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Fujifilm GFX 50S versus Panasonic FZ2500

The Fujifilm GFX 50S and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were revealed to the public in September 2016. The GFX 50S is a mirrorless interchangeable lens camera, while the FZ2500 is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and an one-inch (FZ2500) sensor. The Fujifilm has a resolution of 51.1 megapixel, whereas the Panasonic provides 20 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Fujifilm GFX 50S vs Panasonic FZ2500

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Panasonic FZ2500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the GFX 50S – represents the basis for the calculations across all the size and weight measures).

Compare Fujifilm GFX 50S vs Panasonic FZ2500
Compare GFX 50S versus FZ2500 top
Compare GFX 50S and FZ2500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is somewhat larger (1 percent) than the Fujifilm GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the FZ2500 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens build in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the FZ2500 can take 350 images on a single charge of its DMW-BLC12 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
Panasonic FZ2500« 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2500
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
Fujifilm X100F« » 5.0 in 3.0 in 2.0 in 16.5 oz 390 n Jan 2017 1,299 i i Fujifilm X100F
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995 i i Hasselblad X1D
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 n Jan 2017 6,595 i i Leica M10
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
Panasonic FZ1000« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Jun 2014 899- i Panasonic FZ1000
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ2500 was launched at a lower price than the GFX 50S, despite having a lens build in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Fujifilm GFX 50S vs Panasonic FZ2500

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect.

Fujifilm GFX 50S and Panasonic FZ2500 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the FZ2500 (20MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 2.41μm for the FZ2500) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

GFX 50S versus FZ2500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Fujifilm GFX 50S» Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
Panasonic FZ2500« 1-inch 20.0 5472 36484K/30p----Panasonic FZ2500
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Panasonic FZ1000« » 1-inch 20.0 5472 36484K/30p22.111.751764Panasonic FZ1000
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ2500 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison: Fujifilm GFX 50S vs Panasonic FZ2500

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Panasonic FZ2500, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Fujifilm GFX 50S»- Y 3.2 2360 full-flex Y 4000 3.0 n n Fujifilm GFX 50S
Panasonic FZ2500«2360 n 3.0 1040 swivel Y 4000 12.0 Y Y Panasonic FZ2500
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 4000 3.0 n n Fujifilm GFX 50R
Fujifilm X100F« »2360 n 3.0 1040 fixed n 4000 8.0 Y n Fujifilm X100F
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Hasselblad X1D« »2360 n 3.0 920 fixed Y 2000 2.3 n n Hasselblad X1D
Leica M10« »optical n 3.0 1037 fixed n 4000 5.0 n n Leica M10
Leica SL« »4400 Y 3.0 1040 fixed Y 8000 11.0 n n Leica SL
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Panasonic FZ1000« »2359 n 3.0 921 swivel n 4000 12.0 Y Y Panasonic FZ1000
Sony RX100 V« »2359 n 3.0 1229 tilting n 2000 24.0 Y Y Sony RX100 V
Sony RX10 II« »2359 Y 3.0 1229 tilting n 3200 14.0 Y Y Sony RX10 II
Sony RX100 IV« »2359 n 3.0 1228 tilting n 2000 16.0 Y Y Sony RX100 IV

One feature that is present on the GFX 50S, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

Both the GFX 50S and the FZ2500 write their imaging data to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ2500 only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Fujifilm GFX 50S»YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
Panasonic FZ2500«YstereomonoYYmicro2.0Y--Panasonic FZ2500
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
Leica M10« »Y------Y--Leica M10
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
Panasonic FZ1000« »YstereomonoY-micro2.0YY-Panasonic FZ1000
Sony RX100 V« »-stereomono--micro2.0YY-Sony RX100 V
Sony RX10 II« »YstereomonoYYmicro2.0YY-Sony RX10 II
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV

Both the GFX 50S and the FZ2500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The FZ2500 replaced the earlier Panasonic FZ1000, while the GFX 50S does not have a direct predecessor.

Review summary: Fujifilm GFX 50S vs Panasonic FZ2500

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50S or the Panasonic FZ2500 – has the upper hand? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 20MP) with a 57% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.

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Arguments in favor of the Panasonic Lumix DMC-FZ2500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a build-in lens.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S emerges as the winner of the contest (11 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

GFX 50S 11:08 FZ2500

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50S or the FZ2500 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm GFX 50S»-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
Panasonic FZ2500«Rec82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2500
Canon 6D Mark II« »Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Fujifilm GFX 50R« »----- Sep 2018 4,499 i i Fujifilm GFX 50R
Fujifilm X100F« »Rec83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Hasselblad X1D« »rev81/100--4/5 Jun 2016 8,995 i i Hasselblad X1D
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Panasonic FZ1000« »HiRec82/1004.5/54.5/54.5/5 Jun 2014 899- i Panasonic FZ1000
Sony RX100 V« »HiRec83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
Sony RX10 II« »HiRec82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
Sony RX100 IV« »HiRec85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.

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