Fujifilm GFX 100 II vs X-E4

The Fujifilm GFX 100 II and the Fujifilm X-E4 are two digital cameras that were officially introduced, respectively, in September 2023 and January 2021. Both the GFX 100 II and the X-E4 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100 II) and an APS-C (X-E4) sensor. The GFX 100 II has a resolution of 101.8 megapixels, whereas the X-E4 provides 26 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100 II		Fujifilm X-E4
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Fujifilm X mount lenses
101.8 MP – Medium Format sensor		26 MP – APS-C sensor
8K/30p Video		4K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 160-12,800 (80 - 51,200)
Electronic viewfinder (9440k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2360k dots		3.0" LCD – 1620k dots
Fully flexible touchscreen		Tilting touchscreen
8 shutter flaps per second		8 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
540 shots per battery charge		380 shots per battery charge
152 x 117 x 99 mm, 1030 g		121 x 73 x 33 mm, 364 g

Check GFX 100 II price at
amazon.com
Check X-E4 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 II and the Fujifilm X-E4? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100 II and the Fujifilm X-E4. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The X-E4 can be obtained in two different colors (black, silver), while the GFX 100 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E4 is considerably smaller (50 percent) than the Fujifilm GFX 100 II. Moreover, the X-E4 is substantially lighter (65 percent) than the GFX 100 II. It is worth mentioning in this context that the GFX 100 II is splash and dust resistant, while the X-E4 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 II gets 540 shots out of its Fujifilm NP-W235 battery, while the X-E4 can take 380 images on a single charge of its Fujifilm NP-W126S power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
2.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	US$ 849	amazon.com
3.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	US$ 899	ebay.com
9.		Fujifilm X-H2	136 mm	93 mm	85 mm	660 g	680	Y	Sep 2022	US$ 1 999	amazon.com
10.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
11.		Fujifilm X-T5	130 mm	91 mm	64 mm	557 g	580	Y	Nov 2022	US$ 1 699	amazon.com
12.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	US$ 899	ebay.com
13.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380	n	Feb 2019	US$ 899	ebay.com
14.		Fujifilm X-T30 II	118 mm	83 mm	47 mm	383 g	380	n	Sep 2021	US$ 899	amazon.com
15.		Fujifilm X-T200	121 mm	84 mm	55 mm	370 g	270	n	Jan 2020	US$ 699	ebay.com
16.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
17.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	US$ 3 999	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-E4 was launched at a markedly lower price (by 89 percent) than the GFX 100 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 II features a medium format sensor and the Fujifilm X-E4 an APS-C sensor. The sensor area in the X-E4 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100 II has a native 4:3 aspect ratio, while the one in the X-E4 offers a 3:2 aspect.

In terms of chip-set technology, the GFX 100 II uses a more advanced image processing engine (X-Processor 5) than the X-E4 (X-Processor 4), with benefits for noise reduction, color accuracy, and processing speed.

With 101.8MP, the GFX 100 II offers a higher resolution than the X-E4 (26MP), but the GFX 100 II nevertheless has the same individual pixel size (pixel pitch of 3.76μm) as the X-E4 due to its larger sensor. It is noteworthy in this context that the GFX 100 II is a mch more recent model (by 2 years and 7 months) than the X-E4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 II for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Fujifilm X-E4 are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.

Unlike the X-E4, the GFX 100 II has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-E4 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 80-51200.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the GFX 100 II uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-E4 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
2.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
3.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
4.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
9.		Fujifilm X-H2	APS-C	39.8	7728	5152	8k/30p	24.3	13.9	2249	86
10.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
11.		Fujifilm X-T5	APS-C	39.8	7728	5152	6.2k/30p	24.3	13.9	2264	86
12.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
13.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
14.		Fujifilm X-T30 II	APS-C	26.0	6240	4160	4K/30p	24.2	13.8	2144	85
15.		Fujifilm X-T200	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1991	84
16.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
17.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 100 II provides a higher video resolution than the X-E4. It can shoot video footage at 8K/30p, while the X-E4 is limited to 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100 II offers a substantially higher resolution than the one in the X-E4 (9440k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 100 II and Fujifilm X-E4 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
2.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
3.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
4.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
9.		Fujifilm X-H2	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
11.		Fujifilm X-T5	3690	n	3.0 / 1840	full-flex	Y	1/8000s	15.0/s	n	Y
12.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
13.		Fujifilm X-T30	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
14.		Fujifilm X-T30 II	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	Y	n
15.		Fujifilm X-T200	2360	n	3.5 / 2780	swivel	Y	1/4000s	8.0/s	Y	n
16.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
17.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100 II, but is missing on the X-E4 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 II and the Fujifilm X-E4 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 II writes its imaging data to CFexpress (type B) or SDXC cards, while the X-E4 uses SDXC cards. The GFX 100 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E4 only has one slot. The GFX 100 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-E4 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 II and Fujifilm X-E4 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
2.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
3.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
4.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Fujifilm X-H2	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
10.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
11.		Fujifilm X-T5	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
12.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Fujifilm X-T30	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
14.		Fujifilm X-T30 II	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
15.		Fujifilm X-T200	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
16.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
17.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 100 II has a headphone jack, which is not present on the X-E4 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Fujifilm GFX 100 II (unlike the X-E4) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 II and the X-E4 are recent models that are part of the current product line-up. The X-E4 replaced the earlier Fujifilm X-E3, while the GFX 100 II followed on from the Fujifilm GFX 100. Further information on the features and operation of the GFX 100 II and X-E4 can be found, respectively, in the Fujifilm GFX 100 II Manual (free pdf) or the online Fujifilm X-E4 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100 II and the Fujifilm X-E4? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm GFX 100 II:

• More detail: Offers more megapixels (101.8 vs 26MP) with a 94% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better jpgs: Has a more modern image processing engine (X-Processor 5 vs X-Processor 4).
• Better video: Provides higher definition movie capture (8K/30p vs 4K/30p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (9440k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (1.27x vs 0.62x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1620k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Longer lasting: Can take more shots (540 versus 380) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 2 years and 7 months of technical progress since the X-E4 launch.

Arguments in favor of the Fujifilm X-E4:

• More compact: Is smaller (121x73mm vs 152x117mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 666g or 65 percent) and is thus easier to take along.
• More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in January 2021).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 II is the clear winner of the match-up (23 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100 II and the Fujifilm X-E4 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 II or the X-E4. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
2.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	US$ 849	amazon.com
3.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
4.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
6.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
8.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	US$ 899	ebay.com
9.		Fujifilm X-H2	5/5	+ +	5/5	89/100	5/5	5/5	Sep 2022	US$ 1 999	amazon.com
10.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
11.		Fujifilm X-T5	5/5	+ +	4.5/5	90/100	4.5/5	..	Nov 2022	US$ 1 699	amazon.com
12.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	US$ 899	ebay.com
13.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	US$ 899	ebay.com
14.		Fujifilm X-T30 II	5/5	..	4/5	..	4.5/5	4.5/5	Sep 2021	US$ 899	amazon.com
15.		Fujifilm X-T200	3.5/5	..	4/5	82/100	4/5	4.5/5	Jan 2020	US$ 699	ebay.com
16.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
17.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	US$ 3 999	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 100 II price at
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Check X-E4 price at
amazon.com

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Check GFX 100 II price at
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