Fujifilm GFX 50S vs Nikon D50
The Fujifilm GFX 50S and the Nikon D50 are two digital cameras that were officially introduced, respectively, in September 2016 and April 2005. The GFX 50S is a mirrorless interchangeable lens camera, while the D50 is a DSLR. The cameras are based on a medium format (GFX 50S) and an APS-C (D50) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 50S||Nikon D50|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm G mount lenses||Nikon F mount lenses|
|51.1 MP, Medium Format Sensor||6 MP, APS-C Sensor|
|1080/30p Video||no Video|
|ISO 100-12800 (50-102400)||ISO 200-1600|
|Viewfinder optional||Optical viewfinder|
|3.2" LCD, 2360k dots||2.0" LCD, 130k dots|
|Fully flexible touchscreen||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|400 shots per battery charge||400 shots per battery charge|
|148 x 94 x 91 mm, 740 g||133 x 102 x 76 mm, 620 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon D50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm GFX 50S and the Nikon D50 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D50 is somewhat smaller (2 percent) than the Fujifilm GFX 50S. Moreover, the D50 is markedly lighter (16 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the D50 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm GFX 50S»||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Nikon D50«||5.2 in||4.0 in||3.0 in||21.9 oz||400||n||Apr 2005||749||Nikon D50|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Hasselblad X1D II« »||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750||Hasselblad X1D II|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D60« »||5.0 in||3.7 in||2.5 in||18.4 oz||500||n||Jan 2008||629||Nikon D60|
|Nikon D40« »||4.9 in||3.7 in||2.5 in||18.4 oz||470||n||Nov 2006||499||Nikon D40|
|Nikon D80« »||5.2 in||4.1 in||3.0 in||23.6 oz||600||n||Aug 2006||999||Nikon D80|
|Nikon D70s« »||5.5 in||4.4 in||3.1 in||24.0 oz||500||n||Apr 2005||899||Nikon D70s|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||Nikon D70|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D50 was launched at a markedly lower price (by 88 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon D50 an APS-C sensor. The sensor area in the D50 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the D50 offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the D50 (6MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 7.85μm for the D50). However, the GFX 50S is a much more recent model (by 11 years and 5 months) than the D50, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Nikon D50 are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D50 are ISO 200 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50S|
|Nikon D50||APS-C||6.0||3008||2000||none||20.9||10.8||560||55||Nikon D50|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50R|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..||Hasselblad X1D II|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D60||APS-C||10.0||3872||2592||none||22.5||11.4||562||65||Nikon D60|
|Nikon D40||APS-C||6.0||3008||2000||none||21.0||11.0||561||56||Nikon D40|
|Nikon D80||APS-C||10.0||3872||2592||none||22.1||11.2||524||61||Nikon D80|
|Nikon D70s||APS-C||6.0||3008||2000||none||20.4||10.3||529||50||Nikon D70s|
|Nikon D70||APS-C||6.0||3008||2000||none||20.4||10.3||529||50||Nikon D70|
Many modern cameras are not only capable of taking still images, but can also record movies. The GFX 50S indeed provides movie recording capabilities, while the D50 does not. The highest resolution format that the GFX 50S can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the D50 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50S and Nikon D50 in connection with corresponding information for a sample of similar cameras.
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Nikon D50||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n||Hasselblad X1D II|
|Hasselblad X1D||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D60||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D60|
|Nikon D40||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Nikon D80||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Nikon D70s||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Nikon D70||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
One feature that is present on the GFX 50S, but is missing on the D50 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S writes its imaging data to SDXC cards, while the D50 uses SD cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the D50 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the D50 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon D50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Nikon D50||Y||none||none||-||-||none||2.0||-||-||-||Nikon D50|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||none||3.0||Y||-||-||Hasselblad X1D II|
|Hasselblad X1D||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D60||Y||none||none||-||-||none||2.0||-||-||-||Nikon D60|
|Nikon D40||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40|
|Nikon D80||Y||none||none||-||-||none||2.0||-||-||-||Nikon D80|
|Nikon D70s||Y||none||none||-||-||none||2.0||-||-||-||Nikon D70s|
|Nikon D70||Y||none||none||-||-||none||1.0||-||-||-||Nikon D70|
It is notable that the GFX 50S offers wifi support, while the D50 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the D50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the D50 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D50 was succeeded by the Nikon D40. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is the Fujifilm GFX 50S better than the Nikon D50 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 6MP) with a 186% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 130k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 11 years and 5 months of technical progress since the D50 launch.
Reasons to prefer the Nikon D50:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Less heavy: Has a lower weight (by 120g or 16 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in April 2005).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (23 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon D50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50S or the D50 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 250D vs Fujifilm GFX 50S
- Canon G5 X Mark II vs Nikon D50
- Fujifilm GFX 50S vs Fujifilm X-T2
- Fujifilm GFX 50S vs Leica M10-P
- Fujifilm GFX 50S vs Olympus E-P1
- Fujifilm GFX 50S vs Panasonic GH5s
- Fujifilm GFX 50S vs Sony HX95
- Nikon D3100 vs Nikon D50
- Nikon D50 vs Olympus E-P2
- Nikon D50 vs Panasonic FZ330
- Nikon D50 vs Panasonic GH3
- Nikon D50 vs Pentax K-5
Specifications: Fujifilm GFX 50S vs Nikon D50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Nikon D50|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||September 2016||April 2005|
|Launch Price||USD 6499||USD 749|
|Sensor Specs||Fujifilm GFX 50S||Nikon D50|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.7 x 15.6 mm|
|Sensor Area||1452 mm2||369.72 mm2|
|Sensor Diagonal||55 mm||28.4 mm|
|Sensor Resolution||51.1 Megapixels||6 Megapixels|
|Image Resolution||8256 x 6192 pixels||3008 x 2000 pixels|
|Pixel Pitch||5.33 μm||7.85 μm|
|Pixel Density||3.52 MP/cm2||1.63 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100-12800 ISO||200-1600 ISO|
|ISO Boost||50-102400 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||20.9|
|DXO Dynamic Range (EV)||..||10.8|
|DXO Low Light (ISO)||..||560|
|Screen Specs||Fujifilm GFX 50S||Nikon D50|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.2 inch||2.0 inch|
|LCD Resolution||2360k dots||130k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Nikon D50|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||2.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SD cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm GFX 50S||Nikon D50|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Nikon D50|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||400 shots per charge||400 shots per charge|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
133 x 102 x 76 mm
(5.2 x 4.0 x 3.0 in)
|Camera Weight||740 g (26.1 oz)||620 g (21.9 oz)|
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