Canon T6s vs Panasonic GF6

The Canon EOS Rebel T6s (called Canon 760D in some regions) and the Panasonic Lumix DMC-GF6 are two digital cameras that were revealed to the public, respectively, in February 2015 and April 2013. The T6s is a DSLR, while the GF6 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6s) and a Four Thirds (GF6) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon T6s		Panasonic GF6
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/30p Video		1080/60i Video
ISO 100-12,800 (100 - 25,600)		ISO 160-12,800 (160 - 25,600)
Optical viewfinder		No viewfinder, LCD framing
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Swivel touchscreen		Tilting touchscreen
5 shutter flaps per second		4.2 shutter flaps per second
440 shots per battery charge		340 shots per battery charge
132 x 101 x 78 mm, 565 g		111 x 65 x 38 mm, 323 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6s and the Panasonic Lumix DMC-GF6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon T6s and the Panasonic GF6. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The GF6 can be obtained in four different colors (black, brown, red, white), while the T6s is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF6 is considerably smaller (46 percent) than the Canon T6s. Moreover, the GF6 is substantially lighter (43 percent) than the T6s. In this context, it is worth noting that neither the T6s nor the GF6 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6s) and the Micro Four Thirds Lens Catalog (GF6). Mirrorless cameras, such as the GF6, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the T6s gets 440 shots out of its Canon LP-E17 battery, while the GF6 can take 340 images on a single charge of its Panasonic DMW-BLG10 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
2.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	499	ebay.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	899	ebay.com
4.		Canon T7i	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	749	ebay.com
5.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
6.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
7.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
8.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	699	ebay.com
9.		Canon T1i	129 mm	98 mm	62 mm	520 g	400	n	Mar 2009	799	ebay.com
10.		Canon XSi	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	799	ebay.com
11.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	799	ebay.com
12.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
13.		Panasonic GF7	107 mm	65 mm	33 mm	266 g	230	n	Jan 2015	499	ebay.com
14.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
15.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
16.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
17.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF6 was launched at a somewhat lower price (by 23 percent) than the T6s, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon T6s features an APS-C sensor and the Panasonic GF6 a Four Thirds sensor. The sensor area in the GF6 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6s has a native 3:2 aspect ratio, while the one in the GF6 offers a 4:3 aspect.

With 24MP, the T6s offers a higher resolution than the GF6 (15.8MP), but the T6s has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the GF6). However, the T6s is a somewhat more recent model (by 1 year and 9 months) than the GF6, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon T6s implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6s for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF6 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The T6s has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel T6s has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the T6s provides substantially higher image quality than the GF6, with an overall score that is 16 points higher. This advantage is based on 1.9 bits higher color depth, 1.4 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
2.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon T7i	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
5.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
6.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
7.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
8.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
9.		Canon T1i	APS-C	15.1	4752	3168	1080/20p	21.7	11.5	663	63
10.		Canon XSi	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
11.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
12.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
13.		Panasonic GF7	Four Thirds	15.8	4592	3448	1080/60p	22.7	12.3	874	70
14.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
15.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
16.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
17.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GF6 provides a faster frame rate than the T6s. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the T6s has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon T6s and Panasonic GF6 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon T7i	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
5.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
7.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
9.		Canon T1i	optical	n	3.0 / 920	fixed	n	1/4000s	3.4/s	Y	n
10.		Canon XSi	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
11.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
12.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
13.		Panasonic GF7	none	n	3.0 / 1040	tilting	Y	1/500s	5.8/s	Y	n
14.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
15.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
16.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
17.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the T6s, but is missing on the GF6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

Concerning the storage of imaging data, both the T6s and the GF6 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6s and Panasonic Lumix DMC-GF6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
2.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon T7i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
6.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
7.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
9.		Canon T1i	Y	mono / mono	-	-	mini	2.0	-	-	-
10.		Canon XSi	Y	- / -	-	-	mini	2.0	-	-	-
11.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
12.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
13.		Panasonic GF7	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the T6s has a hotshoe, while the GF6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the T6s and the GF6 have been discontinued, but can regularly be found used on ebay. The GF6 was replaced by the Panasonic GF7, while the T6s was followed by the Canon 77D. Further information on the features and operation of the T6s and GF6 can be found, respectively, in the Canon T6s Manual (free pdf) or the online Panasonic GF6 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon T6s or the Panasonic GF6 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Canon EOS Rebel T6s:

• More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
• Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (1.9 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Faster burst: Shoots at higher frequency (5 vs 4.2 flaps/sec) to capture the decisive moment.
• Longer lasting: Can take more shots (440 versus 340) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More modern: Is somewhat more recent (announced 1 year and 9 months after the GF6).

Reasons to prefer the Panasonic Lumix DMC-GF6:

• Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
• More compact: Is smaller (111x65mm vs 132x101mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 242g or 43 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• More affordable: Was released into a lower priced segment (23 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in April 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the T6s is the clear winner of the match-up (14 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon T6s and the Panasonic GF6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T6s and the GF6 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
2.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	499	ebay.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	899	ebay.com
4.		Canon T7i	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	749	ebay.com
5.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
6.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
7.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
8.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	699	ebay.com
9.		Canon T1i	..	+ +	..	74/100	4.5/5	4.5/5	Mar 2009	799	ebay.com
10.		Canon XSi	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	799	ebay.com
11.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	799	ebay.com
12.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
13.		Panasonic GF7	4/5	+	..	..	4.5/5	4.5/5	Jan 2015	499	ebay.com
14.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
15.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
16.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
17.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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