 mm 660 g 210 Y Jan 2017 6,595 i
11.
 
Leica SL 147 mm 104 mm 39 mm 847 g 400 Y Oct 2015 7,450i
12.
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
13.
 
Nikon D7200 136 mm 107 mm 76 mm 765 g 1110 Y Mar 2015 1,199i
14.
 
Nikon D7100 136 mm 107 mm 76 mm 765 g 950 Y Feb 2013 1,199i
15.
 
Sony A68 143 mm 104 mm 81 mm 610 g 540 n Nov 2015 699i
16.
 
Sony A7 II 127 mm 96 mm 60 mm 599 g 350 Y Nov 2014 1,999i
17.
 
Sony A77 143 mm 104 mm 81 mm 732 g 470 Y Aug 2011 1,399i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A77 II was launched at a markedly lower price (by 82 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Sony A77 II an APS-C sensor. The sensor area in the A77 II is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the A77 II offers a 3:2 aspect.

Fujifilm GFX 50S and Sony A77 II sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the A77 II (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.91μm for the A77 II) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 2 years and 4 months) than the A77 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Sony A77 II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

GFX 50S versus A77 II MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
2.
 
Sony A77 II APS-C 24.0 6000 40001080/60p........
3.
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591
4.
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579
5.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p........
6.
 
Fujifilm GFX 50S II Medium Format 51.1 8256 61921080/30p........
7.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
8.
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
9.
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102
10.
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386
11.
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188
12.
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
13.
 
Nikon D7200 APS-C 24.0 6000 40001080/60p24.514.6133387
14.
 
Nikon D7100 APS-C 24.0 6000 40001080/60p24.213.7125683
15.
 
Sony A68 APS-C 24.0 6000 40001080/60i24.113.570179
16.
 
Sony A7 II Full Frame 24.0 6000 40001080/60p24.913.6244990
17.
 
Sony A77 APS-C 24.0 6000 40001080/60p24.013.280178

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A77 II provides a faster frame rate than the GFX 50S. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A77 II has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Sony A77 II along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0 n n
2.
 
Sony A77 II2359 Y3.0 / 1229 full-flex n 1/8000s 12.0 Y Y
3.
 
Canon 5D Mark IVoptical Y3.2 / 1620 fixed Y 1/8000s 7.0 n n
4.
 
Canon 80Doptical Y3.0 / 1040 swivel Y 1/8000s 7.0 Y n
5.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0 n Y
6.
 
Fujifilm GFX 50S II3690 Y3.2 / 2360 full-flex Y 1/4000s 3.0 n Y
7.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0 n n
8.
 
Hasselblad X1D II3690 n3.6 / 2360 fixed Y 1/2000s 2.7 n n
9.
 
Hasselblad X1D2360 n3.0 / 920 fixed Y 1/2000s 2.3 n n
10.
 
Leica M10optical n3.0 / 1037 fixed n 1/4000s 5.0 n n
11.
 
Leica SL4400 Y3.0 / 1040 fixed Y 1/8000s 11.0 n n
12.
 
Nikon D7500optical Y3.2 / 922 tilting Y 1/8000s 8.0 Y n
13.
 
Nikon D7200optical Y3.2 / 1229 fixed n 1/8000s 6.0 Y n
14.
 
Nikon D7100optical Y3.2 / 1229 fixed n 1/8000s 6.0 Y n
15.
 
Sony A681440 Y2.7 / 460 tilting n 1/4000s 8.0 Y Y
16.
 
Sony A7 II2400 n3.0 / 1230 tilting n 1/8000s 5.0 n Y
17.
 
Sony A772359 Y3.0 / 921 full-flex n 1/8000s 12.0 Y Y

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the A77 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The A77 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the A77 II only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the A77 II can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
2.
 
Sony A77 IIYstereo / monoY-mini2.0YY-
3.
 
Canon 5D Mark IVYmono / monoYYmini3.0YY-
4.
 
Canon 80DYstereo / monoYYmini2.0YY-
5.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
6.
 
Fujifilm GFX 50S IIYstereo / monoYYmicro3.2Y--
7.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
8.
 
Hasselblad X1D IIYstereo / monoYY-3.0Y--
9.
 
Hasselblad X1DYstereo / monoYYmini3.0Y--
10.
 
Leica M10Y- / -----Y--
11.
 
Leica SLYstereo / monoYYfull3.0Y--
12.
 
Nikon D7500Ystereo / monoYYmini2.0Y-Y
13.
 
Nikon D7200Ystereo / monoYYmini2.0YY-
14.
 
Nikon D7100Ystereo / monoYYmini2.0---
15.
 
Sony A68Ystereo / monoY-micro2.0---
16.
 
Sony A7 IIYstereo / monoYYmicro2.0YY-
17.
 
Sony A77Ystereo / monoY-mini2.0---

It is notable that the GFX 50S has a headphone jack, which is not present on the A77 II This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The A77 II is a recent model that features in the current product line-up of Sony. In contrast, the GFX 50S has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GFX 50S was succeeded by the Fujifilm GFX 50S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50S or the Sony A77 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 24MP) with a 43% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1229k dots).
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 2 years and 4 months of technical progress since the A77 II launch.

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Advantages of the Sony Alpha SLT-A77 II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
  • Less heavy: Has a lower weight (by 93g or 13 percent) and is thus easier to take along.
  • Longer lasting: Gets more shots (480 versus 400) out of a single battery charge.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (82 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in May 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (17 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 17:13 A77 II

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the A77 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499i
2.
 
Sony A77 II4/5....80/1004.5/55/5 May 2014 1,199 i
3.
 
Canon 5D Mark IV4.5/5+ +4/587/1004.5/54.5/5 Aug 2016 3,499 i
4.
 
Canon 80D4/5+ +4.5/584/1004.5/54.5/5 Feb 2016 1,199i
5.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 i
6.
 
Fujifilm GFX 50S II......87/100.... Sep 2021 3,999 i
7.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499 i
8.
 
Hasselblad X1D II....4/5..4/54/5 Jun 2019 5,750 i
9.
 
Hasselblad X1D..o..81/100..4/5 Jun 2016 8,995i
10.
 
Leica M104.5/5......4/54.5/5 Jan 2017 6,595 i
11.
 
Leica SL4/5..4/584/1004.5/54/5 Oct 2015 7,450i
12.
 
Nikon D75004.5/5+ +4.5/586/1005/54.5/5 Apr 2017 1,299 i
13.
 
Nikon D72004/5+ +..84/1004.5/54.5/5 Mar 2015 1,199i
14.
 
Nikon D71005/5+ +..85/1004.5/54.5/5 Feb 2013 1,199i
15.
 
Sony A683/5......4/54/5 Nov 2015 699i
16.
 
Sony A7 II5/5+4/582/1004.5/55/5 Nov 2014 1,999i
17.
 
Sony A775/591/100..81/100..5/5 Aug 2011 1,399i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 50S:
Check Ebay offers
Sony A77 II:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Fujifilm GFX 50S vs Sony A77 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Sony A77 II
    Camera Type Mirrorless system camera Digital single lens reflex
    Camera Lens Fujifilm G mount lenses Sony A mount lenses
    Launch Date September 2016 May 2014
    Launch Price USD 6,499 USD 1,199
    Sensor Specs Fujifilm GFX 50S Sony A77 II
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor APS-C Sensor
    Sensor Size 44.0 x 33.0 mm 23.5 x 15.6 mm
    Sensor Area 1452 mm2 366.6 mm2
    Sensor Diagonal 55 mm 28.2 mm
    Crop Factor 0.79x 1.5x
    Sensor Resolution 51.1 Megapixels 24 Megapixels
    Image Resolution 8256 x 6192 pixels 6000 x 4000 pixels
    Pixel Pitch 5.33 μm 3.91 μm
    Pixel Density 3.52 MP/cm2 6.55 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 1080/60p Video
    ISO Setting 100 - 12,800 ISO 100 - 25,600 ISO
    ISO Boost 50 - 102,400 ISO 50 - 51,200 ISO
    Image Processor X Processor Pro BIONZ X
    Screen Specs Fujifilm GFX 50S Sony A77 II
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.73x
    Viewfinder Resolution 2359k dots
    Top-Level Screen Control Panel Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1229k dots
    LCD Attachment Fully flexible screen Fully flexible screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50S Sony A77 II
    Focus System Contrast-detect AF Phase-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 3 shutter flaps/s 12 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash Built-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S Sony A77 II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI mini HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Fujifilm GFX 50S Sony A77 II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 NP-FM500H
    Battery Life (CIPA)400 shots per charge480 shots per charge
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    143 x 104 x 81 mm
    (5.6 x 4.1 x 3.2 in)
    Camera Weight 740 g (26.1 oz) 647 g (22.8 oz)

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    You are here Home  »  CAM-parator  »  Fujifilm GFX 50S vs Sony A77 II

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