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Canon SL1 vs Fujifilm GFX 50S

The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in March 2013 and September 2016. The SL1 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL1) and a medium format (GFX 50S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Fujifilm provides 51.1 MP.

As their names suggest, both the Canon EOS Rebel SL1 and the Fujifilm GFX 50S belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon SL1 and Fujifilm GFX 50S. Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon SL1   Fujifilm GFX 50S
Canon SL1 Fujifilm GFX 50S
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm G mount lenses
17.9 MP, APS-C Sensor 51.1 MP, Medium Format Sensor
1080/30p Video 1080/30p Video
ISO 100-12800 (100-25600) ISO 100-12800 (50-102400)
Optical viewfinder Viewfinder optional
3.0" LCD, 1040k dots 3.2" LCD, 2360k dots
Fixed touchscreen Fully flexible touchscreen
4.9 shutter flaps per second 3 shutter flaps per second
Not weather sealedWeathersealed body
380 shots per battery charge400 shots per battery charge
117 x 91 x 69 mm, 407 g 148 x 94 x 91 mm, 740 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Canon SL1 vs Fujifilm GFX 50S

An illustration of the physical size and weight of the Canon SL1 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The SL1 can be obtained in two different colors (black, white), while the GFX 50S is only available in black.

Size Canon SL1 vs Fujifilm GFX 50S
Compare SL1 versus GFX 50S top
Comparison SL1 or GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (31 percent) than the Canon SL1. Moreover, the GFX 50S is substantially heavier (82 percent) than the SL1. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the SL1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the SL1 gets 380 shots out of its LP-E12 battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon SL1» 4.6 in 3.6 in 2.7 in 14.4 oz 380 n Mar 2013 549- i Canon SL1
 
Fujifilm GFX 50S« 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon SL2« » 4.8 in 3.7 in 2.8 in 16.0 oz 650 n Jun 2017 549- i Canon SL2
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon T6« » 5.1 in 4.0 in 3.1 in 17.1 oz 500 n Mar 2016 449- i Canon T6
 
Canon M10« » 4.3 in 2.6 in 1.4 in 10.6 oz 255 n Oct 2015 499- i Canon M10
 
Canon T5« » 5.1 in 3.9 in 3.1 in 16.9 oz 500 n Feb 2014 449- i Canon T5
 
Canon G16« » 4.3 in 3.0 in 1.6 in 12.6 oz 360 n Aug 2013 549 i i Canon G16
 
Canon T5i« » 5.2 in 3.9 in 3.1 in 20.5 oz 440 n Mar 2013 649- i Canon T5i
 
Canon M« » 4.3 in 2.6 in 1.3 in 10.5 oz 230 n Jul 2012 599- i Canon M
 
Canon T4i« » 5.2 in 3.9 in 3.1 in 20.3 oz 440 n Jun 2012 849- i Canon T4i
 
Canon T3i« » 5.2 in 3.9 in 3.1 in 20.1 oz 440 n Feb 2011 599- i Canon T3i
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995 i i Hasselblad X1D
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL1 was launched at a markedly lower price (by 92 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon SL1 vs Fujifilm GFX 50S

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the SL1 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Canon SL1 and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the SL1 (17.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.31μm for the SL1) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 3 years and 6 months) than the SL1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon SL1 are 25.9 x 17.3 inch or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inch or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inch or 43.9 x 29.3 cm for excellent quality prints.

The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

SL1 versus GFX 50S MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon SL1» APS-C 17.9 5184 34561080/30p21.811.384363Canon SL1
 
Fujifilm GFX 50S« Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Canon SL2« » APS-C 24.0 6000 40001080/60p23.613.4104179Canon SL2
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon T6« » APS-C 17.9 5184 34561080/30p----Canon T6
 
Canon M10« » APS-C 17.9 5184 34561080/30p22.211.475365Canon M10
 
Canon T5« » APS-C 17.9 5184 34561080/30p21.911.372463Canon T5
 
Canon G16« » 1/1.7 12.0 4000 30001080/60p21.011.723054Canon G16
 
Canon T5i« » APS-C 17.9 5184 34561080/30p21.711.268161Canon T5i
 
Canon M« » APS-C 17.9 5184 34561080/30p22.111.282765Canon M
 
Canon T4i« » APS-C 17.9 5184 34561080/30p21.711.272262Canon T4i
 
Canon T3i« » APS-C 17.9 5184 34561080/30p22.111.579365Canon T3i
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).

 

Feature comparison: Canon SL1 vs Fujifilm GFX 50S

Apart from body and sensor, cameras can and do differ across a range of features. For example, the SL1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Canon SL1 and Fujifilm GFX 50S along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon SL1»optical n 3.0 1040 fixed Y 1/4000s 4.9 Y n Canon SL1
 
Fujifilm GFX 50S«- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Canon SL2« »optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon SL2
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon T6« »optical n 3.0 920 fixed n 1/4000s 3.0 Y n Canon T6
 
Canon M10« »- n 3.0 1040 tilting Y 1/4000s 4.6 Y n Canon M10
 
Canon T5« »optical n 3.0 460 fixed n 1/4000s 3.0 Y n Canon T5
 
Canon G16« »optical n 3.0 922 fixed n 1/4000s 2.2 Y Y Canon G16
 
Canon T5i« »optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon T5i
 
Canon M« »- n 3.0 1040 fixed Y 1/4000s 4.3 n n Canon M
 
Canon T4i« »optical n 3.0 1040 swivel Y 1/4000s 5.0 Y n Canon T4i
 
Canon T3i« »optical n 3.0 1040 swivel n 1/4000s 3.7 Y n Canon T3i
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6

One difference between the cameras concerns the presence of an on-board flash. The SL1 has one, while the GFX 50S does not. While the built-in flash of the SL1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL1 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the SL1 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the SL1 can use UHS-I cards.

 

Connectivity comparison: Canon SL1 vs Fujifilm GFX 50S

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon SL1»YmonomonoY-mini2.0---Canon SL1
 
Fujifilm GFX 50S«YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Canon SL2« »YstereomonoY-mini2.0YYYCanon SL2
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon T6« »Ymonomono--mini2.0YY-Canon T6
 
Canon M10« »-stereomono--mini2.0YY-Canon M10
 
Canon T5« »Ymonomono--mini2.0---Canon T5
 
Canon G16« »Ystereomono--mini2.0Y--Canon G16
 
Canon T5i« »YstereomonoY-mini2.0---Canon T5i
 
Canon M« »YstereomonoY-mini2.0---Canon M
 
Canon T4i« »YstereomonoY-mini2.0---Canon T4i
 
Canon T3i« »YmonomonoY-mini2.0---Canon T3i
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6

It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SL1 does not offer wifi capability.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the SL1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the SL1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SL1 was succeeded by the Canon SL2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.


Review summary: Canon SL1 vs Fujifilm GFX 50S

So what conclusions can be drawn? Is there a clear favorite between the Canon SL1 and the Fujifilm GFX 50S? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Canon EOS Rebel SL1:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier framing: Has an optical viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (4.9 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (117x91mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 333g or 45 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in March 2013).

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 17.9MP), which boosts linear resolution by 66%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 3 years and 6 months of technical progress since the SL1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the contest (21 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

SL1 09:21 GFX 50S

How about other alternatives? Do the specifications of the Canon SL1 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SL1 or the GFX 50S. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews: Canon SL1 vs Fujifilm GFX 50S

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon SL1»+78/1004/54/54/5 Mar 2013 549- i Canon SL1
 
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon SL2« »+ +78/1004.5/54.5/54.5/5 Jun 2017 549- i Canon SL2
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon T6« »o73/1004/53.5/54/5 Mar 2016 449- i Canon T6
 
Canon M10« »---o4/5 Oct 2015 499- i Canon M10
 
Canon T5« »+-4/54/54.5/5 Feb 2014 449- i Canon T5
 
Canon G16« »+-4.5/54.5/54.5/5 Aug 2013 549 i i Canon G16
 
Canon T5i« »-76/1004.5/54.5/54.5/5 Mar 2013 649- i Canon T5i
 
Canon M« »+-4/53.5/54/5 Jul 2012 599- i Canon M
 
Canon T4i« »+ +77/1004.5/54.5/54.5/5 Jun 2012 849- i Canon T4i
 
Canon T3i« »o77/1004.5/55/54.5/5 Feb 2011 599- i Canon T3i
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995 i i Hasselblad X1D
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
 
Panasonic G6« »+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Canon SL1:
Check Ebay offers
Fujifilm GFX 50S:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Canon SL1 vs Fujifilm GFX 50S

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon SL1 Fujifilm GFX 50S
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm G mount lenses
    Launch Date March 2013 September 2016
    Launch Price USD 549 USD 6499
    Sensor Specs Canon SL1 Fujifilm GFX 50S
    Sensor Technology CMOS CMOS
    Sensor Format APS-C Sensor Medium Format Sensor
    Sensor Size 22.3 x 14.9 mm 44.0 x 33.0 mm
    Sensor Area 332.27 mm2 1452 mm2
    Sensor Diagonal 26.8 mm 55 mm
    Crop Factor 1.6x 0.79x
    Sensor Resolution 17.9 Megapixels 51.1 Megapixels
    Image Resolution 5184 x 3456 pixels 8256 x 6192 pixels
    Pixel Pitch 4.31 μm 5.33 μm
    Pixel Density 5.39 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/30p Video 1080/30p Video
    ISO Setting 100-12800 ISO 100-12800 ISO
    ISO Boost 100-25600 ISO 50-102400 ISO
    Image Processor DIGIC 5 X Processor Pro
    DXO Sensor Quality (score) 63 ..
    DXO Color Depth (bits) 21.8 ..
    DXO Dynamic Range (EV) 11.3 ..
    DXO Low Light (ISO) 843 ..
    Screen Specs Canon SL1 Fujifilm GFX 50S
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 95%
    Viewfinder Magnification 0.54x
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 1040k dots 2360k dots
    LCD Attachment Fixed screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon SL1 Fujifilm GFX 50S
    Autofocus System Phase-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 4.9 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Fill Flash Build-in Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Dual UHS-II
    Connectivity Specs Canon SL1 Fujifilm GFX 50S
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support no Wifi Wifi built-in
    Body Specs Canon SL1 Fujifilm GFX 50S
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type LP-E12 power pack NP-T125 power pack
    Battery Life (CIPA)380 shots per charge400 shots per charge
    Body Dimensions 117 x 91 x 69 mm
    (4.6 x 3.6 x 2.7 in)
    148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    Camera Weight 407 g (14.4 oz) 740 g (26.1 oz)

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